
Darci Kistler and Damian Woetze in the Grand Pas De Deux from George Balanchine’s Nutcracker (1993).
Continue reading

Darci Kistler and Damian Woetze in the Grand Pas De Deux from George Balanchine’s Nutcracker (1993).
Continue reading

What would you do if a mannequin came to life?
Continue reading

Black-ish star and Emmy nominee Tracee Ellis Ross shares the most epic stories about her mom, Diana Ross, with W Magazine. From stealing Diana’s clothes to going on a once-in-a-lifetime trip to Paris for her 18th birthday, Tracee relishes the experiences with supermodels, designers, unforgettable fashion shows and her diva mother. Ross also chats about her first auditions, lessons learned, and landing her role as Rainbow Johnson. Continue reading

YAK FILMS, an international production team, is synonymous with a unique style of street-based documentation of the global dance movement. This visual wrecking crew uses multimedia to share the talents of young people around the world. Continue reading
By Walter Rutledge


Newsteps begins their 35th bi-annual emerging choreographers showcase December 7 through December 9 at the Chen Dance Center, 70 Mulberry Street in Chinatown. Newsteps offers new and emerging dance makers the opportunity to develop and present works in a low pressure, nurturing environment. Each choreographer is given rehearsal space, an honorarium, mentoring from a member of the selection panel, and multiple (three) performances to give the works time to “find its own voice”. Continue reading

Bodybuilding Motivation, here are six male bodybuilders who stress not just muscle size but a balanced and aesthetically symmetric physique. Continue reading
By Walter Rutledge

The Alvin Ailey American Dance Theater will present an excerpt of George Faison’s masterwork Suite Otis at their New York City Center season opening night gala, Wednesday, November 29 2017. Choreographed in 1971 for the George Faison Universal Dance Experience the work joined the Ailey repertoire in 1977. 40 years after it’s Ailey debut Suite Otis continues to excite and entertain audiences with verve, aplomb, fleet footed technique and imaginative Archimedean storytelling.

The company will perform the finale section set to Otis Redding’s Tenderness. The full cast section reintroduces the dancers creating a visually exciting yet compelling epilog. Throughout the work Faison (the imperial storyteller) does what every choreographer should do- invites us into his vision and delivers with clarity, focus and impeccable choreographic timing.
Balletomanes still long for the return of old fashion honest storytelling- the hallmark of Ailey’s original company. In Suite Otis Faison’s articulate use of the dance narrative genre captures the majesty and universal humanity of both Otis Redding’s music and the black dance experience. This gave him a voice in an era when Black American dance and culture had started to becoming a global force.
Suite Otis- George Faison
What Faison did (and continues to do) is to keep the dance/theatre aesthetic in the forefront of the arts conversation. Tenderness will be performed for one performance only on Wednesday, November 29 for tickets and a complete schedule of the five-week New York City season visit ailey.org.

Diana Ross performed and received the Lifetime Achievement Award at the 2017 American Music Awards. Ms. Ross invites her entire family, Berry Gordy and Smokey Robinson on stage.
De-Von-Tré (Chance the Rapper, Kenan Thompson, Chris Redd) wishes President Barack Obama would come back
Continue reading