In January of 1972, Judith Jamison‘s legendary performance of Alvin Ailey‘s Cry was filmed for The New York Public Library’s archives, but it has not been shown online before now. Now courtesy of the Alvin Ailey American Dance Theater archives you can watch this exclusive recording May 7 at 7pm through May 14 at 7pm. Continue reading
Tag: Dance History
5/24/24 O&A NYC SHALL WE DANCE FRIDAY: Jose Limon- The Moor’s Pavane

The Moor’s Pavane is a 20-minute ballet based upon the tragedy Othelle by William Shakespeare. The ballet was choreographed by Jose’ Limon in 1949 to music from Henry Purcell’s Abdelazer, The Gordion Knot Untied, and the pavane from Pavane and Chaconne for Strings, arranged by Simon Sadoff. Continue reading
4/17/20 O&A NYC SHALL WE DANCE FRIDAY: Judith Jamison- Josephslegende (The Legend of Joseph)

Josephslegende (The Legend of Joseph), Op. 63, is a ballet in one act for the Ballets Russes based on the story of Potiphar’s Wife, with a libretto by Hofmannsthal and Kessler and music by Richard Strauss. Composed in 1912–14, it premiered at the Paris Opera on 14 May 1914. Continue reading
11/20/21 O&A NYC SATURDAY MORNING CONCERT: Louis Johnson’s Forces of Rhythm (Excerpts) Dance Theatre Of Harlem

Louis Johnson’s ballet, Forces of Rhythm choreographed in 1971, became a signature piece for the Dance Theatre of Harlem. Company. Johnson blended ballet, jazz, modern and West African dance creating a unique movement collage, which distinguished the company’s versatility. Forces of Rhythm took place alongside the works of George Balanchine, Arthur Mitchell, Geoffrey Holder, and other choreographers for the fledging ballet company. Continue reading
4/10/20 O&A NYC SHALL WE DANCE FRIDAY: Dance Theatre of Harlem- Creole Giselle

Arthur Mitchell’s Creole Giselle performed by the Dance Theatre Of Harlem (DTH), and set the traditional story of Giselle in 1841 Louisiana broke barriers with this all African American adaptation. Continue reading
4/8/20 O&A NYC MAGAZINE: Remembering Louis Johnson
By Walter Rutledge

Louis Johnson’s passing marks the end of an era in Black dance. Johnson was the last of the of his generation of 20th century American choreographers of African descent and International renowned. His contemporaries, Alvin Ailey, Talley Beatty, Geoffrey Holder, Donald McKayle, and Arthur Mitchell, all forged through the restrictive Jim Crow era of hatred and segregation; that unfortunately included the arts- and dance. Continue reading
10/30/21 O&A NYC SATURDAY MORNING CONCERT: Appalachian Spring


Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience. Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading
3/22/20 O&A NYC GOSPEL SUNDAY: Alvin Ailey’s Cry With Yolanda Adams and Jacqueline Green (Black Girls Rock 2018)
Alvin Ailey American Dance Theater dancer and Baltimore School for the Arts alumna Jacqueline Green ’07 performs Ailey’s iconic solo Cry (1972). Continue reading
3/20/20 O&A NYC SATURDAY MORNING CONCERT: Lark Ascending- Alvin Ailey Choreographer, Featuring Maxine Sherman and Roman Brooks

Lark Ascending set to Ralph Vaughan Williams’ The Lark Ascending- Romance for Violin and Orchestra with choreography by Alvin Ailey. The ballet made both its company and world premiere at New York City Center during the 1972 season. Continue reading
11/7/21 O&A NYC MORE GOSPEL SUNDAY: Mourner’s Bench- Talley Beatty Choreographer

Talley Beatty choreographed and performed Mourner’s Bench in 1947. It represents the anguish and loss for former slaves, now free men, killed during the Reconstruction Era at the beginning of the rise of the Klu Klux Klan. Beatty explained to me, “People were murdered by the Klan and at daybreak their relatives would find their bodies in the fields still covered in the morning dew.”










