

A parody of Quintin Tarantino controversial pre-civil war film Django Unchained (the D is silent). Continue reading


A parody of Quintin Tarantino controversial pre-civil war film Django Unchained (the D is silent). Continue reading
By Walter Rutledge
On August 18 and 19 the Thelma Hill Performing Arts Center (THPAC) began two days of interviews with dancers, choreographers and directors about their experiences with Thelma Hill and THPAC for the upcoming documentary To The Souls of Our Feet. The two days of filming captured the experiences of six artists, (George Faison, Alfred Gallman, Dyane Harvey Salaam, Abdel Salaam, Edisa Weeks, Jill Williams and Lakai Worrell), who lives and careers were directly impacted by Ms. Hill and/or THPAC.
THPAC Documentary Preview
Here is an excerpted from the upcoming documentary with the one and only dance and theater legend George Faison. The final filming will take place in the fall and we will keep you inform as our documentary “To The Souls of Our Feet” get one step closer to coming to a theater near you. For more information about the Thelma Hill Performing Arts Center and/or to make a donation to the “To The Souls of Our Feet” documentary project visit https://www.thelmahill.org/. An additional filming date will take place later in the fall.
In small-town Alabama in 1932, Atticus Finch (Gregory Peck) is a lawyer and a widower. He has two young children, Jem and Scout. Atticus Finch is currently defending Tom Robinson (Brock Peters), a Black man accused of raping a white woman. Meanwhile, Jem and Scout are intrigued by their neighbors, the Radleys, in particular the mysterious, seldom-seen Boo Radley.
Continue reading
By Walter Rutledge
Please excuse my self indulgent opening digression. It is the perfect example of history being rewritten and romanticized to create propaganda more palatable to the American founding fathers myth. . Continue reading

Billie Holiday (born Eleanora Fagan [April 7, 1915 — July 17, 1959) an American jazz singer and songwriter Nicknamed “Lady Day” by her friend and musical partner Lester Young. Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Continue reading
While planning her family reunion Madea, everyone’s favorite pistol-packing grandma, must contend with the other dramas on her plate. These including the runaway who has been placed under her care, and her love-troubled nieces. Continue reading
Buddy Love (Eddie Murphy) gets his revenge on the insult comic Reggie (Dave Chapelle), by heckling him on stage with jokes and throwing him into a piano. Continue reading
Larry Rhodes discusses the events leading to the formation of the Harkness Ballet in an excerpt from the upcoming documentary An American Ballet Story. The story about the all too short life of the Harkness Ballet, will have its New York live screening premiere on April 20th at the New York Public Library Performing Arts – Bruno Walter Auditorium. O&A NYC Magazine Editor-in-Chief Walter Rutledge will moderate the post screening Q and A. Continue reading
A Few 1966 and Beyond Harkness Memories for Walter Rutledge
By Cheryl Clark
Dear Walter,
I am sending you the above attached Playbill Legacy Bio when I received the 2019 Legacy Award (that is housed now in the Jerome Robbins collection at Lincoln Center for Performing Arts Library…). It mentions my great appreciation for Mrs. Harkness and Patricia Wilde, 1st Director of Harkness House who recommended me to Mrs. H. Both gave me my full scholarship at age 15 at Harkness House for Ballet Arts, and it mentions many of the great teachers, etc. In another article I will try to send you, I mention the great pianists that Mrs. Harkness hired to play class for us training- hugely inspiring, particularly John Anderson and John Childs. Continue reading
I’ve Been Around (Excerpt from upcoming book of the same name)
By Lawrence Leritz
I arrived in NYC on a Sunday afternoon during the intense summer heat of early July, 1974. David Howard, co-director of Harkness House, recommended that I stay at The East End Hotel, a rundown boarding hotel on the East River near Harkness House, which was located on East 75th off Fifth Avenue. Most of the dancers were there for the six-week intensive summer session.