12/8/19 O&A NYC DANCE: A Conversation With Yannick LeBrun- Ailey’s Danseur Noble

By Walter Rutledge 

A danseur noble is a male dancer who projects great nobility of character. A dancer who performs at the highest theatrical level combining exceptional grace, technique and strength. In a prior review I referred to Ailey principal dancer Yannick LeBrun as a danseur noble. It was not one performance or one season that brought me to that conclusion, but a career collective. Continue reading

12/4/19 O&A NYC DANCE: Meet Catherine Eng- newsteps a choreographers showcase

The fall 2019 newsteps: a choreographers series presented by the Chen Dance Center, 70 Mulberry Street 2nd floor in historic Chinatown, will take place December 5 through December 7; 7:30pm. The series will showcase the works of six emerging choreographers Jessica Alexander & Madison Doyle, Caitlin Javech, Amanda Spilinga, Alice Halter, Catherine Eng and Susanne McHugh. These artists were selected by a panel of established dance makers and provided rehearsal space, mentoring and performance opportunities. The newsteps series offers three performances for an intimate audience of approximately 100 people. Let’s meet dance maker Catherine Eng.

Meet Catherine Eng an interdisciplinary dance artist with a movement background in Horton, contemporary, and physical theater interested in making work regarding social thought. She’s shown work at Triskelion Art’s, Movement Research, and The Works. Since graduating from Sarah Lawrence College, she’s been working with Sara Rudner and Rourou Ye as well as dancing and choreographing with ZCO Dance Project.

Meet Catherine Eng- newsteps a choreographers showcase

11/28/19 O&A NYC DANCE: A Conversation With Khalia Campbell- Her Journey Continues

By Walter Rutledge 

In the early 2000’s the Uptown Dance Academy was located in the large loft space above a discount department store in East Harlem. After climbing the steep double flight of stairs, I met a  group of young dancers warming up in a small subdivided studio. Director Robin Williams introduced me to the cherubic faced girls and boys; whose youthful exuberance and joy of endless possibilities filled the room. Williams and I had a brief conversation, which ended in a private joke. In the corner a girl stretching on the floor responded to my comment with a hearty “ole soul” laugh; that doe-eyed precocious eleven-year old was Khalia Campbell. Continue reading

12/23/19 O&A NYC DANCE: A Conversation With Masazumi Chaya- The Golden Age Of Ailey

By Walter Rutledge

Masazumi Chaya, affectionately called Chaya, has been a part of Ailey organization for almost half a century. Chaya joined the Alvin Ailey American Dance Theater in 1972 during an era we refer to as the Golden Age of Ailey. During Chaya’s fifteen years as an Ailey dancer he distinguished himself as an intense performer; who excited audience with an almost effervescent abandon. Continue reading

11/8/19 O&A NYC DANCE REVIEW: Ballet Eloelle- Teaching Diversity With Laughter

By Walter Rutledge

The Leslie-Lohman Museum For Gay and Lesbian Art Gala took place on October 22 at one of the first venues for modern dance the Judson Theater. The celebration/ raised funds and awareness to the many projects and exhibitions directly effecting the LGTBQ community. One of the true highlights of this festival fundraising evening was the internationally acclaimed dance company Ballet Eloelle.

A five-member ensemble from the all- male comedy ballet company entertained and enlightened the audience; sharing the message of diversity and tolerance through humor. The company is one of only a handful of professional “gender bending” dance companies in the world (Les Ballets Trockadero de Monte Carlo being the most recognizable). Founded and directed by Victor Trevino the New York City based Ballet Eloelle has an extensive internationally touring portfolio, delighting audiences and receiving rave reviews throughout Europe, Asia, South America, the Caribbean and the United States. 

The dancers are a collective of veteran comic male ballerinas and new faces from around the globe; a hallmark of this very special band of globetrotting troubadours. The Dying Swan performed by Nina Minimaximova (aka Trevino) with brilliant self- effacing comedic timing that brought the house down!  

Ballet Eloelle- Harliquenade Pas de Deux

Another standout was principal dancer Marianel Moarorles (aka Walter Battistini). The diminutive powerhouse performed Harliquinade Pas de deux with male lead Tetsushi Segawa. Battisini’s strong fleet-footed allegro perfectly balanced his comedic and oft-times coquettish partnering style; making the duet and variations one of the evening’s high points.

 
Ballet Eloelle- Pas de Quatre

Battisini was also featured in Pas de Quatre, a spoof on the renowned divertissement choreographed by Jules Perrot in 1845. Dancing as famed nineteen century ballerina Franni Cerrito, he was joined onstage with three other divas: Tamara Verde (Roberto Forleo) as Marie Taglioni, Palomina Carrera (Jonathan Mendez) as Carlotta Grisi, and Teresa Carino (Estefano Gil) as Lucille Grahn. Together this fearsome foursome was electric as they parodied this Romantic ballet classic.  

Ballet Eloelle brought the right amount of humor, satire and solid dance technique to the Leslie-Lohman Museum Gala. The troupe definitely are dancing ambassadors helping all of us leap in to a more tolerate and inclusive world. And they are doing it with laughter- one bourree at a time.   

