By Walter Rutledge
Journalist and author Cheryl Wills joins the cast as both actor and playwright for the Jamel Gaines Creative Outlet Dance Company in tonight’s production of Remembering at the BAM Fisher Fishman Space, 321 Ashland Place, in downtown Brooklyn. Wills shared the story of her great, great, great grandfather Private Sandy Wills with young audiences on Wednesday and Thursday. On Friday evening’s performance playwright Wills will be performed by Thera Ward. Continue reading
By Walter Rutledge
Thera Ward has had a varied performance career based on her ability to broaden her artistic horizons. At 13 she made her debut as one of Dance Theatre of Harlem (DTH) founder Arthur Mitchells’ Baby Ballerinas. By 17 she was touring the world performing principal roles with DTH and helping to crack ballet’s color glass ceiling. Continue reading
Meet Deven Crawford a 19-year-old Las Vegas Nevada native who is living his dream. The former dance major at the Las Vegas Academy of the Arts happened to meet Jamel Gaines at the 2024 IABD (International Association of Black in Dance) conference. Today Crawford is a sophomore studying dance at Marymount College in Manhattan and one of the newest members of the Jamel Gaines Creative Outlet Dance Company (JGCO). Continue reading
By Walter Rutledge
For over 31 years Jamel Gaines, and his Brooklyn based company, Jamel Gaines Creative Outlet Dance Company, has understood the power of education through the arts. His much-anticipated annual arts in education production Remembering, reflects Gaines continued commitment to educate and enlighten the next generation through the dance theatre genre. Gaines and his company will offer six young audience daytime performances on February 11,12 and 13 at 10am and 12 noon in the BAM Fisher (Fishman Space) 321 Ashland Pl, Downtown Brooklyn,. There will also be one evening performance open to the public on February 13th at 7:30pm. His staunch commitment to protected, preserving and perpetuate the legacy of Americans of African descent has earned Gaines the moniker of the “Godfather of Black History Month”.
Remembering is a multimedia history lesson with dance as the primary medium. The work is an effective amalgam of contemporary western and traditional West African dance styles, spoken word, music, West African drumming and stunning video and photographic imagery. This diasporic sojourn chronicles the journey from the blissful land nourished by the Pishon, Gihon, Tigris and Euphrates Rivers to the struggles and triumphs on this other side of the Atlantic.
Gaines credits his commitment to the philosophy of empowerment and self-determination offered by Bishop Reverend Dr. Johnny Ray Youngblood, the spiritual leader of Mt. Pisgah Baptist Church. Gaines’ recent participation in the church’s Black History Month declaration, The MAAFA Suite is an example the power of storytelling as communication and education. In other words: Unity through community.
What better way to share the richness of American history than through the visual and kinetic power of the arts. It will spark conversations and open curiosities important for this new 21st century visual learning environment. This sensory historical experience explores the struggles, triumphs and continued fight for a place at America’s banquet table.
For more information about Jamel Gaines Creative Outlet school and company visit https://www.creativeoutlet.org for tickets for Remembering at BAM Fisher performances of February 13 visit https://www.bam.org/dance/2026/remembering
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By Walter Rutledge
Dance Theatre of. Harlem founder Arthur Mitchell told me, “It’s easy to choreograph on professionals try choreographing on regular people”. He was implying that the dance maker must rely more on creativity than on established steps and patterns. Jamel Gaines has accepted this challenge. Instead of using members of the Jamel Gaines Creative Outlet Dance Theater, he has constructed a large intergenerational cast of church constituents.
On Sunday February 1st the Creative Outlet founder/artistic director will present his staging and choreography in MAAFA: The Capture. The Brainchild of Bishop, Dr. Johnny Ray Youngblood, the 9am free performance at Mt. Piscah Baptist Church, located at 167-10 137th Ave in Jamaica, Queens, will herald in Black History Month. MAAFA: The Capture is a twenty-minute dance theatre vignette depicting the African American experience.
O&A NYC Magazine Editor-in-Chief Walter Rutledge attended recent rehearsals and watched Gaines put his neophyte cast through the paces. These rehearsals were equal parts inspiration and perspiration. A true old school director Gaines rehearsals are both exacting and exhausting. And Gaines high energy and cajoling demeanor effortlessly brings out the movement shapes and dramatic artistry. Don’t take my word here’s a sneak peek into the rehearsal process.
MAAFA: The Capture rehearsal
The black church has always been the source of not only inspiration but the hallmark for information and education. MAAFA: The Capture captures African American history in an entertaining and enlightening dance theater group endeavor. Unity through community.
