12/14/25 O&A NYC THE WORD: Revelations – Alvin Ailey American Dance Theater

Revelations was the tenth ballet by 29 year old emerging choreographer Alvin Ailey. The  work premiered in New York City on January 31, 1960, at the 92nd Street YM-YWHA. Revelations immediately captivated audiences with its powerful universal message of faith and resilience.  

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12/12/25 O&A NYC DANCE BY WALTER RUTLEDGE: Dudley Williams -A Song for You

By Walter Rutledge

Nineteen seventy began the golden age of the Alvin Ailey American Dance Theater. Ailey in his creative apex choreographed Streams (1970) (his first plotless work), Cry (1971) (iconic female solo and Judith Jamison’s breakout role), The Lark Ascending (1972) his historic collaborations with Duke Ellington (Ailey Does Ellington -1974 season in Lincoln Center) and Memoria (1979). In 1972 Dudley Williams premiered Love Songs, a solo choreographed in three sections by Ailey.

The choreography received lukewarm reviews and was categorized as the male counter part of Cry, which had premiered a year earlier. New York Times dance critic Anna Kisslegoff called the work a “technical and dramatic tour-de-force for Mr. Williams”. The literati may not have been initially enthusiastic, but the audience had a different reaction. They showered Williams’ performance with thunderous applause, establishing him as Ailey’s lyric crown prince and Love Songs as his signature role.

Dudley Williams -A Song for You (1986)

Dudley shared with me in a 2010 interview that Judith Jamison introduced him to the Donny Hathaway music and he then shared it with Ailey. One day Ailey called him into the studio and said, “This is for you Chicken”, (Ailey’s pet name for Williams) and began to choreographer the opening movement A Song For You. The work provided Williams, at the peak of his artistic prowess, a vehicle to showcase his impeccable musical phrasing and stage presence.

The opening section, A Song For You, is often presented as a stand-alone solo. Its lyricism, musicality, and soul stirring dramatic commitment continues to inspire audiences. On December 7th Renaldo Maurice performed A Song For You with great sensitivity and a masterful yet quiet command. The program note read: “This performance is dedicated in loving memory to long-time Ailey Company member Dudley Williams (1938–2015)”.  It’s hard to believe Dudley has been dancing with the ancestors for over ten years.

Tonight’s performance is a tribute to choreographer and company founder Alvin Ailey and his muse Judith Jamison. Jamison’s A Case of You will be presented along with two of Ailey’s golden age gems, Memoria and Cry along with his signature masterwork Revelations.

For more information and to purchase tickets visit: https://ailey.org/performances

In Photo: 1. Ailey and Company (1978 twentieth anniversary season) 2. Alvin Ailey and Judith Jamison

Jack Mitchell Photographer 

1/1/25 O&A NYC DANCE REVIEW: Matthew Rushing- Sacred Songs

By Walter Rutledge

The 2024 Alvin Ailey American Dance Theater’s (AAADT’s) New York City Center fall season presented four premieres by two former company members Hope Boykin and Jamal Roberts, master choreographer Lar Lubovitch, and AAADT Associate Artistic Director Matthew Rushing. Rushing’s Sacred Songs, an ensemble work with an interesting twist, is set to the music edited from the original version of Alvin Ailey’s and AAADT’s signature work Revelations. Sacred Songs it made its debut on December 20th, was the last of the four new works to premiere, and it was worth the wait.    Continue reading

12/22/24 O&A NYC DANCE REVIEW: Ailey Premieres by Boykin, Lobovitch, and Roberts

By Walter Rutledge

The Alvin Ailey American Dance Theater is now halfway through their 66th New York season at New York City Center. In the 18 remaining performances this season, which runs until January 5, the company will present 19 works by 12 choreographers. The fall/winter Ailey season has become one of New York City’s annual holiday traditions. Continue reading

11/10/24 O&A NYC IN MEMORIAL: Judith Jamison (1943- 2024) Revelations Excerpts (Hollywood Palace 1968)

  O&A NYC celebrates the life and Legacy of Judith Jamison. 

“She was a unique, spectacular dancer who was majestic and queenly. She danced with eloquence and integrity.”– Sylvia Waters 2009-02-27-judithjamisoninalvinaileysrevelationsphotobyaileyarchivesThe Alvin Ailey American Dance Theater performed two excerpts from his masterwork Revelations on the weekly television variety show The Hollywood Palace (1968). Continue reading

1/3/23 O&A NYC DANCE REVIEW: The Genius of Alvin Ailey

By Walter Rutledge

Another bout of Covid (our third slow dance) prevented me from seeing the new works presented during the first and second weeks of the Ailey season. When Covid and I finished our Rumba, I attended an All-Ailey matinee featuring four works, Night Creature, Cry, Survivors and Revelations.   Continue reading

12/24/21 O&A NYC SHALL WE DANCE FRIDAY: Ailey’s 2021 Opening Night Gala

As special holiday gift from the Ailey company to you, watch the Opening Night Gala now through Dec 28. The performance honors you, our audience, our inspiration. Happy Holidays! Featuring: Robert Battle’s ‘Ella’(performed to live music by Jazzmeia Horne) and the finale of Love Stories,’ plus Bird’ Lives!, an excerpt from Alvin Ailey’s For Bird’ – With Love featuring Company member Clifton Brown with students from The Ailey School, and Mr. Ailey’s beloved Revelations. Continue reading

6/18/21 O&A NYC SHALL WE DANCE FRIDAY: Ailey Juneteenth Celebration

Ailey Celebrates Juneteenth is an uplifting program that features performance highlights from Alvin Ailey’s Cry and Revelations, as well as Rennie Harris’ Lazarus. Continue reading

1/15/21 O&A NYC SHALL WE DANCE FRIDAY: Alvin Ailey American Dance Theater- Chroma, Grace, Takademe, Revelations (2015)


Alvin Ailey American Dance Theater performs Revelations, Chroma, Grace, and Takademe in this 2015 rebroadcast. Continue reading

12/21/20 O&A NYC DANCE: Testament- (World Premiere) Alvin Ailey American Dance Theater)

‘Testament’ (World Premiere) by Matthew Rushing, Clifton Brown, and Yusha-Marie Sorzano, plus a conversation among the choreographers about the work’s creation. Continue reading