9/22/19 O&A NYC DANCE- REVIEW: Legacy- Creative Outlet and Deeply Rooted at BAM Fisher

By Walter Rutledge

Legacy, a shared concert between Brooklyn based Jamel Gaine’s Creative Outlet and Chicago’s Deeply Rooted Dance Theater, presented a well curated evening of dance theatre works at BAM Fisher on Friday and Saturday September 13 and 14, 2019. Founding directors Jamel Gaines and Deeply Rooted’s Kevin Jeff (both Queens natives and Bernice Johnson Dance School alums) presented a concert of shared dance philosophies. The evening had a kindred aesthetic; presenting seven works spanning thirty-five years. Continue reading

8/15/19 O&A NYC DANCE: The Bessies Honor Dance Pioneer Joan Myers Brown

By Walter Rutledge

The New York Dance and Performance Awards also known as The Bessies will honor Philadelphia dance matriarch Joan Myers Brown with the 2019 Bessie Award for Lifetime Achievement in Dance. “[Brown’s] work has inspired dancers and educated audiences in ways that have enriched and strengthened dance in our country and we look forward to celebrating [her] accomplishments,” said Lucy Sexton, executive director of the New York Dance and Performance Awards. The award will be presented at the 35th annual Bessie Awards ceremony on Monday, October 14, at 7:30pm, at NYU’s Skirball Center for the Performing Arts, 566 LaGuardia Place, New York. Continue reading

8/14/19 O&A NYC WHATS HAPPENING THIS WEEK: August 13 through August 20, 2019

August is here. In New York that means lazy afternoon and warm humid nights- the perfect NYC formula for a good time.  We have great events indoors and out and many are free!  Here are a few of the many events happening in the city that never sleeps, guaranteed to keep you Out and About. Continue reading

8/12/19 O&A NYC REVIEW: Maze At The Shed

By Walter Rutledge and Adewale Adekanbi Jr.

Maze made its world premiere at The Shed’s Griffin Theater, 545 West 30th Street on July 24.  The production explores “the puzzles and poetry of human existence” taking on issues including the school to prison pipeline and systemic racism in the justice system. This new street dance presentation, commissioned by The Shed for its inaugural season, features sixteen dancers from The D.R.E.A.M. Ring and two performers from The Shed’s FlexNYC program. Continue reading

7/24/19 O&A NYC DANCE: Dance Of The Village Elders At R.A.I.N. Nereid Senior Center

By Adewale Adekanbi

The Dance Of The Village Elders, a dance and fitness project for seniors, concluded a five-month residency with a finale performance on Thursday June 27, 2019. The project, part of the SuCasa arts for seniors program, sponsored by the Bronx Council On The Arts in conjunction with the NYC Cultural Affairs and  the NYC Department of the Aging. Choreographer/teacher Walter Rutledge conducted the project, which took place on Tuesday and Wednesday mornings at the R.A.I.N. Nereid Senior Center, 720 Nereid Avenue in the Northeast Bronx.

This was the second consecutive SuCasa residency for Rutledge at the Nereid Avenue center. “I really was elated to be working with at the Nereid Senior Center again. I had built a rapport with the seniors and they had become part of my extended dance family. So, I was overjoyed to return to Nereid”, explained Rutledge.

Each 60- minute session included an opening stretch, warm up, movement/dance and warm down. The 10 minutes stretch combined relaxing simple movements to stretch to spine, neck, shoulders and upper torso. The warm-up contained exercises designed to prepare the body for movement, and to address additional physical concerns of the seniors. This section was very flexible, and exercises were added and deleted based on the weather/season and personal issues of the participants. An emphasis was placed on hands/fingers, rotator cuff, abdominals and obliques, hip flexors, and ankles.

Movement/choreography was interspersed throughout the warm-up to give the seniors rest breaks between dances. In addition to the benefits of movement for increasing muscle density and providing joint friendly cardio, fun remained paramount throughout the entire session. The movement component introduced movement that ranged from two-step, modified salsa and merengue, Caribbean and West African inspired movement, and social dances including the twist, cool jerk, and the Electric Slide.

Dance Of The Village Elders at R.A.I.N. Nereid Senior Center- Photo Essay

The sessions culminated with a brief warm- down. Soon pre and post “fellowship” time (about 10 minutes each)  became part of a continuing evaluation process. This gave us more opportunity to access what worked for the seniors and what needed to change.

Due to the diverse ethnic make-up of the participates the biggest unifying factor became the music. The Northeast Bronx is a combination of old neighborhoods with great ethnic diversity. The center included Latin, Afro- Caribbean, West African, East Indian, African- American, Italian, Asian- American and Jews of Eastern European decent. And through the music we were able to create a “cultural gumbo”.

The “audio” ranged from fifties Do-Wop, 60’s Rock and Roll, 70’s and 80’s R&B; with artists including Pavarotti, Celia Cruz, Bob Marley, Kirk Franklin, Marvin Gaye, Dion and The Belmonts and Feli Kuti. The participants in many instances knew the words to the songs and were encouraged to sing along.

Dance Of The Village Elders At R.A.I.N. Nereid Senior Center (Video)

The final event/public program entitled The Many Flavors Of Dance took place on Thursday, June 27, at 11am. The room was completely transformed by the staff into a festive “confectionary” representing The Many Flavors of Dance; the name was a metaphor honoring the center’s diversity. Over fifty seniors participated in the one-hour presentation; which included group participation from invited guests. The post-fellowship included lunch open to the seniors and their guests.

Usually the final performance is bittersweet, because it signals the end of the project. Fortunately, the Nereid Senior Center has decided to continue the classes as part of their in-house arts programming. “I was delighted when the classes were offered, this place has become very special to me. And I really didn’t want it to end”, said Rutledge. Rutledge will teach two weekly classes on Tuesday and Thursday from 11am to 12noon. For more information about Rutledge’s dance/fitness class and all of the activities offered at R.A.I.N. Nereid Senior Center call (718) 994-0132.

Photographs and video by Adewale Adekanbi Jr.