5/4/25 O&A NYC DANCE PREVIEW: THPAC’s A Ramp To Paradise Returns

 The Thelma Hill Performing Arts Center (THPAC) will present A Ramp To Paradise on June 27 and 28, 2025 at the Ailey Citigroup Theater,405 west 55th Street. The dance theater work is the brainchild of THPAC executive chairman Alex Smith, Jr. and is based on the short story A Ramp To Paradise conceived and written by Smith. The story centers around a group of friends who attend the famed 1980’s underground dance club-The Paradise Garage. Continue reading

4/22/25 O&A NYC REVIEW: Macbeth in Stride

By Walter Rutledge

For those of us that believe “Hell has no fury like a women scorned”. And for those of us who know firsthand you do not mess with a Black woman who “ain’t feeling it”. Leave your Elizabethan mindset at home and head to the Harvey Theater to experience MacBeth in Stride – Shakespeare from a sistah’s point of view. Written and performed by Obie- Award winner Whitney White the production takes Shakespeare and female empowerment to a new level. This soulful contemporary rendition of Shakespeare’s classic tragedy Macbeth runs for only five remaining performances through April 27 at the Harvey Theater located at 651 Futon Street in downtown Brooklyn. Continue reading

3/20/25 O&A NYC DANCE: THPAC Search For Choreographers

The Thelma Hill Performing Arts Center (THPAC) is conducting a search for three choreographers for the upcoming 2025 season June 27th and 28th at the Ailey Citicorp Theater. THPAC will present A Ramp to Paradise an original work based on a short story by THPAC Executive Chairman Alex Smith Jr. The story is set in the Paradise Garage, the New York Black gay mega club from the late 70’s and 80’s. Choreographers should have expertise in Modern, Jazz and period social/club dance styles. Continue reading

2/7/25 O&A NYC SHALL WE DANCE FRIDAY: Jamel Gaines Frontline Mentor

By Walter Rutledge

The applause has subsided, curtain fallen and the house lights are at half during a brief pause between dances. Instinctively we peruse the program to find the bio of that one standout performer. In many cases that dancer’s initial training and nurturing did not happen in one of metropolis’ elite dance academies. Instead, that first fire was probably kindled in a storefront, church basement, or school gymnasium. Continue reading

1/31/25 O&A NYC SHALL WE DANCE FRIDAY: Jamel Gaines Creative Outlet Educates Through Dance

By Walter Rutledge

Jamel Gaines Creative Outlet will commemorate the company’s 30th anniversary with a three-day New York City season Friday, February 13 through Sunday, February 15 at BAM Fisher Fishman Space. The season will offer Remembering, a program that reflects Gaines continued commitment to educate and enlighten the next generation through the dance theatre genre. Continue reading

1/17/25 O&A NYC SHALL WE DANCE FRIDAY: Happy Birthday Debbie Allen!!!

By Walter Rutledge


Happy Birthday to one of the dance world’s icons Debbie Allen. We had the opportunity to talk to Ms. Allen about a wide range of her life experiences from segregated dance classes in her native Texas, to heartless rejection and finally coming into her own in New York City. We pay tribute to a living dance legend and activist born on January 16th.- Walter Rutledge

In 2015 O&A NYC Editor-in-Chief Walter Rutledge interviewed Debbie Allen at the Faison Firehouse Theater for Dance Noir Magazine (DNM). The print article would discuss her relationship with Katherine Dunham. The video was produced as visual notes for the upcoming Dunham article. When the magazine suspended publication, out of respect for DNM Founder/Editor-in-Chief Carol Lloyd, we held the material with hopes of eventually printing the article for DNM. After eight years Ms. Allen’s words remain relevant, inspiring and informative and should be shared. We call this first installment Empathy. Continue reading

12/22/24 O&A NYC DANCE REVIEW: Ailey Premieres by Boykin, Lobovitch, and Roberts

By Walter Rutledge

The Alvin Ailey American Dance Theater is now halfway through their 66th New York season at New York City Center. In the 18 remaining performances this season, which runs until January 5, the company will present 19 works by 12 choreographers. The fall/winter Ailey season has become one of New York City’s annual holiday traditions. Continue reading

12/13/24 O&A NYC DANCE: A Conversation with Lloyd Knight -The Drama (A Self Portrait)

By Walter Rutledge

Lloyd Knight’s solo dance work, The Drama will have its preview public performances Friday, December 13, 7pm, and Saturday, December 14, 6pm, at the Martha Graham Studio Theater, 55 Bethune Street, 11th Floor, in Manhattan’s West Village/Meatpacking district. Commissioned by the Guggenheim’s Works & Process The Drama is being presented on conjunction with Fall 2024 Studio Series and will have it official premiere on January 13th, 2025, 7pm, at the Guggenheim Museum. Continue reading

11/11/24 O&A NYC DANCE REVIEW: Paul Taylor Dance Company Gala

By Walter Rutledge

It’s Taylor Time! The Paul Taylor Dance Company began their New York City fall season on Tuesday, November 5th at the State Theater at Lincoln Center. The three-week, twenty-one performance season will offer eighteen works by seven dance makers including four world premieres by Robert Battle, Lauren Lovette and Jody Sperling. During the Wednesday November 6th Gala performance, the public was treated to two premieres by Battle and Lovette. Continue reading

10/5/24 O&A NYC IT’S SATURDAY: A Conversation With Debbie Blunden- Diggs, Dayton Contemporary Dance Company

By Walter Rutledge 

The Dayton Contemporary Dance Company (DCDC) is one of the heartland’s preeminent dance companies. The company is fifty-six years young and has remained rooted in sharing the experiences of Americans of African decent through movement. This 2016 conversation with DCDC Artistic Director Debbie Blunden- Diggs took place during the company’s performances of Rainbow Round My Shoulder as guest artists with the Paul Taylor Dance Company at State Theater in Lincoln Center.

The company received a Bessie Award (The New York Dance and Performance Awards) that same year for Outstanding Revival for Rainbow. Blunden and I discuss the importance of keeping masterworks like Rainbow alive and on stage for the next generation of balletomanes. Her comments and commitment still ring true as DCDC become the first African American modern dance company to perform one of Taylor’s  signature masterwork Esplanade during the company’s 2024 Joyce Theater season October 2- 6. Continue reading