6/12/20 O&A NYC SHALL WE DANCE FRIDAY: Creole Giselle (DTH On Demand)

When the ballet Giselle was created in 1841, it was not imagined to be performed by men and women of color, Black men and women. In 1984, Dance Theatre of Harlem Co-Founder Arthur Mitchell changed that. The acclaimed DTH production of this classic, Creole Giselle, was re-conceived by Arthur Mitchell and staged by Frederic Franklin, based on the original by Jean Coralli and Jules Perrot

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6/11/20 O&A NYC LOCKDOWN LEARNING: The Harlem Renaissance – Black Cultural Movement in Art Music and Literature

This a video biography of the Harlem Renaissance, a negro movement where Black America developed significant cultural resources and a new cultural identity. It was an era of intellectual flowering. The levity of this movement produced great Black renaissance poets, music, art and literature . Continue reading

610/20 O&A NYC WILDIN OUT WEDNESDAY: The Birdcage

In this contemporary American adaptation of the 1978 outrageous French farce LA CAGE AUX FOLLES, the story centers on the life of a middle-aged, flamboyant gay couple…Armand and Albert…in the eclectic community of South Beach, Florida, who have raised a straight son. Continue reading

6/9/20 O&A NYC INSPIRATIONAL TUESDAY: Revelations From A Lifetime Of Dance- Judith Jamison and the Alvin Ailey American Dance Theater

“Dance can elevate our human experience beyond words,” says Judith Jamison, artistic director emerita of the Alvin Ailey American Dance Theater. In between performances of excerpts from Alvin Ailey’s classic works “Revelations” and “Cry,” Jamison reflects on the enduring power of dance to transform history into art that thrills audiences around the world. (Performances by Solomon Dumas, Samantha Figgins and Constance Stamatiou)
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6/7/20 O&A NYC LOCKDOWN CONCERT: Alvin Ailey American Dance Theater: Chroma, Grace, Takademe, Revelations (2015)

Alvin Ailey American Dance Theater performs a full live evening of dance. In this 2015 Lincoln Center at Home rebroadcast. the works presented include:  Chroma by Wayne McGregor ‘Grace,’ Artistic Director Robert Battle’s ‘Takademe’ and the company’s signature work Revelations choreographed by company founder Alvin Ailey.

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6/1/20 O&A NYC DANCE: Spectre de la Rose- Rudolph Nureyev and Denise Jackson

DeniseJacksoninLeSpectredelaRose197Le Spectre de la rose (English: The Spirit of the Rose) about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball.  Continue reading

(Repost) 8/18/21 O&A NYC TRIBUTE: A Song For You (1986) Dudley Williams August 18, 1938- May 31, 2015

By Walter Rutledge

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In 2003 I telephoned Ailey Dancer Emeritus Dudley Williams. At that time he was a 39 year veteran of the Ailey Company, one year from a forty year milestone as an Ailey dancer. The Bearden Foundation and The Nanette Bearden Contemporary Dance Theater were planning a centennial celebration for internationally renowned artist Romare Bearden. The dance company would present a new work On The Block based on the six panel mural by Bearden, which is in the permanent collection at the New York Metropolitan Museum of Art. 

I introduced myself and explained the projected; we wanted him to play an abusive husband opposite Hope Clark. I finished the introduction with “I have called you the Lyric Crown Prince of modern dance but in this work I’m going to need you to be a real son of a bitch”. He paused then quickly responded “I can do that”. This began a working relationship and friendship that would last until his death. I still miss Dudley’s dry wit and even drier Bombay Blue Sapphire Martini. I know that you are still dancing this solo probably with Alvin directing and Donny singing. Happy Birthday Dudley Continue reading

5/30/20 O&A NYC ITS SATURDAY- ANYTHING GOES: Legendary- Series Premiere (Full Episode)

Legendary, a new HBO Max competition series draws its inspiration from the underground ballroom community. 
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5/28/20 O&A NYC DANCE: Robert Battle’s The Hunt

The Ailey company first premiered The Hunt, one of Robert Battle’s most popular works, in 2010. Fueled by a thundering percussion soundtrack, the piece explores the relationship between modern sports and the rites of the gladiators. Continue reading