“My roots are also in the Gospel church, the Gospel churches of the south where I grew up…holy blues—paeans to joy, anthems to the human spirit.” These words written by Alvin Ailey were the impetus for The Holy Blues, a collaborative choreographic endeavor by choreographer Jawole Willa Jo Zollar and emerging dancemakers Samantha Figgins and Chalvar Monteiro. Continue reading
Every time we have a snowstorm it brings back one the most lasting and endearing early memories I have of my father. I was six years old; we lived in a quiet residential Northeast Bronx neighborhood. (Yes there are quiet neighborhoods in New York City.) Back then we didn’t have a formal sidewalk the grassy front lawn meandered into a roughly paved street that seemed to be more dirt than asphalt. Continue reading
In 1971, Alvin Ailey created Cry, one of his signature dance works, as a birthday present for his mother Lula Elizabeth Ailey. Ailey dedicated the ballet to “all black women everywhere — especially our mothers.” The three-part ballet, set to contemporary music by Alice Coltrane, Laura Nyro and Chuck Griffin, depicts a woman’s journey through toil to an ecstatic state of grace. Cry premiered at New York City Center on May 4, 1971. Continue reading
By Walter Rutledge
Nineteen seventy began the golden age of the Alvin Ailey American Dance Theater. Ailey in his creative apex choreographed Streams (1970) (his first plotless work), Cry (1971) (iconic female solo and Judith Jamison’s breakout role), The Lark Ascending (1972) his historic collaborations with Duke Ellington (Ailey Does Ellington -1974 season in Lincoln Center) and Memoria (1979). In 1972 Dudley Williams premiered Love Songs, a solo choreographed in three sections by Ailey.
The choreography received lukewarm reviews and was categorized as the male counter part of Cry, which had premiered a year earlier. New York Times dance critic Anna Kisslegoff called the work a “technical and dramatic tour-de-force for Mr. Williams”. The literati may not have been initially enthusiastic, but the audience had a different reaction. They showered Williams’ performance with thunderous applause, establishing him as Ailey’s lyric crown prince and Love Songs as his signature role.
Dudley Williams -A Song for You (1986)
Dudley shared with me in a 2010 interview that Judith Jamison introduced him to the Donny Hathaway music and he then shared it with Ailey. One day Ailey called him into the studio and said, “This is for you Chicken”, (Ailey’s pet name for Williams) and began to choreographer the opening movement A Song For You. The work provided Williams, at the peak of his artistic prowess, a vehicle to showcase his impeccable musical phrasing and stage presence.
The opening section, A Song For You, is often presented as a stand-alone solo. Its lyricism, musicality, and soul stirring dramatic commitment continues to inspire audiences. On December 7th Renaldo Maurice performed A Song For You with great sensitivity and a masterful yet quiet command. The program note read: “This performance is dedicated in loving memory to long-time Ailey Company member Dudley Williams (1938–2015)”. It’s hard to believe Dudley has been dancing with the ancestors for over ten years.
Tonight’s performance is a tribute to choreographer and company founder Alvin Ailey and his muse Judith Jamison. Jamison’s A Case of You will be presented along with two of Ailey’s golden age gems, Memoria and Cry along with his signature masterwork Revelations.
For more information and to purchase tickets visit: https://ailey.org/performances
In Photo: 1. Ailey and Company (1978 twentieth anniversary season) 2. Alvin Ailey and Judith Jamison
Jack Mitchell Photographer
By Walter Rutledge
When Robert Battle discussed Under the Rhythm prior to the Paul Taylor Dance Company New York season the poignant story of his upbringing was inspiring. Dessie Williams, his mother by choice, introduced him to the arts and encouraged his terpsichorean journey. The nonagenarian still plays the piano at the same church little Robert attended. Continue reading
Wollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn Museum
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn Museum
Mycelium Workshop - Instructor: Raúl Serrano Núñez ballet master of the Lyon Opera Ballet
Dance Reflections by Van Cleef & Arpels Festival in New York Workshops 20 workshops are being held at the New York Center for Creativity & Dance, recently opened by one of Dance Reflections’ loyal partners, The Joyce Theater. Each of these moments aims to foster exchanges between the dance community and the audience.
287 East 10th Street, New York, NY
Studio 1
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York Historical
Wollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn Museum
A dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalDance Reflections by Van Cleef & Arpels Festival in New York Workshops 20 workshops are being held at the New York Center for Creativity & Dance, recently opened by one of Dance Reflections’ loyal partners, The Joyce Theater. Each of these moments aims to foster exchanges between the dance community and the audience.
287 East 10th Street, New York, NY