
Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this all African American adaptation. Continue reading

Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this all African American adaptation. Continue reading
By Walter Rutledge

Louis Johnson’s passing marks the end of an era in Black dance. Johnson was the last of the of his generation of 20th century American choreographers of African descent and International renowned. His contemporaries, Alvin Ailey, Talley Beatty, Geoffrey Holder, Donald McKayle, and Arthur Mitchell, all forged through the restrictive Jim Crow era of hatred and segregation; that unfortunately included the arts- and dance. Continue reading


Stranger featuring Donald Lawrence & the Tri-City Singers with soloist Brenda Waters tell of a stranger who has come to Jerusalem on Palm Sunday. Continue reading


Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience. Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading

By Walter Rutledge
Dancer, choreographer and director Louis Johnson passed away he was 90 years old. Born March 19, 1930 in Statesville, North Carolina Johnson’s parents moved to Washington D.C. and he became a standout in the D.C. school system for his artistic and gymnastic abilities. While in high school Johnson enrolled and trained at the Jones Haywood School of Dance, where he blossomed under the tutelage of Doris Jones and Clair Haywood.
Johnson moved to New York City and continued his dance training at the famed New York City School of American Ballet, where he was mentored by Jerome Robbins and George Balanchine. Johnson performed on Broadway in Four Saint in Three Acts, House of Flowers (George Balanchine choreographer) Damn Yankees (Bob Fosse) and Hallelujah Baby. The success of one of his early choreographic works Lament for the New York City Ballet Club led to offers to choreograph the Broadway production of Langston Hughes’ Black Nativity. This lead to additional theatrical productions including Lost In The Stars, Treemonisha and Purlie, which garnered Johnson a Tony Award nomination.
Johnson choregraphed La Giaconda (starring Martina La Rowe) and Aida (starring Leontyne Price) for the New York Metropolitan Opera. Johnson also choreographed two motion pictures the 1970 Cotton Come To Harlem and The Wiz starring Diana Ross and Michael Jackson. Johnson never lost his love for concert dance choreographing for the Alvin Ailey American Dance Theater, Dance Theatre of Harlem, Joffrey Ballet, Atlanta Ballet, Philadanco and the Nanette Bearden Contemporary Dance Theater. In 1980 Johnson started the dance department at the Henry Street Settlement (New York City), where he remained until 2003. He also taught the first Black theater course at Yale University and stated dance department at Howard University (D.C.). His directorial credits include Porgy and Bess, Miss Truth and Jazzbo Brown.


Moms Mabley performs Don’t Sit On My Bed form the 1948 all-Black cast film Killer Diller. Continue reading

Follow master trainer and fitness model Simeon Panda and Chanel Brown through both an advance and beginner fat burning workout. Continue reading
Stay The Fuck Home is a sober reminder of how to slow the pandemic.
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