The Lake section of Alvin Ailey’s The River featuring music by Duke Ellington, with American Ballet Theater Cynthia Gregory and Marcos Paredes. The ballet was first performed by American Ballet Theater (ABT) on June 25, 1970 to highly enthusiastic reviews. Continue reading
By Walter Rutledge
The Thelma Hill Performing Arts Center concludes their 2015 Souls Of Our Feet Dance Festival with two events Monday, June 29 and Tuesday, June 30 at the Actors Fund Arts Center 160 Schermerhorn Street in downtown Brooklyn, 7:30 pm. On Monday the third dance presentation will featured three New York based Hip Hop companies, Full Circle Souljah, Jendog/YalinDream and Special Ops/Flatbush Bullies. Tickets for this event are $20 and can be purchased online at wwwthelmahill.com and at the box office prior to the performance.
Each group brings a different favor of this American art form that was born in urban NYC. Full Circle Souljahs, under the direction of Bronx native Rokafella, blends Hip-Hop with traditional dance styles and compositional forms to produce dances ranging from pure street dance to concert style urban dance narratives. Jendog/YalinDream are a music with a message duet that combines rap, spoken word and hip hop imagery. Special Ops/Flatbush Bullies mixes flexing, bone breaking, and break dance in a street battle format , this high-energy “in your face” style will make you want to bust a sag and pull your hoodie over your head. In Lieu of a formal post performance Q&A, each company director will provide brief statements detailing their organization’s mission and aesthetic philosophy.
On Tuesday June 30 at 7pm the series will conclude with A Dancer’s Life, a conversation with dancer Loretta Abbott. Abbott, whose career spans over six decades. Abbott holds the distinction of dancing the Wade In The Water section of Alvin Ailey’s masterwork Revelations with Ailey himself (she was Ailey’s last partner). In addition to concert dance she was in the original Broadway cast of Purlie, Raisin and Liza With A Z. Abbott will discuss her career and artistry with Thelma Hill Performing Arts Center Artistic Advisor, and Out and About NYC Magazine Editor in Chief Walter Rutledge.
Abbott and Rutledge will open the evening with a duet entitled Sentimental Reasons. The work choreographed by Rutledge and commissioned by Dancers For A Variable Population 10027 Project is a tribute to the partnership of Abbott and the late Al Perryman. Named the Dynamic Duo they had special onstage chemistry, and impeccable comedic timing. This free event will include a closing night reception. For more information visit thelmahill@msn.com or call (718) 875- 9710.
Summer is finally here! And it has ushered in a whirlwind of arts events. We have fine art, dance, film, music and theatre; something for everyone. Here are a few of the many events happening in the city that never sleeps guaranteed to keep you Out and About. Continue reading
Top Hat was the most successful picture of Astaire and Rogers’ partnership (and Astaire’s second most successful picture after Easter Parade), achieving second place in worldwide box-office receipts for 1935. While some dance critics maintain that Swing Time contained a finer set of dances, Top Hat remains, to this day, the partnership’s best-known work. Continue reading
Litefeet is a rising music genre and style of dance that has become increasingly popular within the New York subway scene. The genre is highlighted by 100-BPM tracks as well as an acrobatic take on old school b-boy moves and pop-locking. Due to the energetic nature of the music and the moves, police have begun cracking down on the scene, leaving artists sometimes struggling to cope. Continue reading
In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many thought of the work as the male equivalent of the female solo Cry (1971). Continue reading
Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington. The work premiered during the 1976 Ailey season with a cast that included Elbert Watson as King Balthazar, Clive Thompson as King Solomon and Dudley Williams as Martin Luther King Jr. King was a close friend of Ellington and his widow Coretta Scott King attended the première. In this 2011 interview Dudley discusses his role and Ailey’s choreographic process. Continue reading
Next Level Squad, a Brooklyn-based group of élite dancers who specialize in Bone Breaking. The dance style has roots, as a technique, in flexing; but in recent years it has flourished as its own distinct dance form. Next Level Squad has not only brought Bone Breaking to the attention of the urban public, it has gained an international following. Another art-form “Made In America”. Continue reading
By Walter Rutledge
PS Dance!, an inspiring documentary showcasing the profound effects of dance education in NYC public schools, will air on tri-state public television station NJTV on May 26 at 10:00 p.m. The television program has already aired May 15 on WNET (THIRTEEN), and May 17 on WLIW21. The full film will also be available for online streaming at THIRTEEN.org/specials. Continue reading
By Walter Rutledge
When you check the resumes of performing artists, so many did not begin their training in large renowned institutions. They usually begin at a smaller local school in their hometown or neighborhood. In these nurturing environments teachers taught more than dance.
Often these unsung heroes wore many pairs of dance shoes. They were chauffeurs, loan officers, guidance counselors, math tutors, disciplinarians, landlords and surrogate parents. They provided free classes, that they called scholarship, without the luxury of corporate sponsorships to offset the expense. But for the most part they provided a safe haven, and a solid foundation; not just in dance but in life.
Whether it was a converted storefront, a church basement, school gymnasium, or after school program, you couldn’t wait to get there because even after a hundred failed attempts eventually you knew you would the words “Yes that’s it” usually followed “Now do it again”. It was that teacher, that hero, who first saw that spark in your eyes, and helped you turn it into the raging fire in your soul. Every dancer has an Aunt Joan, a Madame Cugjet or Nikita Talin whose dedication, conviction and love helped mold their artistry. And even now their voices and wisdom still resounds from deep within. Jamel Gaines is one of these heroes.
Jamel Gaines and Members of Creative Outlet
For twenty years Gaines has given his time, talent and personal resources to develop young people into performing artists and contributing members of society. His tireless energy and ability to show young people how “To be the best you can be” has not diminished. On any given Saturday Gaines conducts his school at Junior High School 113, 300 Adelphi Street in Brooklyn.
The school is a model of the phrase “It takes a village to raise a child”. Parents volunteers escort children to and from classes. They also operate a lunch concession where children and parent can purchase a hot meal with leaving to building. School alumni teach classes, and the company, Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn, consists of budding talent developed at the school and returning former students who are either between professional gigs or on hiatus.
On May 15 Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn will celebrate the 20th anniversary with a three-day season at Kumble Theater at LIU Brooklyn, One University Plaza, Brooklyn. The performance May 15, 16 and 17 will showcase works from the company’s repertoire including the world premiere of Bitter Sweet, set to the music of Roberta Flack, commissioned by 651 ARTS. For more information and tickets call or visit the Kumble box office at (718) 488 – 1624 or online at creativeoutlet.org.
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
Uganda: Umoja/Mirembe/Obulungi (Unity/Peace/Beauty)!The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
A dance and wellness classes design for Older Adults taught by Walter Rutledge
204 W 134th St, New York, NY 10030
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueA dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue