

Choreographer Pascal Rioult and O&A NYC Editor-In-Chief Walter Rutledge discussed the upcoming New York City season of RIOULT Dance at the Joyce Theater May 31 thru June 4. Continue reading


Choreographer Pascal Rioult and O&A NYC Editor-In-Chief Walter Rutledge discussed the upcoming New York City season of RIOULT Dance at the Joyce Theater May 31 thru June 4. Continue reading

Free Again / I Will Survive one of the highlight of the 1986 made for television concert Sisters In The Name of Love starring Patti LaBelle, Dionne Warwick and Gladys Knight. Continue reading


Taja Lindley’s This Ain’t A Eulogy: A Ritual for Re-Membering draws parallels between discarded materials and the violent treatment of Black people in the United States. Continue reading


Diana Ross- Standing Room Only Live At Ceasar’s Palace, the HBO special, first aired in early 1980 as part of the network’s Standing Room Only series. Continue reading
By Walter Rutledge


When you check the resumes of performing artists, so many did not begin their training in large renowned institutions. They usually begin at a smaller local school in their hometown or neighborhood. In these nurturing environments teachers taught more than dance.
Often these unsung heroes wore many pairs of dance shoes. They were chauffeurs, loan officers, guidance counselors, math tutors, disciplinarians, landlords and surrogate parents. They provided free classes, that they called scholarship, without the luxury of corporate sponsorships to offset the expense. But for the most part they provided a safe haven, and a solid foundation; not just in dance but in life.
Whether it was a converted storefront, a church basement, school gymnasium, or after school program, you couldn’t wait to get there because even after a hundred failed attempts eventually you knew you would the words “Yes that’s it” usually followed “Now do it again”. It was that teacher, that hero, who first saw that spark in your eyes, and helped you turn it into the raging fire in your soul. Every dancer has an Aunt Joan, a Madame Cugjet or Nikita Talin whose dedication, conviction and love helped mold their artistry. And even now their voices and wisdom still resounds from deep within. Jamel Gaines is one of these heroes.
Jamel Gaines and Members of Creative Outlet
For twenty years Gaines has given his time, talent and personal resources to develop young people into performing artists and contributing members of society. His tireless energy and ability to show young people how “To be the best you can be” has not diminished. On any given Saturday Gaines conducts his school at Junior High School 113, 300 Adelphi Street in Brooklyn.
The school is a model of the phrase “It takes a village to raise a child”. Parents volunteers escort children to and from classes. They also operate a lunch concession where children and parent can purchase a hot meal with leaving to building. School alumni teach classes, and the company, Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn, consists of budding talent developed at the school and returning former students who are either between professional gigs or on hiatus.

On May 15 Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn will celebrate the 20th anniversary with a three-day season at Kumble Theater at LIU Brooklyn, One University Plaza, Brooklyn. The performance May 15, 16 and 17 will showcase works from the company’s repertoire including the world premiere of Bitter Sweet, set to the music of Roberta Flack, commissioned by 651 ARTS. For more information and tickets call or visit the Kumble box office at (718) 488 – 1624 or online at creativeoutlet.org.


The Fountain of Bakhchisarai (Russian: Бахчисарайский фонтан) is a Russian ballet inspired by the 1823 poem by Alexander Pushkin of the same title. With music by Boris Asafyev and choreography by Rostislav Zakharov, the ballet premiered in Saint Petersburg, (then Leningrad) in 1934 at the Kirov Academic Theatre of Opera and Ballet (now the Mariinsky Theatre). Continue reading

Whitney Houston sings two duets with her mother Cissy Houston on the Merv Griffin Show in 1983 marking Whitney’s television debut The mother/daughter duet sang a medley of Ain’t No Way and You Send Me. Continue reading