11/11/25 O&A NYC DANCE BY WALTER RUTLEDGE: Paul Taylor Dance Company Gala Recap

Taylor Time is in full swing. The Paul Taylor Dance Company held their Gala performance tonight at New York State Theater in Lincoln Center. The evening presented two world premieres by Resident Choreographers Lauren Lovette and Robert Battle and the Taylor classic Sunset. This is a quick recap of the evening. A review(s) will follow, but we wanted to keep you in the know. Continue reading

9/11/25 O&A NYC DANCE: 9/11 Tribute Table of Silence Project at Lincoln Center (2016)

Watch the sixth annual 9/11 Table of Silence Project Memorial Tribute with 150+ dancers on the Josie Robertson Plaza, Lincoln Center in New York City. Choreographed by Jacqulyn Buglisi, the 9/11 Table of Silence is a free, public performance ritual for peace from the New York City community of artists to the world. The event streamed live on September 11, 2016, beginning at 8:15am. Continue reading

8/23/25 O&A NYC MEET THE ARTIST: Sekou Tepaka Lunda Conde – Muntu Dance Theater

By Walter Rutledge

Lights! Camera! Action! The Chicago Black Dance Legacy Project’s Unbound: Shattered Frames, Endless Visions is finally here. This Black dance extravaganza will that place tonight, August 23, 6pm at the Harris Theater for Music and Dance. Continue reading

8/22/25 O&A NYC SHALL WE DANCE FRIDAY: Chicago Black Dance Legacy Project’s Artists Speak

By Walter Rutledge

Shall We Dance Friday

The Chicago Black Dance Legacy Project (CBDLP) 2025 presentation, Unbound: Shattered Frames, Endless Visions will grace the stage of the Harris Theater for Music and Dance this Saturday, August 23, 6pm. This unprecedented dance/theatre event showcases ten of Chicago’s most dynamic and diverse dance companies. The event is more than a dance concert. The production is a collective of Chicago-based artists celebrating the continued historic contributions of the Black dance community on the city’s cultural landscape. Continue reading

8/21/25 O&A NYC DANCE: O&A NYC Embeds With CBDLP for Chicago Dance Event

By Walter Rutledge

Out and About NYC Magazine (O&A NYC) will embed with the Chicago Black Dance Legacy Project (CBDLP) for the Unbound: Shattered Frames, Endless Visions performance on Saturday, August 23, 6pm at the Harris Theater for Music and Dance. The magazine has begun to document the artists from the ten dance companies performing in this unprecedented evening of Black dance excellence. The event is being documented with written commentary, video interviews and a review of the performance. The historic and cultural importance of this “consortium of the creative” needs to be brought to the attention of the theater going public. Not just in the great city of Chicago but to our international audience. Continue reading

8/19/25 O&A NYC DANCE: The Chicago Black Dance Legacy Project And Dr. King’s Beloved Community

By Walter Rutledge

The Chicago Black Dance Legacy Project (CBDLP) will present Unbound: Shattered Frames, Endless Visions on Saturday August 23, 6pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Co- Directors Kevin Iega Jeff and Mashaune Hardy in coordination with co-curators Gary Abbott and Jeff have assembled a cast of ten of Chicago’s most exciting and progressive dance companies. This production will put meaning/message to movement for a transformative evening celebrating the city’s Black dance excellence. It will also emphasize the historic impact of Black dance on the cultural identity of the city of Chicago. Continue reading

8/16/25 O&A NYC DANCE: The Era Footwork Crew – Chicago’s Urban Terpsichoreans

By Walter Rutledge

Los Angles urban dance warriors perform Krump, Memphis dancers have the Juke, New Yorkers are Flexn and Chicago homies dance Footwork. Footwork music began evolving in Chicago in the early 90s, drawing on Ghetto House and Juke but adding complex layers of odd, almost compulsively frenetic rhythms; it grew hand in hand with the athletic, high-octane dance style that shares its name.

The dance/theatre urban storytelling style is accompanied by original lyrics and music tracks that reflect social justice, inequality and systemic racism. For over ten years Chicago’s Era Footwork Crew has introduce Footwork to the urban “dance battles” and the greater international dance community. Era Footwork Crew continues to make the urban dance style as synonymous to Chicago’s cultural identity as Deep-Dish Pizza. These Urban Terpsichorean will be part of the Chicago Black Dance Legacy Project (CBDLP) in Unbound: Shattered Frames, Endless Visions, which will premiere Aug 23, 2025, 6:00pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Continue reading

8/9/25 O&A NYC ITS SATURDAY- ANYTHING GOES: The Beloved- Dance Theatre of Harlem

Dance Theatre of Harlem in Lester Horton‘s 1949 masterwork The Beloved the duet (based on a true story) performed by Cassandra Phifer and Hagues Magen. Continue reading

8/8/25 O&A NYC SHALL WE DANCE FRIDAY: Chicago’s Hiplet Ballerinas To Perform In The Chicago Black Dance Legacy Project Debut

By Walter Rutledge

Shall We Dance Friday

Who would defile the sacred world of ballet (the last bastion of “pure” euro-centric dance and culture) by adding a healthy dose of urban flair? Move over Swan Lake and make way for the Hiplet Ballerinas. The Chicago – based dance company, whose unique style has taken the dance world by storm. The company will be part of The Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions  on Saturday, August 23, 6 pm at the Harris Theater for Music and Dance (205 E. Randolph Street). The performance is a showcase of Black dance excellence and will feature ten of the city’s most innovative and diverse dance companies.   Continue reading

8/1/25 O&A NYC SHALL WE DANCE FRIDAY: Maya Plisetskaya Dances Bolero, The Dying Swan And More

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Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself.  Continue reading