11/20/14 O&A Dance: Complexions Contemporary Ballet Celebrates 20 Years (Part Two)- Christina Johnson Interview On Restaging Ave Maria

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O&A NYC video interview with Original Complexions Contemporary Ballet member Christina Johnson on restaging Dwight Rhoden’s duet Ave Maria. The duet was originally choreographed on Johnson and Donald Williams in 1995. American Ballet Theatre soloist Misty Copeland and Complexions Contemporary Ballet Artist in Residence, Clifford Williams will perform the work at the Thursday, November 20 Gala performance.  10392506_10152549376453892_4574420590891863747_n Continue reading

11/18/14 O&A Dance: Complexions Contemporary Ballet Celebrates 20 Years (Part One)

Complexions Contemporary Ballet begins a two-week season tonight at the Joyce Theater. The season commemorates the 20th anniversary of the company. This week Out and About NYC Magazine would like to take a look back through the eyes of artists who there at the beginning.

By Aubrey Lynch II unnamed

Founder and Artistic Director, Aubrey Lynch Extra Essential Arts, ALEEArts

Desmond Richardson and I have been best friends since he was about 15. We all knew even back then that he would be a star. When Desmond, Dwight and I were in Alvin Ailey American Dance Theater together doing Alvin Ailey’s Sinner Man all over the world, we became very close, sharing our dreams and the other art forms that interested us. Continue reading

10/3/14 O&A Shall We Dance Friday: Banda (excerpt)- Geoffrey Holder and Carmen de Lavallade

Shall We Dance

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Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading

9/30/14 O&A REVIEW: Mighty Real: A Fabulous Sylvester Musical

By Walter Rutledge

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Before RuPaul, or Boy George the crown of cross-dressing performers was wore by Sylvester the “Queen of Disco”. He reigned over the androgynous 1970’s and 1980’s dance and club culture with visual daring and signature gospel infused falsetto vocals. The new off-Broadway musical Mighty Real: A Fabulous Sylvester Musical now playing at The Theatre at St. Clement’s, 423 West 46th Street pays tribute to the iconic and trailblazing songwriter and performer. Continue reading

9/26/14 O&A Shall We Dance Friday: Eric Underwood

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Eric Underwood is a Soloist with The Royal Ballet. He was born in Washington, D.C., and trained locally under the direction of Barbara Marks. After only eight months (there were no other boys at the school) Eric moved to the School of American Ballet in New York. Continue reading

9/19/14 O&A Shall We Dance Friday: Michael Jackson- Smooth Criminal

Shall We Dance

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Smooth Criminal is the seventh single from Michael Jackson’s 1987 Bad album. The song contains a fast-paced beat intertwined with Jackson’s lyrics. It was released as a single on October 24, 1988, and peaked at number seven on the Billboard Hot 100. Continue reading

9/15/14 Reflections on Katherine Dunham and Lavinia Williams (part one)

By Noel Nantambu Hall

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 Katherine Dunham laid some sturdy foundations in arts and education that would not only benefit her era, but mushroom through the years and inspire new foundations and further growth. Education and the self-reaffirming power it wielded on an individual, group or society had clearly evidenced itself on her development and growing consciousness in the mid-nineteen thirties, and at the forefront were dance and anthropology. Continue reading

9/12/14 O&A Shall We Dance Friday: Jerome Robbins- Fancy Free

Shall We Dance

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Fancy Free is a ballet choreographed by Jerome for Ballet Theatre, the predecessor of American Ballet Theatre. The work is set to a score by Leonard Bernstein, with scenery by Oliver Smith, costumes by Kermit Love and lighting by Ronald Bates. The premiere took place on Tuesday, April 18th, 1944, at the original Metropolitan Opera House in New York City. The sailors were played by Jerome Robbins, Michael Kidd, and John Kriza. 

The inspiration for Fancy Free came from Paul Cadmus’ 1934 painting The Fleet’s In!, which is part of the Sailor Trilogy. The character driven dance takes place  in New York City, during the second world war. Three Sailors on liberty boisterously arrive at a bar, have a drink, and head outside looking for female companionship.  Continue reading

8/29/14 O&A Shall We Dance Friday (repost): Rainbow Round My Shoulder- Donald McKayle with Mary Hinkson

Shall We Dance

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Donald McKayle’s 1959 masterwork, Rainbow Round My Shoulder, is acclaimed as a modern dance classic. A searing dramatic narrative, it is set on a chain gang in the American south where prisoners work, breaking rock from “can see to can’t see.” Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. The songs that accompany their arduous labor are rich in polyphony and tell a bitter, sardonic, and tragic story. It was created for the Donald McKayle Dance Company, and has been in the repertoire of the Alvin Ailey American Dance Theater, Batsheva Dance Company and Dayton Contemporary Dance, among others. The cast in the video excerpt includes Donald McKayle and Mary Hinkson. Continue reading

Fred Benjamin Memorial Planned for Saturday, August 23, 2014

By Walter Rutledge

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There will be a memorial service for dancer, choreographer and teacher Fred Benjamin on Saturday, August 23rd; 6:30pm at Saint Peters Church, 619 Lexington Avenue at the corner of 53rd Street. Friends, colleagues, former students and company members will speak including Gina Ellis, Marilyn Banks and Mercedes Ellington. The memorial will not present Benjamin’s choreograph through live performance, instead film and photos will be presented. Prior to the start of the service there will be a wine toast to Benjamin, who died of organ failure on December 14, 2013 in Manhattan. He was 69.  Continue reading