3/18/26 O&A NYC THE ARTS WITH ALEX SMITH JR.: About the Oscars

By Alex Smith, Jr.

Sunday night was the Academy of Motion Picture Arts and Sciences’ (AMPAS) 98th Oscar Awards at the Dolby Theatre, in Los Angeles, CA. I have watched the Oscars for decades now. I have found some Oscar programs better than others. I can’t remember any of them being spectacular except maybe the year The Godfather I won best picture-1973. Continue reading

7/6/25 O&A NYC DANCE COMMENTARY: The Ramp To Paradise Afterglow

By Walter Rutledge

The Thelma Hill Performing Arts Center (THPAC) presented A Ramp To Paradise at the Ailey Citicorp Theater on June 27th and 28th. The two-day spring performance season showcased the third rendition of the dance theater narrative. The story begins in 1985 at the now celebrated underground nightclub- the Paradise Garage.  The sold-out Saturday evening performance was followed by a classic Paradise Garage style after party that lasted from 9pm to 12am (that’s 12 midnight not the Garage’s notorious Sunday noon closing- for those who remember). Continue reading

5/4/25 O&A NYC DANCE PREVIEW: THPAC’s A Ramp To Paradise Returns

 The Thelma Hill Performing Arts Center (THPAC) will present A Ramp To Paradise on June 27 and 28, 2025 at the Ailey Citigroup Theater,405 west 55th Street. The dance theater work is the brainchild of THPAC executive chairman Alex Smith, Jr. and is based on the short story A Ramp To Paradise conceived and written by Smith. The story centers around a group of friends who attend the famed 1980’s underground dance club-The Paradise Garage. Continue reading

3/20/25 O&A NYC DANCE: THPAC Search For Choreographers

The Thelma Hill Performing Arts Center (THPAC) is conducting a search for three choreographers for the upcoming 2025 season June 27th and 28th at the Ailey Citicorp Theater. THPAC will present A Ramp to Paradise an original work based on a short story by THPAC Executive Chairman Alex Smith Jr. The story is set in the Paradise Garage, the New York Black gay mega club from the late 70’s and 80’s. Choreographers should have expertise in Modern, Jazz and period social/club dance styles. Continue reading

9/23/24 O&A NYC PREVIEW: Edges of Ailey at The Whitney

By Alex Smith, Jr.

Something very special is about to burst on the NYC cultural scene- Edges of Ailey.  The Whitney Museum’s groundbreaking, and multi-faceted interdisciplinary exhibit is a homage to the life and work of the legendary dancer, choreographer and humanitarian Alvin Ailey. This unique collaborative effort between the Ailey Dance Foundation and the Whitney has its official debut on Wednesday, September 25. Continue reading

11/27/23 HOLLYWOOD MONDAY- REVIEW: RUSTIN

By Alex Smith Jr.

I went to an advance screening of the film RUSTIN last night (Oct. 12, 2023). It was opening the 35th Anniversary of the LGBTQ+ Annual Film Festival here in NYC. This film is a triumph plain and simple. I am trying to hold back from using to many superlatives to lavish on this film. Continue reading

8/8/23 O&A NYC DANCE/FILM: Thelma Hill Performing Arts Center Bringing Its Groundbreaking History To The Screen

By Walter Rutledge

Please excuse my self indulgent opening digression. It is the perfect example of  history being rewritten and romanticized to create propaganda more palatable to the American founding fathers myth. . Continue reading

11/4/16 O&A NYC DANCE: Alex Smith Jr. Honored At Bessies

By Walter Rutledge

alex-smith-at-the-bessies

In life there are no detours, it is always the course appointed. Despite all of our plans and dreams we can count on the universe to add some unexpected twists and turns. Thelma Hill Preforming Arts Center’s Executive Chairman Alex Smith Jr. knows this all to well. In 1995 Smith become the guiding force of the organization by proxy, now twenty-one years later he was honored with a Service to the Field Award at the 29th New York Dance and Performance Awards- The Bessies. Continue reading

6/27/16 O&A NYC DANCE: Thelma Hill Performing Arts Center’s Final Performance Tuesday June 28

By Walter Rutledge

"Bewildered", Adryan Moorefield, Courtney Robinson, Janine Beckles, PHILADANCO, Rosita Adamo, Tommie-Waheed Evans, Victor Lewis Jr.

