The Thelma Hill Performing Art Center (THPAC) will dedicate their 40th Anniversary season to dancer icon and longtime THPAC supporter Loretta Abbott. The 4 day season, which runs from June 19 through June 22 at the Actor Fund Center 160 Schermerhorn Strret in downtown Brooklyn, will showcase 40 choreographers, and dance companies during the milestone 40th season. The artists presented range from early THPAC contributors including such dance luminaries as Emmy and Tony Award winner George Faison, Philadanco, Charles Moore Dance Theatre, and Rod Rodgers Dance Company. Mid-career choreographers Marshall Swiney, Ronald K Alexander, Germaul Barnes and Rodger C. Jeffery; and emerging artists Nijawwon Matthews, DaVon Doane, and Sidra Bell. Continue reading
Tag: Philadanco
4/21/15 O&A REVIEW: Philadanco- Having Our Say…The Voices of Women Choreographers
By Walter Rutledge
Philadanco celebrated the 45th anniversary of the company Friday, April 17 through Sunday, April 19 at the Kimmel Center for the Performing Arts. The program entitled Having Our Say…The Voices of Women Choreographers was an homage to the talents of female artists. The concert featured the work of four dance makers Diane McIntyre, Jawole Willa Jo Zollar, Bebe Miller and Dawn Marie Bazemore; and a tribute to performing artist, the late Mary Hinkson Jackson. Continue reading
4/16/15 O&A Dance: PHILADANCO Launches 45th Anniversary Celebration with Having Our Say…The Voices of Women Choreographers
By Walter Rutledge

Fresh off the heels of the acclaimed winter European tour of the James Brown Project Get on the Good Foot, Philadanco launches their 45th Anniversary Celebration with Having Our Say… The Voices of Women Choreographers April 17- 19 at Philadelphia’s Perelman Theater, Kimmel Center located at Broad & Spruce Streets. The program honors four generations of female choreographers, with four works by four female choreographers. The works presented include world premiere ballets by Philadanco alumna Dawn Marie Bazemore master choreographer Dianne McIntyre and audience favorites, My Science by Bebe Miller, and Jawola Willa Jo Zollar’s Hands Singing Song.
Philadanco- Joan Myers Brown and “Having Our Say… “
The production’s title is derived from the 1993 book, of the same title, written by the Sarah Louise “Sadie” Delaney and Annie Elizabeth “Bessie” Delaney affectionately called The Delaney Sisters. Their eloquent story of living with dignity through the racism and sexism of the Jim Crow Era and The Great Depression catapulted the 90 year-old African-American women to literary and social notoriety. For the Philadanco production the title really functions as a metaphor for the struggle of minority female artists.

“Philadanco’s program similarly shares the stories by four African-American women, who despite the odds were able to make strides through dance, with opportunities for these choreographers to showcase their works on stage” explains Philadanco Founder and Artistic Director Joan Myers Brown. Brown is no stranger to struggle of female artist of color. The recipient of the 2012 National Medal of the Arts award, presented by President Obama, will be honored with an Honorary Doctor of Arts from the University of Pennsylvania at the upcoming 2015 29th Commencement ceremony on May 18, 2015.
10/14/14 O&A NYC: A Conversation with Philadanco Founder Joan Myers Brown and Author Brenda Dixon Gottschild (Repost)
By Walter Rutledge

In The Art of War author Sun Tzu reveals, “…When people are skillfully led into battle, the momentum is like that of round rocks rolling down a high mountain – this is force.” This statement also applies to Philadelphia’s unstoppable force- Joan Myers Brown. Joan Myers Brown and The Audacious Hope of the Black Ballerina, a Biohistory of American Performance by Brenda Dixon Gottschild chronicles the evolution of African-American dance and culture in Philadelphia.
O & A NYC: A Conversation with Philadanco Founder Joan Myers Brown and Author Brenda Dixon Gottschild
By Walter Rutledge
In The Art of War author Sun Tzu reveals, “…When people are skillfully led into battle, the momentum is like that of round rocks rolling down a high mountain – this is force.” This statement also applies to Philadelphia’s unstoppable force- Joan Myers Brown. Joan Myers Brown and The Audacious Hope of the Black Ballerina, a Biohistory of American Performance by Brenda Dixon Gottschild chronicles the evolution of African American dance and culture in Philadelphia. Continue reading












