6/29/15 O&A Dance: Souls Of Our Feet Dance Festival Continues Tonight

By Walter Rutledge

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The Thelma Hill Performing Arts Center concludes their 2015 Souls Of Our Feet Dance Festival with two events Monday, June 29 and Tuesday, June 30 at the Actors Fund Arts Center 160 Schermerhorn Street in downtown Brooklyn, 7:30 pm. On Monday the third dance presentation will featured three New York based Hip Hop companies, Full Circle Souljah, Jendog/YalinDream and Special Ops/Flatbush Bullies. Tickets for this event are $20 and can be purchased online at wwwthelmahill.com and at the box office prior to the performance.

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Each group brings a different favor of this American art form that was born in urban NYC. Full Circle Souljahs, under the direction of Bronx native Rokafella, blends Hip-Hop with traditional dance styles and compositional forms to produce dances ranging from pure street dance to concert style urban dance narratives. Jendog/YalinDream are a music with a message duet that combines rap, spoken word and hip hop imagery. Special Ops/Flatbush Bullies mixes flexing, bone breaking, and break dance in a street battle format , this high-energy “in your face” style will make you want to bust a sag and pull your hoodie over your head. In Lieu of a formal post performance Q&A, each company director will provide brief statements detailing their organization’s mission and aesthetic philosophy.

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On Tuesday June 30 at 7pm the series will conclude with A Dancer’s Life, a conversation with dancer Loretta Abbott. Abbott, whose career spans over six decades. Abbott holds the distinction of dancing the Wade In The Water section of Alvin Ailey’s masterwork Revelations with Ailey himself (she was Ailey’s last partner). In addition to concert dance she was in the original Broadway cast of Purlie, Raisin and Liza With A Z. Abbott will discuss her career and artistry with Thelma Hill Performing Arts Center Artistic Advisor, and Out and About NYC Magazine Editor in Chief Walter Rutledge.

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Abbott and Rutledge will open the evening with a duet entitled Sentimental Reasons. The work choreographed by Rutledge and commissioned by Dancers For A Variable Population 10027 Project is a tribute to the partnership of Abbott and the late Al Perryman. Named the Dynamic Duo they had special onstage chemistry, and impeccable comedic timing. This free event will include a closing night reception. For more information visit thelmahill@msn.com or call (718) 875- 9710. 

 

 

 

 

 

 

 

 

 

6/26/15 O&A Shall We Dance Friday: Monotones II- Frederick Ashton

Shall We Dance

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In Monotones II Frederick Ashton distilled the exquisite tranquility of Erik Satie’s Trois Gymnopédies. Ashton displayed some of his most modernist choreography danced by the Royal Ballet. Monotones II was created first and given its premiere at the Royal Opera House on March 24, 1965 with Vyvyan Lorraine, Anthony Dowell, and Robert Mead. Satie’s delicate music, coupled with Ashton’s beautiful choreography, is wonderfully haunting.
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8/24/17 O&A NYC THROWBACK THURSDAY: Madonna- Vogue

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Vogue by Madonna was inspired by vogue dancers and choreographers Jose Gutierez Xtravaganza and Luis Xtravaganza from the House/Ball community. They introduced Vogueing to her at the Sound Factory club in New York City.  Vogue is from her second soundtrack album I’m Breathless (1990).  Continue reading

6/24/15 O&A REVIEW: Creative Outlet Dance Theatre of Brooklyn- An Artist Grows In Brooklyn

By Walter Rutledge

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Creative Outlet Dance Theatre of Brooklyn presented a three-day performance series May 15th through 17th at Kumble Performance Center, LIU Downtown Brooklyn Campus. The event entitled, An Artist Grows In Brooklyn, marked the organization’s twentieth anniversary and featured present company members, returning alumnus, faculty and students from the school. The performance consisted of a series of eight vignettes, which encapsulated the company’s past, present and future legacy. Continue reading

6/22/15 O&A Picks Of The Week June 21- June 27: Art, Dance, Film, Music, and Theatre

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Summer is finally here! And it has ushered in a whirlwind of arts events. We have fine art, dance, film, music and theatre; something for everyone. Here are a few of the many events happening in the city that never sleeps guaranteed to keep you Out and About. Continue reading

9/22/17 O&A Shall We Dance: Fred Astaire and Ginger Rogers – Top Hat

Shall We Dance

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Top Hat was the most successful picture of Astaire and Rogers’ partnership (and Astaire’s second most successful picture after Easter Parade), achieving second place in worldwide box-office receipts for 1935. While some dance critics maintain that Swing Time contained a finer set of dances, Top Hat remains, to this day, the partnership’s best-known work. Continue reading

Litefeet: Sound of the Subway’ Is a Documentary on New York’s Underground Music and Dance

Shall We Dance

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Litefeet is a rising music genre and style of dance that has become increasingly popular within the New York subway scene.  The genre is highlighted by 100-BPM tracks as well as an acrobatic take on old school b-boy moves and pop-locking. Due to the energetic nature of the music and the moves, police have begun cracking down on the scene, leaving artists sometimes struggling to cope. Continue reading

6/5/15 O&A Shall We Dance- A Tribute To Dudley Williams: A Song For You (1986)

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In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The  sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many  thought of the work as the male equivalent of the female solo Cry (1971). Continue reading

6/3/15 O&A: A Conversation With Dudley Williams- Three Black Kings and more (2011)

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Three Black Kings was the last dance and music collaboration between choreographer Alvin Ailey and composer/musician Duke Ellington. The work premiered during the 1976 Ailey season with a cast that included Elbert Watson as King Balthazar, Clive Thompson as King Solomon and Dudley Williams as Martin Luther King Jr. King was a close friend of Ellington and his widow Coretta Scott King attended the première. In this 2011 interview Dudley discusses his role and Ailey’s choreographic process. Continue reading

6/2/15 O&A NYC Magazine: Dance Legend Dudley Williams Has Passed

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The dance world mourns the loss of its Lyric Prince; Dudley Williams has passed. The details are still unfolding; but more important than the circumstances surrounding his death, is how he inspired everyone who ever met him through his giving, humble spirit. Over the last twelve years Dudley became a colleague, friend, and confidante. We shared an appreciation for many things, two that were always paramount: dance that could reach beyond the footlights and touched your soul, and a very dry martini. Continue reading