By Walter Rutledge
Dance Theatre of. Harlem founder Arthur Mitchell told me, “It’s easy to choreograph on professionals try choreographing on regular people”. He was implying that the dance maker must rely more on creativity than on established steps and patterns. Jamel Gaines has accepted this challenge. Instead of using members of the Jamel Gaines Creative Outlet Dance Theater, he has constructed a large intergenerational cast of church constituents.
On Sunday February 1st the Creative Outlet founder/artistic director will present his staging and choreography in MAAFA: The Capture. The Brainchild of Bishop, Dr. Johnny Ray Youngblood, the 9am free performance at Mt. Piscah Baptist Church, located at 167-10 137th Ave in Jamaica, Queens, will herald in Black History Month. MAAFA: The Capture is a twenty-minute dance theatre vignette depicting the African American experience.
O&A NYC Magazine Editor-in-Chief Walter Rutledge attended recent rehearsals and watched Gaines put his neophyte cast through the paces. These rehearsals were equal parts inspiration and perspiration. A true old school director Gaines rehearsals are both exacting and exhausting. And Gaines high energy and cajoling demeanor effortlessly brings out the movement shapes and dramatic artistry. Don’t take my word here’s a sneak peek into the rehearsal process.
MAAFA: The Capture rehearsal
The black church has always been the source of not only inspiration but the hallmark for information and education. MAAFA: The Capture captures African American history in an entertainment and enlightening dance theater group endeavor. Unity through community.
