One of the best live performances by Patti Austin on Swing+, Solidarity of Arts festival in Gdańsk on Aug 15th, 2015. She was also surprised by celebrating her 65th birthday at the end of the concert. Continue reading
Category: Sunday Afternoon Jazz Concert
10/9/16 O&A NYC SUNDAY AFTERNOON CONCERT: Carmen McRae (1962)
Carmen McRae with Norman Simmons (Piano), Victor Sproles (Bass) Walter Perkins (Drums) recorded on March 15, 1962. Continue reading
9/18/16 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: B.B King- Live in Stockholm (1974)
An excerpt from B.B King live in Stockholm, Sweden (1974) Continue reading
9/18/16 O&A NYC GOSPEL SUNDAY: B.B King – Live in Stockholm (1974)
An excerpt from B.B King live in Stockholm, Sweden (1974) Continue reading
8/7/16 SUNDAY AFTERNOON JAZZ CONCERT: Propellerheads featuring: Shirley Bassey – History Repeating
History Repeating, written in 1997 by Alex Gifford, and originally performed by the Propellerheads featuring Shirley Bassey. The track is a fusion of several different styles of big beat, breakbeat and jazz combined with the powerful vocals of Shirley Bassey. Continue reading
6/12/15 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Duke Ellington Live
5/29/16 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Everything Must Change- Quincy Jones, Chaka Khan & Simply Red (live)
Everything Must Change conducted by Quincy Jones featuring Chaka Khan & Simply Red from the 1996 Montreux Jazz Festival. Continue reading
5/22/16 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Shirley Horn – Here’s To Life
Jazz legend Shirley Horn performs Here’s To Life with John Williams and The Boston Pops. Continue reading
4/24/16 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT- REMEMBERING PRINCE: Prince On The Arsenio Hall Show
Prince in his final interview on The Arsenio Hall Show in 2014. Continue reading
4/10/16 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Miles Davis- So What
So What is one of the best known examples of modal jazz, the song is first track on the 1959 Miles Davis album Kind of Blue. The actor Dennis Hopper, in an interview in 2008 with Men’s Journal, claims that Davis named the song after intellectual conversations with Hopper, in which Hopper would reply, “So what?” Continue reading




















