9/18/15 O&A NYC Shall We Dance Friday: Maurice Béjart- La Sacre du printemps (1970)

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Le Sacre du printemps (1959) is a milestone in the history of dance, and  choreographer Maurice Béjart approached the work with great courage. His version full of new meanings, physicality and sensuality became a universally recognized success.  “Human love, in its physical appearance, symbolizes the act by which God creates the cosmos, and the joy it brings. Let this ballet be bare of all picturesque artifice, let it be the hymn to the union between man and woman at its deepest level, between heaven and earth, the dance of life and death, let it be as eternal as spring!” – Maurice Bejart Continue reading

9/11/15 O&A NYC Shall We Dance Friday: ABADDON

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ABADDON a poem of love and destruction. Inspired by relationships that test boundaries and go beyond the acceptable; relationships that reduce, erode and abuse until the spirit is consumed. Abaddon is a place of suffering and purification. Continue reading

9/3/15 O&A NYC Dance: Earl Mosley’s The Hearts Of Men- A Dance Family

By Walter Rutledge

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Earl Mosley didn’t choose to dance; dance chose him. Growing up in rural North Carolina Mosley was expected to farm the family land. After taking a dance class on a dare any expectations of living an agrarian lifestyle were lost to a career based in movement.

Mosley applied the life lessons from his upbringing to his dance philosophy. He believes that there is room to nurture the entire artist. Mosley has created more than a dance company, instead to establish a dance family.

The Hearts Of Men (presented as part of Ailey Extension) is a two-week workshop that brings together dancers and movement enthusiasts of different ages, disciplines and technical levels. The participant’s work with established teachers, choreographers and arts professionals culminating with two performances on Saturday, September 5 at 7pm and Sunday, September 6, 3pm at the Ailey Citigroup Theater. The philosophy is geared toward a return to artistic integrity. 

A Conversation With Earl Mosley

In an age when texting has replaced face-to-face conversation, Mosley has decided to create an environment based on sharing and communicating. He has designed a safe haven where artists can not only work on their craft, but also find solace from another person who is or has experienced a similar problem or situation. In other words, you are not alone

The concept is not new it is really a return to another era, when dancers didn’t usually travel by airplanes it was the director’s station wagon that became official company vehicle, and it lodgings were motels instead of hotels. Thankfully it was an era when dance had intrinsic aesthetic value, and was not just a trick laden competition sport. Despite the hardships and challenge those dancers describe their performance experiences as “a family”.

The two performances this weekend will showcase thirteen works by ten choreographers, and feature eighty performers including an array of accomplished guest artists. The works presented will range from dance theatre to abstract, from complete choreographic statements to movement studies. The common denominator throughout will be a terpsichorean brotherhood expressed through movement.

Tickets are $25 Adult $18 Students we suggest purchasing online to ensuring seating at http://www.alvinailey.org/hearts-of-men-performance.

 

 

 

 

9/2/15 O&A NYC Magazine: Brother And Sister Make Dreams A Reality

By Walter Rutledge

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The Frank Sinatra classic New York New York declares “If I can make it there, I’ll make it anywhere”. For a brother and sister their dreams of dancing on stage at the legendary Apollo Theater are about to come true. Jelani and Arnese Britton (who reside in the Bronx) will get a chance to strut their stuff tonight at Amateur Night At The Apollo.

Jelani (age 24) and Arnese (15) have a special big brother little sister bond. The self-trained duo rehearse their routine in Jelani’s living room. His apartment provides them unlimited rehearsal hours, but lacks the space and mirrors that would help hone the dance.

The Thelma Hill Performing Arts Center Genex Program provided Jelani and Arnese studio time and an advisor for professional feedback. “Its been our mission for almost 40 years to assist new and emerging dancers, choreographers and dance companies”, says Thelma Hill Performing Arts Center Executive Chairman Alex Smith Jr. “Our Genex Program is designed to offer young artists one-on-one assistance and technical support.”

