

The thing about time is that it comes and goes. Tomorrow will make today a distant memory, and as quick as you are here… you are gone. What’s in front of you is the opportunity to make right now something you will never forget. Continue reading


The thing about time is that it comes and goes. Tomorrow will make today a distant memory, and as quick as you are here… you are gone. What’s in front of you is the opportunity to make right now something you will never forget. Continue reading

Jill Scott has release her latest music video Back Together. While Scott isn’t in the video herself, the theatric clip features dancers from Complexions Contemporary Ballet breathe life into relationships broken by misunderstanding, the death of a loved one or personal issues. Continue reading

A soul music icon, Ray Charles was equally conversant in jazz, as he often showcased in the early part of his career. Charles brought his stellar band back to Newport in 1960 for George Wein’s annual clambake and turned in another electrifying performance that easily straddled the jazz and R&B worlds. Continue reading


Missy Elliott has returned in spectacularly weird style in the vibrant, clever video for “WTF (Where They From),” her new single with Pharrell. The clip opens with a handful of New Yorkers already singing along to “WTF” and goes on to feature the rapper and a rotating cast of dancers working locations around the city. Though the concept is simple, the execution is far from it. Continue reading


Our Editor In Chief must have been shuffled between time zones, because somehow Throwback Thursday went out yesterday (Technically it was Thursday in China). In order to make things right today is Wildin Out Wednesday On Thursday. For those of you who haven’t put away your Halloween costume, or are still eat candy corn here is Obama Does Thriller. Continue reading


Agon (1957) is a ballet for twelve dancers, with music by Igor Stravinsky and choreography by George Balanchine. The cast includes:First Pas de Trios– Peter Boal, Zippora Karz, Kathleen Tracey Second de Trios– Albert Evans, Arch Higgins, Wendy Whelan Pas de Duet– Darcey Bussell, Lindsay Fischer.
And an excerpt from the Pas de Duet featuring Diana Adams and Arthur Mitchell


Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading


The Bill Cosby Sextape has been found. Now finally the public can see what really happened. Thanks to video satirist Braddy reveals the truth. Continue reading
By Walter Rutledge


When you check the resumes of performing artists, so many did not begin their training in large renowned institutions. They usually begin at a smaller local school in their hometown or neighborhood. In these nurturing environments teachers taught more than dance.
Often these unsung heroes wore many pairs of dance shoes. They were chauffeurs, loan officers, guidance counselors, math tutors, disciplinarians, landlords and surrogate parents. They provided free classes, that they called scholarship, without the luxury of corporate sponsorships to offset the expense. But for the most part they provided a safe haven, and a solid foundation; not just in dance but in life.
Whether it was a converted storefront, a church basement, school gymnasium, or after school program, you couldn’t wait to get there because even after a hundred failed attempts eventually you knew you would the words “Yes that’s it” usually followed “Now do it again”. It was that teacher, that hero, who first saw that spark in your eyes, and helped you turn it into the raging fire in your soul. Every dancer has an Aunt Joan, a Madame Cugjet or Nikita Talin whose dedication, conviction and love helped mold their artistry. And even now their voices and wisdom still resounds from deep within. Jamel Gaines is one of these heroes.
Jamel Gaines and Members of Creative Outlet
For twenty years Gaines has given his time, talent and personal resources to develop young people into performing artists and contributing members of society. His tireless energy and ability to show young people how “To be the best you can be” has not diminished. On any given Saturday Gaines conducts his school at Junior High School 113, 300 Adelphi Street in Brooklyn.
The school is a model of the phrase “It takes a village to raise a child”. Parents volunteers escort children to and from classes. They also operate a lunch concession where children and parent can purchase a hot meal with leaving to building. School alumni teach classes, and the company, Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn, consists of budding talent developed at the school and returning former students who are either between professional gigs or on hiatus.

On May 15 Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn will celebrate the 20th anniversary with a three-day season at Kumble Theater at LIU Brooklyn, One University Plaza, Brooklyn. The performance May 15, 16 and 17 will showcase works from the company’s repertoire including the world premiere of Bitter Sweet, set to the music of Roberta Flack, commissioned by 651 ARTS. For more information and tickets call or visit the Kumble box office at (718) 488 – 1624 or online at creativeoutlet.org.