Sylvia Waters: Artistic Director Emerita Ailey II

By Walter Rutledge

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As Ailey II begins the second week of their two-week New York City season we would like to acknowledge Artistic Director Emerita Sylvia Waters. For  38 years Waters was at the helm of Ailey II during her tenure the company grew artistically and professionally into a world respected company, choreographic laboratory and “dancing boot camp”.  In 2012 shortly before her departure we had an opportunity to talk with her about her career as a dancer, teacher and director.

Ailey II: The Creative Process- Choreographer and Dancer/ a conversation with Benoit-Swan Pouffer and David Freeland

By Walter Rutledge IMG_0795

Paris-born choreographer Benoit-Swan Pouffer and Ailey II dancer David Freeland discuss the creative process following a rehearsal of Rusty prior to the Ailey II New York season April 2 through April 14 at the Ailey Citgroup Theater. Continue reading

(Repost) 4/1/14 O&A NYC DANCE: Martha Graham – Appalachian Spring and Rite of Spring

By Walter Rutledge

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The recent all too-short season of the Martha Graham Dance Company at New York City Center was a resounding artistic success. The company performed two programs of Graham classics and stunning new works by Nacho Duato and Andonis Foniadakis. The Saturday March 22 evening program included two Graham classics Appalachian Spring (1944) and Rite of Spring (1984).  Both works reinforced the fact that Graham was not only as a master craftsman, but also as an artist with a strong sense of classic form, structure and design. Continue reading

(REPOST) O&A NYC DANCE: Three Black Kings- An Ailey Classic

By Walter Rutledge

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Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington.  Continue reading

Martha Graham Dance Company Opening Night – New York Season

by Walter Rutledge

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The Martha Graham Dance Company opening night gala performance need only be described with one word…ART. The company began their four-performance season at New York City Center, Wednesday, March 19 with an abbreviated program that left the audience hungry for more. Continue reading

Dallas Black Dance Theatre at the Ailey Citigroup Theater

By Walter Rutledge

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The Dallas Black Dance Theatre returned to New York for a three-day four-performance season at the Ailey Citigroup Theater. This is the third consecutive year that the company has performed in New York and the eleven-member ensemble, under the direction of founder and artistic director Ann M. Williams, presented six works by new and emerging choreographers. Continue reading

Paul Taylor’s Marathon Cadenzas

By Walter Rutledge 

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Paul Taylor’s Marathon Cadenzas, his 141st work, premiered on Friday, March 14 at the David Koch Theater at Lincoln Center. The ensemble work for twelve dancers was inspired by the 1969 Sidney Pollack film They Shoot Horses Don’t They?, which depicts a depression era dance marathon. Continue reading

Martha Graham Dance Company New York Season- March 19- 22, 2014

By Walter Rutledge

Graham 2014

The Martha Graham Dance Company will present their annual New York season, Wednesday, March 19 through Saturday March 22 at New York City Center, 131 West 55th Street. The season will celebrate two company milestones, the seventieth anniversary of the modern dance classic Appalachian Spring and the thirtieth anniversary of Graham’s The Rite of Spring. The season will also present two additional Graham masterworks Maple Leaf Rag and a new one-act production of Clytemnestra.   Continue reading

Lloyd Knight: Martha Graham Dance Company- originally posted February 29, 2012

By Walter Rutledge

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Martha Graham once said, “Great dancers are not great because of their technique, they are great because of their passion.” The reason truly memorable performances reach across the footlight to connect with the audience, is because the performer is imbued with something extra. It is an almost unexplainable sharing that takes place from one soul, one spirit, to the members of audience. It is an honesty that transcends artistic discipline, language and occasionally even time. When I think of artists who have this special gift of communication, I think of Lloyd Knight

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Knight is a soloist with the Martha Graham Dance Company. During his seven-year association with the company he has demonstrated a stalwart commitment and dedication to his craft and artistry. He returns to the stage this season after a year of recovering from an injury. Knight approached his physical rehabilitation with same resolute determination that has distinguished him as an artist on the ascent, and he is back this season performing the choreography he describes simply as “art”.

Born in England Knight was reared in Miami, Florida. In middle school a teacher got him to try a dance class, and he was hooked. He trained at the Miami Conservatory of Ballet, and later attended the renowned New World School of the Arts where he earned a Bachelor of Fine Arts degree.

Knight adapted well to the long hours and rigorous training at New World School of the Arts, and he performed leading roles in Jose Limon’s There is a Time, Merce Cunningham’s Inlets II, and Donald McKayle’s Rainbow ’Round My Shoulder. It was also at the New World School of the Arts he was introduced to the choreography and technique of Martha Graham.

His strong technique, pliant physique and natural stage presence gave him the opportunity to excel in many styles of dance; but his inner muse was drawn to Graham. He auditioned for the Graham Company while a senior at New World School of the Arts, and literally walked down the aisle at graduation and into the Martha Graham Dance Company. Over the past seven years he has worked at mastering the Graham style with a passion it’s founder would have been proud to see.

In 2009 only four years after joining the company Knight was promoted to Soloist. He has performed in many of Graham’s seminal works including Errand into the Maze; and in the roles of the snake in Embattled Garden, and the preacher in what is perhaps Graham’s most recognizable work Appalachian Spring. It is little wonder that Dance Magazine named Knight one of the “Top 25 Dancers to Watch in 2010”.

The 2012 season of the Martha Graham Dance Company will begin on March 13 at the Joyce Theater. The company will revive Graham’s 1939 comic work Every Soul is a Circus. This work marked the first appearance of Merce Cunningham, who became the second male dancer (after Erick Hawkins) to join the Graham Company. In this season Knight will perform the role originally choreographed for Cunningham. Welcome back Lloyd Knight we wish you an inspired year, as we know your dancing will continue to inspire us.

(This article was originally posted February 29, 2012 for Harlem World Magazine)

Paul Taylor Dance Company begins 60th Anniversary Season Tonight

By Walter Rutledge

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The Paul Taylor Dance Company begins their New York season today at the David H. Koch Theater at Lincoln Center. The season marks the 60th anniversary of the company and the third consecutive season at Lincoln Center. During the three-week engagement, Tuesday, March 11 through Sunday, March 30, the company will present 22 works that span Founder/Artistic Director Paul Taylor’s seven decades of dance making. Continue reading