Tag: Shall We Dance Friday

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5/28/15 O&A Throwback Thursday: Minnie Riperton

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Minnie Riperton, singer-songwriter best known for her 1975 single Lovin’ You.  She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society.  She received the American Cancer Society’s Courage Award in 1978, which was presented to her at the White House by President Jimmy Carter.  She was married to songwriter and music producer Richard Rudolph from 1972 until her death in 1979. They had two children: music engineer Marc Rudolph and actress/comedienne Maya Rudolph. She died at age 31 on July 12, 1979. Continue reading

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5/22/15 O&A Shall We Dance Friday: Tschaikovsky Pas de Deux – Patricia McBride and Mikhail Baryshnikov

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Shall We Dance

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Tchaikovsky Pas de Deux with Patricia McBride and Mikhail Baryshnikov was recorded in 1979. George Balanchine acquired the rights to the music in 1953 and he used it to devise a party piece for a principal couple, amending the choreography each time to suit each pair of dancers. You have to admire Patricia McBride’s diamond-edged footwork including entrechats skimmed millimetres from the floor, or wonder how Baryshnikov’s twelfth consecutive double cabriole can look as easy and elegant as the first.  Continue reading

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Shall We Dance Friday: Sophisticated Ladies- Hinton Battle, Phyllis Hyman, Greg Burge and Paula Kelly

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Sophisticated Ladies starring Gregory Hines, Hinton Battle, Phyllis Hyman, Greg Burge and Paula Kelly is a musical revue based on the music of Duke Ellington. The musical opened on Broadway at the Lunt-Fontanne Theatre on March 1, 1981 and closed on January 2, 1983 after 767 performances and fifteen previews.  Continue reading

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5/1/15 O&A Shall We Dance Friday- Encore Performance: Le jeune homme et la mort by Roland Petit (Zizi Jeanmaire & Rudolf Nureyev)- 1966

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Le Jeune Homme et La Mort was choreographed by Roland Petit  choreographed in 1946 to Bach’s Passacaglia and Fugue in C Minor, BWV 582, with a one-act libretto by Jean Cocteau. It tells the story of a Young Man driven to suicide by his faithless lover. Sets were by George Wakhevitch and costumes variously reported as being by Karinska or Cocteau. Continue reading

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3/27/15 O&A Shall We Dance Friday: Serenade

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Shall We Dance

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Serenade is a ballet by George Balanchine to Tschaikovsky’s 1880 Serenade for Strings in C, Op. 48. Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where Mozartiana had been danced the previous day. This was the first ballet Balanchine choreographed in the United States.  Continue reading

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3/20/15 O&A Shall We Dance Friday: Bones The Machine

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Shall We Dance

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Steven Hill, aka Bones The Machine is a Flex dancer, actor and model. He performs jaw-dropping style of dance that originated from Jamaican brukup, and is rooted in the streets of east Brooklyn. The dance, which consists mainly of shapes you form with your arms, is called ‘Bone Breaking’ as it really looks like Steven has traded his skeleton for some sort of elastic gum. Bones has spent several years to develop his unique technique where he mixes contortion and improvisation with other styles from parallel dance movements such as tutting, popping, connecting and waving – and even a bit of ballet. Continue reading

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3/13/15 Shall We Dance Friday: Excerpts From The Ballerinas (1987) – Starring Carla Fracci

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Shall We Dance

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In The Ballerinas, a sumptuously produced two-part ballet drama, Fracci places her rare artistry in the service of dance history as she recreates roles first premiered by such luminous ballerinas as Marie Taglioni, Emma Livry, Carlotta Grisi, Fanny Elssler, Giuseppina Bozzacchi, Carlotta Brianza, Matilde Kschessinska, Anna Pavlova, Tamara Karsavina and Olga Spessitzeva. Continue reading

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3/6/15 O&A Shall We Dance Friday: Promethean Fire- Paul Taylor Dance Company

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Promethean Fire (2002) is danced to the music of three of Leopold Stokowski’s famous Bach transcriptions (Opus 116). The ensemble work is one of Paul Taylor’s six ballets set to the music of the baroque master. This excerpt is the first movement choreographed to the celebrated Toccata and Fugue in D minor.   Continue reading

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2/27/15 Shall We Dance Friday: Diana Vishneva in Moses Pendleton’s F.L.O.W. I, II and III

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Shall We Dance

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Diana Vishneva is a Russian ballet dancer who performs as a principal dancer with both the Mariinsky Ballet (formerly the Kirov Ballet) and the American Ballet Theatre. Vishneva’s repertoire includes Don Quixote, Romeo and Juliet, La Bayadère, Sleeping Beauty, Swan Lake, The Firebird and Giselle. She also performs the works of modern choreographers, especially those of George Balanchine, William Forsythe, Martha Graham, Roland Petit and Moses Pendleton. Continue reading

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2/20/15 O&A Shall We Dance Friday: Dances From The Cotton Club

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Shall We Dance

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Out and About NYC Magazine is proud to present three dance and music clips from the legendary Cotton Club. Opened in 1923, the Cotton Club on 142nd St & Lenox Ave in the heart of Harlem, New York. The Cotton Club was operated by white New York gangster Owney Madden who used the club as an outlet to sell his alcohol to the prohibition crowd. 

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The Cotton Club at first excluded all but white patrons although the entertainers and most of staff were African-American.  Dancers at the Cotton Club were held to strict standards; they had to be at least 5’6” tall, light-skinned with only a slight tan, and under twenty-one years of age.

The Apollo Dancer sat the Cotton Club Revue in 1938.

Shows at the Cotton Club were musical reviews that featured dancers, singers, comedians, and variety acts, as well as a house band. Duke Ellington led that band from 1927 to 1930, and sporadically throughout the next eight years. The Cotton Club and Ellington’s Orchestra gained national notoriety through weekly broadcasts on radio station WHN some of which were recorded and released on albums. In this clip Duke Ellington and his orchestra perform  Rockin in Rhythm & Bugle Call Rag with dancers Bessie Dudley and Florence Hill from 1933.

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Cotton Club Dancers Bessie Dudley and Florence Hill

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The entertainers who played at the Cotton Club were some of the most widely known blues and jazz performers of their time including Cab Calloway. This is one of Cab’s broadcasts from The Cotton Club in the 30’s after Duke Ellington took to touring on the road. They later became co- house bands at the club.

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Elegant black show girls ditch Opera for Jazz as they get seduced by a hot jazz tune in Red Hot. You’ve never seen this kind of action from the 1930s main stream Hollywood before, it was cut by the Hays Code. Red Hot stars Dorothy Salter and Maurice Rocco.

Red Hot 1930s Cotton Club Show

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The Silver Belles of Harlem are dancers who performed at the Cotton Club during its heyday era. Group members include Marion Coles, Elaine Ellis, Cleo Ellis, Fay Ray, and Bertye Lou Wood were featured in the 2006 documentary directed by Heather Lyn MacDonald, entitled Been Rich All My Life.

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