2/13/26 O&A NYC DANCE BY WALTER RUTLEDGE: TV Personality Cheryl Wills Joins Remembering Cast.

By Walter Rutledge

Journalist and author Cheryl Wills joins the cast as both actor and playwright for the Jamel Gaines Creative Outlet Dance Company in tonight’s production of Remembering at the BAM Fisher Fishman Space, 321 Ashland Place, in downtown Brooklyn. Wills shared the story of her great, great, great grandfather Private Sandy Wills with young audiences on Wednesday and Thursday. On Friday evening’s performance playwright Wills will be performed by Thera Ward. Continue reading

2/11/26 O&A NYC DANCE BY WALTER RUTLEDGE: Thera Ward – A Dancer For All Seasons – Unity through Community

By Walter Rutledge

Thera Ward has had a varied performance career based on her ability to broaden her artistic horizons. At 13 she made her debut as one of Dance Theatre of Harlem (DTH) founder Arthur Mitchells’ Baby Ballerinas. By 17 she was touring the world performing principal roles with DTH and helping to crack ballet’s color glass ceiling. Continue reading

2/6/26 O&A NYC DANCE BY WALTER RUTLEDGE: Remembering – Unity Through Community

By Walter Rutledge

For over 31 years Jamel Gaines, and his Brooklyn based company, Jamel Gaines Creative Outlet Dance Company, has understood the power of education through the arts. His much-anticipated annual arts in education production Remembering, reflects Gaines continued commitment to educate and enlighten the next generation through the dance theatre genre. Gaines and his company will offer six young audience daytime performances on February 11,12 and 13 at 10am and 12 noon in the BAM Fisher (Fishman Space) 321 Ashland Pl, Downtown Brooklyn,. There will also be one evening performance open to the public on February 13th at 7:30pm. His staunch commitment to protected, preserving and perpetuate the legacy of Americans of African descent has earned Gaines the moniker of the “Godfather of Black History Month”.

Remembering is a multimedia history lesson with dance as the primary medium. The work is an effective amalgam of contemporary western and traditional West African dance styles, spoken word, music, West African drumming and stunning video and photographic imagery. This diasporic sojourn chronicles the journey from the blissful land nourished by the Pishon, Gihon, Tigris and Euphrates Rivers to the struggles and triumphs on this other side of the Atlantic.

Gaines credits his commitment to the philosophy of empowerment and self-determination offered by Bishop Reverend Dr. Johnny Ray Youngblood, the spiritual leader of Mt. Pisgah Baptist Church. Gaines’ recent participation in the church’s Black History Month declaration, The MAAFA Suite is an example the power of storytelling as communication and education. In other words: Unity through community.

What better way to share the richness of American history than through the visual and kinetic power of the arts. It will spark conversations and open curiosities important for this new 21st century visual learning environment. This sensory historical experience explores the struggles, triumphs and continued fight for a place at America’s banquet table.

For more information about Jamel Gaines Creative Outlet school and company visit https://www.creativeoutlet.org for tickets for Remembering at BAM Fisher performances of February 13 visit https://www.bam.org/dance/2026/remembering

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1/30/26 O&A NYC DANCE BY WALTER RUTLEDGE: Unity Through Community – Jamel Gaines and MAAFA: The Capture

1/30/26 O&A NYC DANCE BY WALTER RUTLEDGE: Unity Through Community – Jamel Gaines and MAAFA: The Capture

By Walter Rutledge

Dance Theatre of. Harlem founder Arthur Mitchell told me, “It’s easy to choreograph on professionals try choreographing on regular people”. He was implying that the dance maker must rely more on creativity than on established steps and patterns. Jamel Gaines has accepted this challenge. Instead of using members of the Jamel Gaines Creative Outlet Dance Theater, he has constructed a large intergenerational cast of church constituents.

On Sunday February 1st the Creative Outlet founder/artistic director will present his staging and choreography in MAAFA: The Capture. The Brainchild of Bishop, Dr. Johnny Ray Youngblood, the 9am free performance at Mt. Piscah Baptist Church, located at 167-10 137th Ave in Jamaica, Queens, will herald in Black History Month. MAAFA: The Capture is a twenty-minute dance theatre vignette depicting the African American experience.

O&A NYC Magazine Editor-in-Chief Walter Rutledge attended recent rehearsals and watched Gaines put his neophyte cast through the paces. These rehearsals were equal parts inspiration and perspiration. A true old school director Gaines rehearsals are both exacting and exhausting. And Gaines high energy and cajoling demeanor effortlessly brings out the movement shapes and dramatic artistry. Don’t take my word here’s a sneak peek into the rehearsal process.

MAAFA: The Capture rehearsal

 The black church has always been the source of not only inspiration but the hallmark for information and education. MAAFA: The Capture captures African American history in an entertaining and enlightening dance theater group endeavor. Unity through community.

 

 

 

1/27/26 O&A NYC HAIL TO THE KING: Martin: A Ballet By Gordon Parks ( Act IV The Assassin)

Martin Act IV Assassination

The Fourth Act of Martin: A Ballet By Gordon Parks starring John Jones as Dr. King, Sheila Rohan as Rosa Park and James E. Murphy as the Assassin.

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1/22/26 O&A NYC HAIL TO THE KING: Martin – A Ballet by Gordon Parks – Act III Letter From The Birmingham Jail

Martin Act III Letter

Martin Act III: Letter From The Birmingham Jail – Dr. King (John Jones) is arrested and while in jail he writes the now historic letter from the Birmingham Jail. With the help of Rosa Parks (Sheila Rohan) King is able to disseminate his message to the masses. Continue reading

1/19/26 O&A NYC HAIL TO THE KING: Martin: A Ballet By John Parks- Act 1

Martin Act 1 SHEILA ROHAN

Martin: A Ballet by Gordon Parks Act 1 Introduces John Jones as Martin Luther King, Sheila Rohan as Rosa Parks and James E Murphy as the Assassin. Continue reading

1/16/26 O&A NYC DANCE BY WALTER RUTLEDGE: THE HOLY BLUES INTERVIEW – Jawole Willa Jo Zollar, Samantha Figgins and Chalvar Monteiro

“My roots are also in the Gospel church, the Gospel churches of the south where I grew up…holy blues—paeans to joy, anthems to the human spirit.” These words written by Alvin Ailey were the impetus for The Holy Blues, a collaborative choreographic endeavor by choreographer Jawole Willa Jo Zollar and emerging dancemakers Samantha Figgins and Chalvar Monteiro. Continue reading

12/26/25 O&A NYC DANCE BY WALTER RUTLEDGE: Cry – Deborah Manning

JamisonWaldman_556126a

In 1971, Alvin Ailey created Cry, one of his signature dance works, as a birthday present for his mother Lula Elizabeth Ailey. Ailey dedicated the ballet to “all black women everywhere — especially our mothers.” The three-part ballet, set to contemporary music by Alice Coltrane, Laura Nyro and Chuck Griffin, depicts a woman’s journey through toil to an ecstatic state of grace. Cry premiered at New York City Center on May 4, 1971. Continue reading

12/14/25 O&A NYC THE WORD: Revelations – Alvin Ailey American Dance Theater

Revelations was the tenth ballet by 29 year old emerging choreographer Alvin Ailey. The  work premiered in New York City on January 31, 1960, at the 92nd Street YM-YWHA. Revelations immediately captivated audiences with its powerful universal message of faith and resilience.  

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