11/10/24 O&A NYC IN MEMORIAL: Judith Jamison (1943- 2024) Revelations Excerpts (Hollywood Palace 1968)

  O&A NYC celebrates the life and Legacy of Judith Jamison. 

“She was a unique, spectacular dancer who was majestic and queenly. She danced with eloquence and integrity.”– Sylvia Waters 2009-02-27-judithjamisoninalvinaileysrevelationsphotobyaileyarchivesThe Alvin Ailey American Dance Theater performed two excerpts from his masterwork Revelations on the weekly television variety show The Hollywood Palace (1968). Continue reading

11/9/24 O&A NYC GOING BACK TO AFRICA WITH WaleStylez: Ghana Traditional Drumming -Koffie Fugah and WALA Group

Ghanaian natives Robert Koffie Fugah (New Zealand based) and WALA Group (Australia based) perform traditional songs, rhythms and dances from their homeland Ghana Continue reading

11/9/24 O&A NYC GOING BACK TO AFRICA WITH WaleStylez: Ghana Traditional Drumming -Koffie Fugah and WALA Group

Ghanaian natives Robert Koffie Fugah (New Zealand based) and WALA Group (Australia based) perform traditional songs, rhythms and dances from their homeland Ghana Continue reading

11/7/24 O&A NYC SHALL WE DANCE FRIDAY: Dear Quincy- Carmen De Lavallade and Wesley Fata

Shall We Dance Friday

Carmen de Lavallade dancing to Quincy Jones’s “Soul Bossa Nova” with Wesley Fata on November 16, 1968. Ms. de Lavallade’s late husband, the great Geoffrey Holder, choreographed this piece This is jut an excerpt of a much longer dance. Continue reading

11/5/24 O&A NYC SONG OF THE DAY: Sam Cooke- A Change Is Gonna Come

A Change Is Gonna Come is a song by Sam Cooke, released on December 22, 1964 by RCA Victor. Though only a modest hit for Cooke in comparison with his previous singles, A Change Is Gonna Come became an anthem for the American Civil Rights Movement. The song is widely considered Cooke’s best composition and has been voted among the best songs ever released by various publications. In 2007, the song was selected for preservation in the Library of Congress, with the National Recording Registry deeming the song “culturally, historically, or aesthetically important.” Continue reading

11/5/24 O&A NYC ELECTION DAY 2024: America Keep Your Word !

A soliloquy from a Black man from the 1960’s about the injustice of the American system. He makes a simple yet poignant request “America needs to keep its word”. Liberty and justice for who? You? Me? Continue reading

10/25/24 SHALL WE DANCE FRIDAY: Paula Abdul – Straight Up

Straight Up by dancer and choreographer Paula Abdul from her debut studio album, Forever Your Girl (1988). Straight Up became Abdul’s first top-40 hit in the United States, eventually topping the Billboard Hot 100 in February 1989. Continue reading

10/21/24 O&A NYC HOLLYWOOD MONDAY: Blacula (1972)


Blacula (1972) stars William Marshall in the title role as an 18th-century African prince named Mamuwalde. Continue reading

10/20/24 O&A NYC SUNDAY GOSPEL: Rev. James Cleveland – Soldiers In The Army

James Edward Cleveland was a gospel singer, musician, and composer. Known as the “King of Gospel,” Cleveland was a driving force behind the creation of the modern gospel sound by incorporating traditional black gospel, soul, pop, and jazz in arrangements for mass choirs. Continue reading

10/5/24 O&A NYC IT’S SATURDAY: A Conversation With Debbie Blunden- Diggs, Dayton Contemporary Dance Company

By Walter Rutledge 

The Dayton Contemporary Dance Company (DCDC) is one of the heartland’s preeminent dance companies. The company is fifty-six years young and has remained rooted in sharing the experiences of Americans of African decent through movement. This 2016 conversation with DCDC Artistic Director Debbie Blunden- Diggs took place during the company’s performances of Rainbow Round My Shoulder as guest artists with the Paul Taylor Dance Company at State Theater in Lincoln Center.

The company received a Bessie Award (The New York Dance and Performance Awards) that same year for Outstanding Revival for Rainbow. Blunden and I discuss the importance of keeping masterworks like Rainbow alive and on stage for the next generation of balletomanes. Her comments and commitment still ring true as DCDC become the first African American modern dance company to perform one of Taylor’s  signature masterwork Esplanade during the company’s 2024 Joyce Theater season October 2- 6. Continue reading