12/16/16 12 DAYS OF NUTCRACKER: Gran Pas De Deux- Rudolf Nureyev and Merle Park- (1963)

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Rudolf Nureyev and Merle Park performs Gran Pas De Deux in the Royal Ballet’s 1963 Nutcracker production.   Continue reading

10/25/16 O&A NYC INSPIRATIONAL TUESDAY: Sylvie Guillem- Mademoiselle Non (1993)

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Sylvie Guillem joined the corps de ballet of the Paris Opera at age fifteen. A dance superstar whose breathtaking technique ranks her beside the likes of Nureyev and Baryshnikov the program centers on film of Guillem rehearsing and performing a range of pieces, both contemporary and classical, which display her astonishing virtuosity. Continue reading

10/7/16 O&A NYC SHALL WE DANCE FRIDAY: Nureyev & The Joffrey Ballet Tribute to Nijinsky 1980

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Nureyev & The Joffrey Ballet Tribute to Nijinsky, features three ballets Petrouchka, Le spectre de la rose, L’après-midi d’un faune was recorded on August 1980 in Nashville. 

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As Robert Joffrey, artistic director of the company, explains toward the end of this program, no one really knows in precise detail how the Vaslav Nijinsky of legend danced. These re-creations were assembled by reading about him and by looking at photographs in costume. Needless to say, dance scholars have been afforded endless opportunity for taking indignant exception to bits and pieces of the reconstructions.

Nureyev & The Joffrey Ballet Tribute to Nijinsky 1980

Petrouchka (Rudolf Nureyev, Denise Jackson, Christian Holder, Gary Chryst)

Le spectre de la rose (Rudolf Nureyev, Denise Jackson)

L’après-midi d’un faune (Rudolf Nureyev, Charlene Gehm)

National Philharmonic Orchestra ; Terence Kern, conductor ; Paul Jacobs, solo piano.

6/8/16 O&A NYC SHALL WE DANCE FRIDAY: Swan Lake- III Act- Sylvie Guillem, Manuel Legris, Cyril Atanasoff

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The Swan Lake III Act pas de trois in Rudolf Nureyev’s version with Sylvie Guillem, Manuel Legris and Cyril Atanasoff from the 1988 Paris Opera Ballet production. Continue reading

5/21/16 O&A NYC SATURDAY MORNING CONCERT: Nureyev and The Joffrey Ballet in Tribute to Nijinsky (1980)

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NUREYEV and the Joffrey Ballet/In Tribute to Nijinsky, the Dance in America broadcast, debuted on March 9, 1981. Recorded in August 1880 in Nashville the program presented a collection of three ‘reconstructed ballets had been seen in a special limited run on Broadway. For television, the dances have been supplemented with biographical comments on Nijinsky by Dale Harris and snippets of interviews with Rudolf Nureyev. Continue reading

9/24/17 O&A NYC ITS SATURDAY- ANYTHING GOES: Maya Plisetskaya Dances Bolero (Choreography by Maurice Béjart) And The Dying Swan

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Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself.  Continue reading

12/11/15 O&A NYC Shall We Dance Friday: Rudolf Nureyev and Merle Park – The Nutcracker (1968)

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This historic performance from 1968 captures choreographer/performer Rudolf Nureyev at the peak of his career. Filmed at the Royal Opera House Covent Garden, the ballet features artists of the Royal Ballet including Wayne Sleep, Jillian Gibbs and Merle Park as Clara. Continue reading

11/6/15 O&A NYC Shall We Dance Friday: Le Jeune Homme et la Mort- Rudolf Nureyev or Mikhail Baryshnikov? You decide

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Le Jeune Homme et la Mort (1946) choreography by Roland Petit, set to Bach’s Passacaglia and Fugue in C Minor, BWV 582, with a one-act libretto by Jean Cocteau. The story of a young man driven to suicide by his faithless lover. Two of the most memorable interrupters of the male role (both stage and film) have been Rudolf Nureyev and Mikhail Baryshnikov.  Continue reading

5/1/15 O&A Shall We Dance Friday- Encore Performance: Le jeune homme et la mort by Roland Petit (Zizi Jeanmaire & Rudolf Nureyev)- 1966

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Le Jeune Homme et La Mort was choreographed by Roland Petit  choreographed in 1946 to Bach’s Passacaglia and Fugue in C Minor, BWV 582, with a one-act libretto by Jean Cocteau. It tells the story of a Young Man driven to suicide by his faithless lover. Sets were by George Wakhevitch and costumes variously reported as being by Karinska or Cocteau. Continue reading