Why do HBCU halftime shows feel so intentionally different from the expected military-style performance? Seemingly every part of an HBCU marching band, from the marching style to the majorette choreography to the music selection to the drum major expectations, is of an immediately identifiable, unique style.
This distinct “Show Style”, which has broken out of its “bubble” in the past two decades, is credited to Dr. William P. Foster and the FAMU Marching 100 in the 1940s. It’s no surprise that this new take on what a marching band can be drew controversy, but it was his emphasis on discipline and excellence in this new endeavor that jumpstarted its prominence well into the 21st century. In modern times we see the Battle of the Bands, HBCU Bands at presidential inaugurations, hit films like Drumline, and even Beyoncé showing off this spectacle. I find this whole concept of cultural expression to be so neat.
The Origins and Magic of the HBCU Marching Bands