You could see the excitement on the dancer’s faces as they began rehearsing at DANY Studios on 38th Street in Manhattan. “This was our first time ever working in a real studio”, Jelani explained. “We were able to get a feel for dancing in a big space with mirrors. It is something I’ll never forget.”

Jelani, the choreographer, has wanted to one day dance on the Apollo stage for as long as he can remember. His sister Arnese dances at church and at school, but this is the first time on a public stage. “I can’t wait to dance at the Apollo, I’m a little nervous; but I know it’s a once in a lifetime experience and I want to have fun”, says Arnese.

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The Apollo amateur night is the oldest continuous talent shows in the world. Ella Fitzgerald won the first Amateur Night in 1934, and received a prize of $25 and work for one week. The list of other Amateur Night winners include Billie Holiday, the Isley Brothers, Jimi Hendrix, and the Jackson 5.

The selection process for the The 81-year-old Amateur Night hasn’t changed, participants from all disciplines audition for chance to perform. Amateur Night At The Apollo remains an incubator for talent, and is also one of New York City’s most acclaimed live performances. The world-renowned weekly performances attract an international audience, who can either make or break a performer.

Jelani and Arnese hope to go to the next round and eventually win the Amateur Night competition. They are all ready winners for having the courage to turn their dreams into reality. Whatever the outcome they are performing tonight on the stage “Where stars are born and legends are made.”

For tickets for Amateur Night At The Apollo at $21, $27, $33 and are available in person at the Apollo Theater Box Office, online at Ticketmaster.com, and by calling Ticketmaster (800) 745-3000, for Groups Call (212) 531-5355.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

8/7/15 O&A Shall We Dance Friday: Michael Jackson – Smooth Criminal

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Smooth Criminal is the seventh single from Michael Jackson’s 1987 Bad album. Jackson originally wanted to make the music video in the western genre, but he later decided after watching “The Third Man” with Director Colin Chilvers to change it to a 1930s gangster style. Jeffrey Daniel of the soul music group Shalamar co-choreographed the Smooth Criminal video with Jackson and Vincent Paterson, who was a back-up dancer in Beat It and Thriller.

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The dance sequence of the video in the 1930s style lounge (and Jackson’s white suit and fedora) pays tribute to the Fred Astaire musical comedy film The Band Wagon. Jackson and some of the dancers around him perform a seemingly impossible forward lean. For the video, this was done using harness cables. To accomplish this maneuver for stage performances, though, Jackson co-patented a hitching mechanism which was built into the floor of the stage and the performer’s shoes.

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Michael Jackson – Smooth Criminal

7/24/15 0&A Shall We Dance Friday: Bessie Schönberg- How to Look at Dance

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Bessie Schönberg (1906-1997) a distinguished and beloved educator in the dance arts,  speaks to a class of interns at Jacob’s Pillow Dance Festival in the summer of 1989. She discusses the art and technique of how one can watch dance as an audience member. Schönberg offers insight into how one can prepare oneself to view new dance, find an entry point or “handle-bar” into the content, and how to build an appetite for the multitude of dance forms. Continue reading

12/1/23 O&A SHALL WE DANCE FRIDAY- WORLD AIDS DAY: Lar Lubovitch- Duet from Concerto Six Twenty-Two

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Duet from Concerto Six Twenty-Two is set to Concerto in A for Clarinet and Orchestra, K. 622 by  Wolfgang Amadeus Mozart. Choreographer Lar Lubovitch premiered this work on his company, the Lar Lubovitch Dance Company, at the Municipal Theatre in Angers, France on December 12th 1985 on dancers Sylvain Lafortune and Edward Hillyer. The work was performed at the first Fire Island Dance Festival, which has become the annual summer fundraising centerpiece for Dancers Responding To AIDS Continue reading

7/14/15 O&A Inspirational Tuesday: Misty Copeland- Dancing Her Dreams

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Misty Copeland stopped by The View on July 6th to discuss her promotion to Principal Dancer at American Ballet Theatre. Copland becomes the first African-American dancer to achieve principal status. In addition O&A NYC Magazine includes Copeland’s 60 Minutes Interview. Continue reading