By Walter Rutledge
Every time we have a real snowstorm it brings back one the most lasting and endearing early memories I have of my father. I was six years old; we lived in a quiet residential Northeast Bronx neighborhood. (Yes there are quiet neighborhoods in New York City.) Back then we didn’t have a formal sidewalk the grassy front lawn meandered into a roughly paved street that seemed to be more dirt than asphalt. Continue reading
Michael Jackson’s Super Bowl halftime show was a major success, marking the first time in Super Bowl history that ratings increased between halves during the game. Continue reading
Alte Zachen, Choreography by Nadav Zelner featuring dancers Réginald Lefebvre and Alessio Marchini set to Howard A. Robert renowned arrangement of Rocka My Soul in the Bosom of Abraham with costumes by Ofir Hazan. Continue reading
The King and I is a 1956 musical film made by 20th Century Fox. The movie was directed by Walter Lang and produced by Charles Brackett and Darryl F. Zanuck. The screenplay by Ernest Lehman is based on the Richard Rodgers and Oscar Hammerstein II musical The King and I. The musical starred Yul Brynner and Deborah Kerr. It was Brynner who pressed for Kerr to play the role. Marni Nixon provided Kerr’s singing for the film. Continue reading
Fallin, by recording artist Alicia Key is the debut single from her debut album, Songs in A Minor (2001). Continue reading
Loretta Abbott, dancer, actress, singer and choreographer passed away on Sunday June 5, 2016. A natural performer Abbott had two passions: her love for dance that spanned over 70 years, and her allegiance to the Harlem community where she lived her entire life. Continue reading
By Walter Rutledge
“George Faison is one of my favorite people. Choreographer, director, performer, teacher, activist and cultural icon Faison’s story is larger than life. Throughout his five decades of artistic exploration he has maintained a keen eye, a childlike curiosity and a frolicsome sense of humor; which is reflected through his art and life. This interview was originally posted on May 6, 2016 and was filmed at the Faison Firehouse.”- W. Rutledge
Tony and Emmy Award winning choreographer George Faison will present a new work entitled Kingdom Come at the McDonald’s Gospelfest – Live at Prudential Center (25 Lafayette Street, Newark, NJ) on Saturday May 7th. The ensemble work is an inspiring, and uplifting ballet set to a haunting score of Jerome Olds. Throughout Faison’s career the humanistic quality of his work, and his ability to reach beyond the footlights and touch an audience has become his signature. Continue reading
Vanessa Williams sings a medley of “Mary Had a Baby” and “Go Tell It on the Mountain” on the TV special David Foster’s Christmas Album musical staging choreography by Walter Painter dancers Paula Brown and Darrel Wright (NBC, December 10, 1993). Continue reading
By Walter Rutledge
Outstanding performers have always been the hallmark of the Alvin Ailey American Dance Theater. Dancers that consistently test the technical and artistic boundaries of modern dance remain a fundamental part of founder Alvin Ailey’s continuing legacy. Artists Carmen DeLavalallade, Dudley Williams, Judith Jamison, Miguel Godreau, Linda Kent, Sara Yarborough, Sarita Allen, Gary deLoatch, Desmond Richardson, and Renee Robinson all possessed an innate ability beyond technique, a God given gift that unfortunately cannot be taught. When the stage lights hit these special individuals it is refracted into dazing, flawless, pure light that pulls you in… moth to flame. Celeste Linda Sims is pure light. Continue reading
Earth Song is the third single from Michael Jackson’s album HIStory: Past, Present and Future, Book I. The ballad incorporates elements of blues, gospel and opera. Jackson had a long-standing history of releasing socially conscious material such as We Are the World, Man in the Mirror and Heal the World. However, Earth Song was the first that overtly dealt with the environment and animal welfare. Continue reading
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
A dance and wellness classes design for Older Adults taught by Walter Rutledge
204 W 134th St, New York, NY 10030
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
The show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueA dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
The show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue