12/14/17 O&A NYC 11 DAYS OF NUTCRACKER: California Philharmonic Dancers – The Nutcracker Live 2015

California Philharmonic Dancers CalPhil with “So You Think You Can Dance” and “America’s Best Dance Crew” dancers/choreographers Cyrus “Glitch” Spencer, James “BDash” Derrick and Kevin “Konkrete” Davis are featured on Tchaikovsky’s The Nutcracker, op. 71 (1892) movements March, Dance Of The Sugarplum Fairies (Spencer/Derrick/Davis), Spanish Dance: Chocolate (Davis), Chinese Dance: Tea (Spencer) and Russian Dance: Trepak (Derrick). Maestro Victor Vener conducts the California Philharmonic Orchestra on Christmas Concert Spectacular finale at the Pasadena Civic Auditorium, Pasadena, CA December 12, 2015.

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12/12/17 O&A NYC 12 DAYS OF NUTCRACKER: Royal Opera Ballet- Coffee (Arabian Dance)

Royal Opera Ballet’s The Nutcracker features a sensual Coffee (Arabian Dance) a pas de quatre. Continue reading

12/12/17 13 DAYS OF NUTCRACKER: Darci Kistler and Damian Woetze in George Balanchine’s Nutcracker Grand Pas De Deux (1993)

Darci Kistler and Damian Woetze in the Grand Pas De Deux from George Balanchine’s Nutcracker (1993). 
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12/7/17 O&A NYC DANCE: NewSteps 2017 Begins Tonight- Meet The Choreographers- Keith Comley

By Walter Rutledge

Newsteps begins their 35th bi-annual emerging choreographers showcase December 7 through December 9 at the Chen Dance Center, 70 Mulberry Street in Chinatown. Newsteps offers new and emerging dance makers the opportunity to develop and present works in a low pressure, nurturing environment. Each choreographer is given rehearsal space, an honorarium, mentoring from a member of the selection panel, and multiple (three) performances to give the works time to “find its own voice”. Continue reading

11/28/17 O&A NYC DANCE: Ailey Company To Dance George Faison’s Suite Otis At Gala

By Walter Rutledge

The Alvin Ailey American Dance Theater will present an excerpt of George Faison’s masterwork Suite Otis at their New York City Center season opening night gala, Wednesday, November 29 2017. Choreographed in 1971 for the George Faison Universal Dance Experience the work joined the Ailey repertoire in 1977. 40 years after it’s Ailey debut Suite Otis continues to excite and entertain audiences with verve, aplomb, fleet footed technique and imaginative Archimedean storytelling.

The company will perform the finale section set to Otis Redding’s Tenderness. The full cast section reintroduces the dancers creating a visually exciting yet compelling epilog. Throughout the work Faison (the imperial storyteller) does what every choreographer should do- invites us into his vision and delivers with clarity, focus and impeccable choreographic timing.

Balletomanes still long for the return of old fashion honest storytelling- the hallmark of Ailey’s original company. In Suite Otis Faison’s articulate use of the dance narrative genre captures the majesty and universal humanity of both Otis Redding’s music and the black dance experience. This gave him a voice in an era when Black American dance and culture had started to becoming a global  force.

Suite Otis- George Faison

What Faison did (and continues to do) is to keep the dance/theatre aesthetic in the forefront of the arts conversation. Tenderness will be performed for one performance only on Wednesday, November 29 for tickets and a complete schedule of the five-week New York City season visit ailey.org.

11/4/17 O&A NYC SATURDAY MORNING CONCERT: Michael Jackson 30th Anniversary Billie Jean Live 30th Anniversary 2001


Michael Jackson performs Billie Jean in Brazil on the South American leg of his 30th Anniversary tour (2001). Continue reading

11/3/17 O&A NYC SHALL WE DANCE FRIDAY: Viengsay Valdes And Brooklyn Mack- Diana And Acteon

For Brooklyn Mack, a principal dancer at The Washington Ballet, it is a dream come true: performing in the land of his ballet idol Carlos Acosta, one of the outstanding stars of the Royal Ballet of London.

Mack is one of over 20 U.S. based dancers who participated in the 24th International Havana Ballet Festival,  October 28th through Friday, November 7th, 2014. 

Viengsay Valdes & Brooklyn Mack – Diana & Acteon

10/30/17 O&A NYC HOLLYWOOD MONDAY: Coming To America (1988)- Paula Abdul Choreography

Paula Abdul talks about choreographing Coming To America, “This was one of my moments of having to really prove myself, because I was still pretty new in my career as a choreographer. John Landis, the director, wanted the person that choreographed Janet Jackson. I was still a Laker Girl. I went in and he looked at me and said, ‘What are you, a teenager?’ And I said, ‘Yes, I am!’ Continue reading

10/25/17 O&A NYC DANCE: Ailey Releases Short Film Created In Paris

Alvin Ailey American Dance Theater dancers appear in Rue Montorgueila joyful short film shot on the Parisian streets.  Ailey company members performed with local dancers and people of different backgrounds, talents and nationalities and it was released on October 24- United Nations Day

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