2/28/15 O&A Dance Theatre of Harlem Honors Jessye Norman (repost)

By Walter Rutledge

Jessye Norman and DTH Students Photo Joseph Rodman

The Dance Theatre of Harlem (DTH) held their 4th annual Vision Gala on Tuesday, February 24 at Cipriani, 110 East 42nd Street. The fundraiser honored opera diva Jessye Norman with the Arthur Mitchell Vision Award. Theodore Bartwink was honored posthumously with the Carl & Lily Pforzheimer Family Foundation Medal. For over three decades Bartwink was the Director of the Harness Center for Dance. The Virtuoso Award Honorees were Mario Baeza and Under Armour, Inc. Continue reading

2/27/15 O&A Dance Theatre of Harlem Honors Jessye Norman

By Walter Rutledge

Jessye Norman and DTH Students Photo Joseph Rodman

The Dance Theatre of Harlem (DTH) held their 4th annual Vision Gala on Tuesday, February 24 at Cipriani, 110 East 42nd Street. The fundraiser honored opera diva Jessye Norman with the Arthur Mitchell Vision Award. Theodore Bartwink was honored posthumously with the Carl & Lily Pforzheimer Family Foundation Medal. For over three decades Bartwink was the Director of the Harness Center for Dance. The Virtuoso Award Honorees were Mario Baeza and Under Armour, Inc. Continue reading

2/27/15 Shall We Dance Friday: Diana Vishneva in Moses Pendleton’s F.L.O.W. I, II and III

Shall We Dance

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Diana Vishneva is a Russian ballet dancer who performs as a principal dancer with both the Mariinsky Ballet (formerly the Kirov Ballet) and the American Ballet Theatre. Vishneva’s repertoire includes Don Quixote, Romeo and Juliet, La Bayadère, Sleeping Beauty, Swan Lake, The Firebird and Giselle. She also performs the works of modern choreographers, especially those of George Balanchine, William Forsythe, Martha Graham, Roland Petit and Moses Pendleton. Continue reading

2/24/15 O&A Thelma Hill Performing Arts Center Begins Spring 2015 Season (revised)

By Walter Rutledge 

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Thelma Hill Performing Arts Center (THPAC) begins their 2015 performance /presenting season with its on-the-edge PEEKS-Works in progress choreographers showcase February 26, 7:30pm at The Actors Fund Arts Center, 160 Schermerhorn Street in downtown Brooklyn. This on-going, year-round program presents works-in-progress by emerging New York City-based choreographers and dance companies, with a special emphasis on artists of color, women and the LGBT community. The performance is free to the public; of course donations at the door are always welcomed. Continue reading

2/24/15 O&A Thelma Hill Performing Arts Center Begin Spring 2015 Season

By Walter Rutledge 

Feb-26-promo

Thelma Hill Performing Arts Center (THPAC) begins their 2015 performance /presenting season with its on-the-edge PEEKS-Works in progress choreographers showcase February 26, 7:30pm at The Actors Fund Arts Center, 160 Schermerhorn Street in downtown Brooklyn. This on-going, year-round program presents works-in-progress by emerging New York City-based choreographers and dance companies, with a special emphasis on artists of color, women and the LGBT community. The performance is free to the public; of course donations at the door are always welcomed. Continue reading

2/22/15 O&A Ronald K. Brown and Evidence, A Dance Company Begin New York City Season at the Joyce

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Ronald K. Brown and Evidence, A Dance Company begin a one week New York City season Tuesday, February 24 through Sunday, March 1 at the Joyce Theater. The season will mark the 30th anniversary of the company. To commemorate this milestone the company will present two programs of Brown’s signature work.  Continue reading

2/20/15 O&A Shall We Dance Friday: Dances From The Cotton Club

Shall We Dance

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Out and About NYC Magazine is proud to present three dance and music clips from the legendary Cotton Club. Opened in 1923, the Cotton Club on 142nd St & Lenox Ave in the heart of Harlem, New York. The Cotton Club was operated by white New York gangster Owney Madden who used the club as an outlet to sell his alcohol to the prohibition crowd. 

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The Cotton Club at first excluded all but white patrons although the entertainers and most of staff were African-American.  Dancers at the Cotton Club were held to strict standards; they had to be at least 5’6” tall, light-skinned with only a slight tan, and under twenty-one years of age.

The Apollo Dancer sat the Cotton Club Revue in 1938.

Shows at the Cotton Club were musical reviews that featured dancers, singers, comedians, and variety acts, as well as a house band. Duke Ellington led that band from 1927 to 1930, and sporadically throughout the next eight years. The Cotton Club and Ellington’s Orchestra gained national notoriety through weekly broadcasts on radio station WHN some of which were recorded and released on albums. In this clip Duke Ellington and his orchestra perform  Rockin in Rhythm & Bugle Call Rag with dancers Bessie Dudley and Florence Hill from 1933.

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Cotton Club Dancers Bessie Dudley and Florence Hill

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The entertainers who played at the Cotton Club were some of the most widely known blues and jazz performers of their time including Cab Calloway. This is one of Cab’s broadcasts from The Cotton Club in the 30’s after Duke Ellington took to touring on the road. They later became co- house bands at the club.

Cab ( Cotton Club) Calloway 1934 Zaz Zuh Zaz

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Elegant black show girls ditch Opera for Jazz as they get seduced by a hot jazz tune in Red Hot. You’ve never seen this kind of action from the 1930s main stream Hollywood before, it was cut by the Hays Code. Red Hot stars Dorothy Salter and Maurice Rocco.

Red Hot 1930s Cotton Club Show

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The Silver Belles of Harlem are dancers who performed at the Cotton Club during its heyday era. Group members include Marion Coles, Elaine Ellis, Cleo Ellis, Fay Ray, and Bertye Lou Wood were featured in the 2006 documentary directed by Heather Lyn MacDonald, entitled Been Rich All My Life.

Been Rich All My Life

2/19/15 O&A Ronald K. Brown and Evidence, A Dance Company- 30 Years In The Making (Part One)

By Walter Rutledge

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Ronald K. Brown and Evidence, A Dance Company will celebrate the 30 anniversary of the company February 24 through March 1 at the Joyce Theater. Brown realized his gift as a choreographer and his desire to express him by making dances at the  beginning of his dance career. At age 19, when most dance artists are concentrating on performing, Brown formed Evidence Continue reading

2/17/15 O&A Reposted: Lloyd Knight 2012 Conversation

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LLOYD KNIGHT

During the 2012 New York City season of the Martha Graham Dance Company soloist Lloyd Knight was recovering from an injury. His name was listed in the program, but Knight was unable to perform. After a year of rigorous therapy his persistence and patience paid off and by the summer of 2012 Knight was again in rehearsal. Continue reading

2/13/15 O&A Shall We Dance: Lloyd Knight – A Dancer’s World

Shall We Dance

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One of Martha Graham’s most memorable quotes, “It takes ten years, usually, to make a dancer. It takes ten years of handling the instrument, handling the material with which you are dealing, for you to know it completely.” This year marks Lloyd Knight’s tenth year with the Martha Graham Dance Company. His ascent through the ranks of the company culminated with Knight becoming a principal dancer prior to the 2015 New York City season. Continue reading