Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (or simply Don’t Be a Menace) The film spoofs a number of black, coming-of-age, hood films such as Juice, Jungle Fever, South Central, Higher Learning, Do the Right Thing, Poetic Justice, New Jack City, Dead Presidents, Friday, and most prominently Boyz n the Hood and Menace II Society. Continue reading
The Promise is a heartwarming story about a widowed father and his son, whose lives are intertwined with a red umbrella they share. Spanning three decades, from the 1980s to modern-day Singapore, their story culminates in a revelation about the umbrella and how it symbolizes a promise that binds three generations past, present and future. Continue reading
By Walter Rutledge
Philadanco celebrated the 45th anniversary of the company Friday, April 17 through Sunday, April 19 at the Kimmel Center for the Performing Arts. The program entitled Having Our Say…The Voices of Women Choreographers was an homage to the talents of female artists. The concert featured the work of four dance makers Diane McIntyre, Jawole Willa Jo Zollar, Bebe Miller and Dawn Marie Bazemore; and a tribute to performing artist, the late Mary Hinkson Jackson. Continue reading
By Walter Rutledge
The National Dance Theatre Company (NDTC) of Jamaica returned to the Brooklyn Center for the Performing Arts at Brooklyn College for two performances March 21 and 22. The presentation more closely resembled an event, than merely a performance. The large all volunteer touring company is comprised of eighteen dancers, ten singers and seven musicians. Continue reading
An old lady who lives all alone and receives a Child Robot one day as a present. The story tells about their relationship and love for one another through time. Continue reading
By Adewale Adekanbi Jr.
New York Fashion Week, the biannual fashion extravaganza will be moved to two new locations beginning fall 2015. Moynihan Station (Midtown West)
and Skylight Clarkson Square (Tribeca) were chosen by IMG, along with New York City Mayor, Bill de Blasio. This is a definite coup for the Skylight Group that runs both locations.
Lincoln Center was slated to house Fashion Week until 2020. The deal was dissolved when park advocates filed a suit against the event for encroaching on a small park nearby. To reduce chaos IMG suggested that some brands may be omitted from the schedule and that transportation will be provided. The also mentioned in a release that New York Fashion Week will also include a more carefully curated designer schedule that will be complemented by strategic partner alliances. We will have to wait until NWFW Spring 2016, scheduled September 10 through 17, to see how fashion editors, celebrities, designers and the public navigates the multiple locations.
I Will Trust is the twelfth solo album from Contemporary Gospel singer Fred Hammond. The album was released on November 17, 2014 through RCA Records. I Will Trust sees Fred Hammond freshly inspired after he underwent double knee replacement. Feelings of gratefulness and unswerving trust fill the album, which is jubilant—often to a full-tilt extent—even at its most reflective. Continue reading
Tina Turner’s amazing three-night stint at the Amsterdam Arena in September, 1996, where she performed all her biggest hits in a spectacular visual production. Continue reading
By Walter Rutledge
Fresh off the heels of the acclaimed winter European tour of the James Brown Project Get on the Good Foot, Philadanco launches their 45th Anniversary Celebration with Having Our Say… The Voices of Women Choreographers April 17- 19 at Philadelphia’s Perelman Theater, Kimmel Center located at Broad & Spruce Streets. The program honors four generations of female choreographers, with four works by four female choreographers. The works presented include world premiere ballets by Philadanco alumna Dawn Marie Bazemore master choreographer Dianne McIntyre and audience favorites, My Science by Bebe Miller, and Jawola Willa Jo Zollar’s Hands Singing Song.
Philadanco- Joan Myers Brown and “Having Our Say… “
The production’s title is derived from the 1993 book, of the same title, written by the Sarah Louise “Sadie” Delaney and Annie Elizabeth “Bessie” Delaney affectionately called The Delaney Sisters. Their eloquent story of living with dignity through the racism and sexism of the Jim Crow Era and The Great Depression catapulted the 90 year-old African-American women to literary and social notoriety. For the Philadanco production the title really functions as a metaphor for the struggle of minority female artists.
“Philadanco’s program similarly shares the stories by four African-American women, who despite the odds were able to make strides through dance, with opportunities for these choreographers to showcase their works on stage” explains Philadanco Founder and Artistic Director Joan Myers Brown. Brown is no stranger to struggle of female artist of color. The recipient of the 2012 National Medal of the Arts award, presented by President Obama, will be honored with an Honorary Doctor of Arts from the University of Pennsylvania at the upcoming 2015 29th Commencement ceremony on May 18, 2015.
Dirty Diana is a song by American singer Michael Jackson featuring Billy Idol’s guitarist Steve Stevens. This music video won the Number One Video In The World at the second World Music Awards held on April 14, 1989. Dirty Diana was the second hard rock song of his solo career, with lyrics about a persistent groupie. Continue reading
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern ParkwayThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern ParkwayThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern ParkwayThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern ParkwayThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern ParkwayThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern Parkway
A dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern ParkwayThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
200 Eastern Parkway