The 40th Anniversary season of the Thelma Hill Performing Arts Center will conclude on Tuesday June 28 with a special by Philadanco and Marshall Swiney. Continue reading

6/22/16 O&A NYC REVIEW DANCE: Thelma Hill 40th Anniversary Season Continues

By Walter Rutledge

IMG_0050The Thelma Hill Performing Arts Center’s 40th Anniversary season at the Actor Fund Center, 160 Schermerhorn Street, is in high gear. The third evening presented new, emerging and mid-level choreographers with works ranging from ballet to hip-hop. The performance expressed the founding credo of the organization by presenting the diverse and innovative choreography of artists of color.

The evening opened with a series of solo works. Francesca Harper’s Deconstructing Flack consisted of two solo works echoing the theme of love and loss. Both works, set to the music of Roberta Flack, took the audience from prologue to epilogue.

Erika Lisaku danced the opening solo with a poignant despair. Harper captured the haunting quality of Flack’s First Time Ever I Saw Your Face. In the second solo dancer Amanda Sachs conveyed the acceptance of her situation. More reflective and introspective Ballad of the Sad Young Men had a feeling of resolve.

Toro (pool in a river) by Takeshi Ohashi moved with an elegant quiet control. Danced by Ohashi, with live trumpet accompaniment by Justin Osouna Chance, the impressive movement quality combined tight, isolated movement with sweeping floor work. The works fluidity and grounded quality evoked both the purposeful nature Tai Chi and the explosive excitement of break dance.

The last solo, William Isaac’s charming No Banana Skirt, offered an upbeat and fun variation. Amanda Smith danced the lively and energetic pointe piece with technical proficiency and an effervescent deportment. Both the performance and choreography encapsulated the fun spirit of the Josephine Baker’s rendition of Bye Bye Blackbird.

Purelements: An Evolution in Dance closed the first act with The Call by Men Ca. Danced by the junior company the work effectively blended West African and modern dance. The level of professionalism and commitment endeared this group of young performers to the audience, and became one of the most satisfying aspects of the performance.

The Hip-Hop dance crew Special Ops five-man dance crew consisting of Ptah, Floats, Twist, Press, Rachett and Ej wowed the audience. The crew exemplified the evolution of the urban art form synonymous with 80’s street culture to 21st century inner city storytelling through a codified movement style. Using Flexing (isolated movement and contortions, Gliding (floating across the floor) and Shotta Dance (derived from Reggae dancehall) Special Ops shared a gritty reality ripped from today’s headlines.

Nijawwon Matthew’s XY Dance Project transported us from rap to Bach with his ensemble dance Work Forty. The work blended modern, ballet, gymnastics and “Matthews” to create a visual and kinesthetic excitement. Costumed in white bras, and briefs the dancers donned olive-green ski mask type headgear by Project Runaway’s Mondo Guerra, which
 reminiscence Robert Rauschenberg work in Paul Taylor’s Three Epitaphs. Matthew continues to find his own voice, and we commend and encourage him to keep exploring.

Earl Mosley’s Diversity of Dance closed with Wild and Free! (Draft 5). The jazz infused modern dance ensemble work featured a cast of 23 dancers, and quickly evolved into a witty high-energy pure dance crescendo. Mosley’s ability to bring out the best in every member of the ensemble has become one of his true strengths.

Alexander Diaz distinguished himself with abandoned risk taking and a focused attack, which made it hard not to watch him. The duet between Christine Caimares and Riccardo Bataglia had a strong yet sensual combativeness attack that (thankfully) avoided violence.

The 40th Anniversary Season continues tonight with a new line up diverse choreographers. The roster includes Jamal Story, Jean Emile, HSA Dance Ensemble, Charles Moore Dance Theater, Ronald K. Alexander, Abdiel Jacobsen and Bones The Machine. The evening will open with a special tribute to Loretta Abbott presented by Tony and Emmy Award winner George Faison.

For more information and tickets visit www.thelmahill.com tickets can also be purchased at the box office 30 minutes prior to the performance.