8/7/15 O&A Shall We Dance Friday: Michael Jackson – Smooth Criminal

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Smooth Criminal is the seventh single from Michael Jackson’s 1987 Bad album. Jackson originally wanted to make the music video in the western genre, but he later decided after watching “The Third Man” with Director Colin Chilvers to change it to a 1930s gangster style. Jeffrey Daniel of the soul music group Shalamar co-choreographed the Smooth Criminal video with Jackson and Vincent Paterson, who was a back-up dancer in Beat It and Thriller.

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The dance sequence of the video in the 1930s style lounge (and Jackson’s white suit and fedora) pays tribute to the Fred Astaire musical comedy film The Band Wagon. Jackson and some of the dancers around him perform a seemingly impossible forward lean. For the video, this was done using harness cables. To accomplish this maneuver for stage performances, though, Jackson co-patented a hitching mechanism which was built into the floor of the stage and the performer’s shoes.

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Michael Jackson – Smooth Criminal

7/31/15 O&A Shall We Dance Friday: Beat Street Roxy Battle

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Beat Street (1984) is a  film featuring New York City hip hop culture of the early 1980s; breakdancing, DJing, and graffiti were front and center. Set in the South Bronx, the film follows the lives of a pair of brothers and their friends, all of whom are devoted to various elements of early hip hop culture.  Many of the internal dance sequences were filmed at the Roxy, a popular nightclub/disco located in the Chelsea section of Manhattan. Continue reading

7/28/15 O&A REVIEW: The 2015 Fire Island Dance Festival

By Walter Rutledge

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The Fire Island Dance Festival 2015 took place July 17- 19 in Fire Island Pines. The three-day dance event has become Fire Island’s premiere summer dance showcase; spotlighting the talents of new, emerging and established choreographers, dancers and dance companies. This year the festival presented ten works by nine choreographers, and featuring forty-three performing artists.

Due to the high level of artistry and the picturesque setting (overlooking the bay) the entertainment element is the festival’s focal point; but the purpose and mission should always be reinforced and reiterated at every opportunity. The Fire Island Dance Festival is the successful result of two communities that have been greatly impacted by HIV/AIDS coming together to make a difference in the lives of the most vulnerable. Dancer Responding To AIDS (DRA) was founded in 1991 during the bleakest days for the AIDS pandemic.

The Fire Island Dance Festival achieves its goal through the very essence of the art form- by sharing. The response and generosity of the dance and Fire Island communities has allowed DRA to surpass the previous year’s financial accomplishments. This year the festival raised $544,555 that will assist in their year round support for people living with HIV/AIDS.

Due to the freelance nature of the “no business like show business”, many artists living with HIV/AIDS lack adequate health services, emergency financial assistance and contingency funds, lifesaving medications, counseling, healthy meals, and vital support systems. Through various programs including The Actors Fund, the HIV/AIDS Initiative and The Dancers’ Resource, artists and the community at large receive assistance.

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Festival host Desmond Richardson is quickly becoming dance’s eloquent elder statesmen. Richardson (who participated in the very first festival) is also co-founder of Complexions Contemporary Ballet; and along with Artistic Director Dwight Rhoden remain a staple throughout the festival’s 21-year history. This year Rhoden offered a solo set two Bach’s Chromatic Fantasy and Fugue, and performed by his present muse Clifford Williams. Williams gave an articulate and impassioned performance.

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The ten works ranged from lighthearted dance theatre to ballet bravura, which epitomized the range, scope and inclusiveness of the event and the mission. Choreographers: Joshua Beamish, Al Blackstone, Pontus Lidberg, Duncan Lyle, Annabelle Lopez Ochoa, Stephen Petronio, Jules Perrot, Dwight Rhoden, Manuel Vignoulle, and Charlie Williams.

Dance Companies: Ailey II, Ballet Hispanico, Intermezzo Dance Company, Joshua Beamish/Move: the company, Manuel Vignoulle Dance– M/motions, and Pontus Lidberg Dance.

