

Dr. Martin Luther King Jr’s tale of the street sweeper teaches you to be the best at what you do regardless of your situation in life. That we should always aspire to be the best in our work and in our life. Continue reading


Dr. Martin Luther King Jr’s tale of the street sweeper teaches you to be the best at what you do regardless of your situation in life. That we should always aspire to be the best in our work and in our life. Continue reading

After hearing a 19th-century African-American song, Dr. Maya Angelou has never forgotten one important lyric: God put a rainbow in the clouds. Watch as Dr. Angelou shares how she honors those who employed kindness to help her, and find out how, she says, we can all “be a rainbow in someone else’s cloud,” no matter who they are. Continue reading

The Talk are scenes of black parents openly sharing truths about bias their children will experience. The conversations we have but don’t want to… Continue reading

As a high school student, Dwayne “The Rock” Johnson started getting into trouble. He was arrested for everything from fighting and stealing to forging checks, but Dwayne says he began to change his ways when he was 16 years old. Continue reading
By Walter Rutledge

I believe that children are our future;
Teach them well and let them lead the way.
Show them all the beauty they possess inside.
Give them a sense of pride,
To make it easier;
Let the children’s laughter remind us how we used to be. George Benson- The Greatest
This is the opening stanza for George Benson’s The Greatest written for the 1977 biopic of the same title about Muhammad Ali. It is also the music and title of a duet choreographed by Arthur Mitchell for Dance Theatre Of Harlem, and in many ways it remains Mitchell’s credo. An Afternoon with Arthur Mitchell presented at the Lenfest Center for the Arts, Columbia University on Saturday, January 20, 2018 was an opportunity to see a master teacher, director, educator and showman in action.
After a short introduction Mitchell and percussionist Baba Don Eaton Lenfest Center for the Arts, Columbia University proceeded to teach the audience a series of polyrhythmic music passages. The highlight was a rare screening of the dance documentary (1973), featuring Mitchell’s ballet Rhythmetron, and a fledgling Dance Theatre of Harlem. Most of the film took place in the basement of the Church of the Master, the home of his first school at 81 Morningside Avenue.
Throughout the film Mitchell shares his gift of dance with the charm, confidence and authority that has become his trademark. He masterfully used popular social dances as a bridge to ballet. Mitchell made classic ballet less foreign and more accessible to the young audience from the Harlem community. It was wonderful seeing a performance by the original cast of Rhythmetron; which featured Lydia Abarca, Yvonne Hall, Virginia Johnson, Ronald Perry and Walter Raines.

Following the film Mitchell took questions from the audience, which included balletomanes, dance history enthusiasts and young dancers from Harlem School Of The Arts and Dance Theatre Of Harlem. At 83 years old Mitchell displayed the same vigor, charisma and irrepressible wit we had seen earlier in the film. Always “Mr. Mitchell”, he shared anecdotes, offered advice, and even corrected deportment with an uncompromising paternal demeanor.
An Afternoon With Arthur Mitchell
In her book Page by Page author Ruth Page has a chapter entitled Father Mitchell 1972. Page writes: “Arthur Mitchell is a person with no vices. He doesn’t smoke or drink, and eats a lot of ice cream. He works very hard and is truly a splendid example for young dancers. He is really a sort of Sir Galahad.”
For more information about the Wallach Art Gallery and the Arthur Mitchell: Harlem’s Ballet Trailblazer exhibition and related events visit wallach.columbia.edu.
Upcoming events include:
Wallach Gallery Talks
Saturday January 27, 2018 1:00 – 1:30PM
Learn more about key works in the Arthur Mitchell archive from different perspectives. All talks begin at 1 pm and meet in the Wallach Art Gallery lobby on the 6th floor. Lynn Garafola, exhibition curator and Professor Emerita of Dance, Barnard College, Columbia University.
Wallach Family Afternoon
Saturday February 10, 2018 1:00 – 3:00PM
An afternoon of storytelling, art-making and movement for families to enjoy together.
Discussion with former dancers from the Dance Theatre of Harlem
Saturday February 24, 2018, 1pm
For more information about the Wallach Art Gallery and the Arthur Mitchell: Harlem’s Ballet Trailblazer exhibition and related events visit wallach.columbia.edu.

At the end of the year, everyone always reflects and set new goals for the year ahead. After a few months, a majority of those people forget their New Year Resolutions and fall into old patterns. Are you one of them? There are also those who never even try to rise above or try to aim for anything. Are you one of them? In this video, I share my thoughts on New Year’s Resolutions. Continue reading


Inky Johnson, safety University of Tennessee, was on track for a first-round NFL draft pick; but a life-changing injury that left his right arm paralyzed. Continue reading

Arthur Mitchell discusses Agon with New York Times dance critic Anna Kisselgoff. Also bonus clip of Diane Adams and Arthur Mitchell in Agon pas de deux. Continue reading
Agon– the complete ballet with the original cast featuring Diana Adams, Todd Bolender, Jillana, Arthur Mitchell, Richard Rapp, Francia Russell, Roy Tobias, and Violette Verdy. Continue reading

Our Deepest Fears, a poem by Marianne Williamson has been quoted by many humanitarians including Nelson Mandela. In the film Akeelah and The Bee Akeelah Anderson (Keke Palmer) recites the poem at the request of for coach Dr. Joshua Larabee (Laurence Fishburne). Continue reading