And dancers: Paulo Arrais, Alex Biegelson, Biscuit, Shay Bland, Christopher Bloom, Mary Carmen Catoya, Chloe Cambelll, Marc Cardarelli, Mario Ismael Espinoza, Mark Gieringer, Jacob Guzman, Christopher Hernandez, Jakob Karr, Justin Keats, Dimitri Kleioris, Lindsay Janisse, Adrian Lee, Pontus Lidberg, Kourtni Lind, Reed Luplau, Chase Madigan, Raymond Matasamura, Johan Rivera Mendez, Adam Perry, Karine Plantadit, Kleber Rebello, Isaies Santamaria, Logan Schyvynck, Nicholas Sciscione, Corey Snide, Terrell Spence, Manuel Vignoulle Clifford Williams, Stephanie Williams, and Joshua Winzeler should all be commended for donating their time and sharing their artistry.  

The Fire Island Dance Festival is a once a year event that take place on the third Saturday of July, but the services provided by Broadway Cares/Equity Fights AIDS are year round. DRA supports more than 450 AIDS and family service organizations in all 50 states.To find out more about the programs and service provide or to make a donation visit dradance.org.

1) 2015 Fire Island Dance Festival 2) Desmond Richardson

Daniel Roberts Photographer

On Carousel  1) Pontus Lidberg Dance 2) Mary Carmen Catoya and Kleber Rebello 3) Manuel  Vignoulle Dance M/motions 4) Joshua Beamish/Move: the company 5) Charlie Williams 6) Ballet Hispanico 7) Al Blackstone 8) Ailey II 9) 10 Hairy Legs

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7/24/15 0&A Shall We Dance Friday: Bessie Schönberg- How to Look at Dance

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Bessie Schönberg (1906-1997) a distinguished and beloved educator in the dance arts,  speaks to a class of interns at Jacob’s Pillow Dance Festival in the summer of 1989. She discusses the art and technique of how one can watch dance as an audience member. Schönberg offers insight into how one can prepare oneself to view new dance, find an entry point or “handle-bar” into the content, and how to build an appetite for the multitude of dance forms. Continue reading

12/1/23 O&A SHALL WE DANCE FRIDAY- WORLD AIDS DAY: Lar Lubovitch- Duet from Concerto Six Twenty-Two

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Duet from Concerto Six Twenty-Two is set to Concerto in A for Clarinet and Orchestra, K. 622 by  Wolfgang Amadeus Mozart. Choreographer Lar Lubovitch premiered this work on his company, the Lar Lubovitch Dance Company, at the Municipal Theatre in Angers, France on December 12th 1985 on dancers Sylvain Lafortune and Edward Hillyer. The work was performed at the first Fire Island Dance Festival, which has become the annual summer fundraising centerpiece for Dancers Responding To AIDS.  Continue reading

7/16/15 O&A Dance : The Bessie Awards Announce 2015 Nominees

 By Walter Rutledge

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On Wednesday July 15 The New York Dance and Performance Awards (The Bessies), announced the nominees for the 2014−15 season at its annual press conference. For the second consecutive year the Gibney Dance at 280 Broadway hosted New York City’s premier dance awards honoring outstanding creative work in the field. Two 2015 awards, Juried Bessie Award and Outstanding Emerging Choreographer were presented at the press conference.  Continue reading

7/14/15 O&A Inspirational Tuesday: Misty Copeland- Dancing Her Dreams

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Misty Copeland stopped by The View on July 6th to discuss her promotion to Principal Dancer at American Ballet Theatre. Copland becomes the first African-American dancer to achieve principal status. In addition O&A NYC Magazine includes Copeland’s 60 Minutes Interview. Continue reading

7/6/15 O&A Hollywood Monday: Halle Berry- Introducing Dorothy Dandridge (excerpts)

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Introducing Dorothy Dandridge is the 1999 biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best Actress Nomination in 1954 for “Carmen Jones”, to her death from prescription drugs, which remains debated whether it was suicide or accidental. In 2000 production won five Emmy Awards including Outstanding Art Direction, Cinematography, Costumes, Hairstyling and Lead Actress in a Miniseries or a Movie—Halle Berry.  Continue reading

7/3/15 O&A Shall We Dance Friday: The Lake section of Alvin Ailey’s The River- American Ballet Theater with Cynthia Gregory and Marcos Paredes

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The Lake section of Alvin Ailey’s The River featuring music by Duke Ellington, with American Ballet Theater Cynthia Gregory and Marcos Paredes.  The ballet was first performed by American Ballet Theater (ABT) on June 25, 1970 to highly enthusiastic reviews. Continue reading