10/21/25 O&A NYC DANCE BY WALTER RUTLEDGE: We Are Back – Dance of the Village Elders

The Dance of the Village Elders returned to their Harlem home at St. Philips Church, 204 west 134th street, after a five-year CONVID 19 induced hiatus. The return was really a reunion of a very special dance family. You may ask how did you all maintain this relationship for so long? The answer is we have a long and rich history.

The Dance of the Village Elders was the brainchild of Monique Headman who produced the concept of a health and wellness program designed for seniors in 2013 for Harlem Hospital. I was one of three teaching artists hired from a world-renowned dance organization to teach for 12 weeks (one third of the 36-week program). This first year I was the last instructor to teach, and the classes attracted more than forty participants far surpassing the other two instructors.

The next year (2014) I went first and attracted a larger following. For the 2015 dance season I asked Monique could we write the grant together with me teaching the entire 36 weeks. She agreed and 2015 I became the primary instructor.

In 2016 the funding was cut, and Harlem Hospital wanted the dance organization to add some funds to offset the loss. The organization was unable (or unwilling), so we proposed to raise the money, approximately $5,000 ourselves. In the spirit of a Judy Garland/Micky Rooney musical we used a performance as our fundraiser.

At first Harlem Hospital was leery of giving us the 450-seat auditorium because to make it cost effective we would need at least 150 guests. By show time we had sold over 500 tickets. The Village Elders saved their program.

The following fall Harlem Hospital did not want to continue the program unless the dance organization contributed financially. The organization refused – why buy the cow when you can get the milk for free? The program was not renewed.

I pleaded with the organization and in writing offered to teach for free. Our request fell on deaf ears. Then the executive director remined me, “I worked for them, and they would tell me if and when the program would return.” My response in writing was “In the words of Billie Holiday I’ll do nothing till I hear from you.” And we waited and waited.

When the fall granting/funding season was over and we had not heard back we realized what it meant we had become a former program. A program is a funded entity that enhances peoples’ lives and when it becomes financially inconvenient it just disappears. Giving the participants the big corporate middle finger.

This could not happen! We were all invested in the Dance of the Village Elders and had developed a kinship that went beyond the instruction. We had become a dance family and refused to disband. We acquired the permission to use the name from Monique; I designed a logoWe moved the program to St. Philips Church two blocks away at 204 west 134th street and decided to create what we call a dance cooperative. We would raise the money ourselves and control our own dance/wellness cooperative. At St. Philips the Dance of the Village Elders flourished.

We partnered with Dancers of a Variable Population as guest performers for their Riverside Park performances. Dance of the Village Elders created our own opportunities and increased our visibility during Harlem Week, at the Richard Rogers Theater in Marcus Garvey Park and our biannual performances at St. Philips Church. We were on a roll! Then the world closed.  

COVID 19 forced us to suspend in person sessions, so we went online. This was not as successful as we hoped because not all our participants were not computer savvy. The classes were eventually suspended.

Despite our hiatus we stayed in touch on facebook, by phone, text and email. It was truly gratifying the steadfast love and support we maintained for each other as we continued to share our lives apart.  In the words of gospel icon Dottie Peoples “He’s an on time God” we have returned to our Harlem home. And last week we had our first class in five years.

Ww Are Back Dance of the Village Elders

The enthusiasm was palpable, and the love is real. We thank Canon Rector, Reverend Canon Charles Simmons; The Reverend Deacon Fitzroy Edwards, Curate Kevin Booker Kidd and our guardian angel Parish Administrator Gail Silver for making us feel so welcome again.

We are back at our Harlem home. Come join us. We meet every Thursday from 2:30pm to 3:30pm at St. Philips Church 204 west 134th street. For more information contact Walter Rutledge at walterutledge@gmail.com.

10/7/25 O&A NYC DANCE: The Dance Of The Village Elders Is Back!

By Walter Rutledge

The Dance of the Village Elders is returning to St. Philips Church, 204 W 134th Street beginning Thursday October 16th, at 2:30pm. The senior wellness classes, which uses dance as the primary medium was a mainstay in the Harlem community. The participates learned choreography, in addition to the wellness/fitness training, and presented biannual concerts in St. Philips’ sanctuary. Continue reading

9/1/25 O&A NYC DANCE REVIEW: Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions.

By Walter Rutledge

It seems our narratives, our cultural and historic legacy, is being erased or altered to fit a new national fiction. It is becoming extremely important to tell our own stories and to share and protect our narratives. This was the mission of the Chicago Black Dance Legacy Project production Unbound: Shattered Frames, Endless Visions. The impressive and stylish sold-out presentation took place on Saturday, August 23 at the Harris Theater for Music and Dance.

Continue reading

5/4/25 O&A NYC DANCE PREVIEW: THPAC’s A Ramp To Paradise Returns

 The Thelma Hill Performing Arts Center (THPAC) will present A Ramp To Paradise on June 27 and 28, 2025 at the Ailey Citigroup Theater,405 west 55th Street. The dance theater work is the brainchild of THPAC executive chairman Alex Smith, Jr. and is based on the short story A Ramp To Paradise conceived and written by Smith. The story centers around a group of friends who attend the famed 1980’s underground dance club-The Paradise Garage. Continue reading

4/22/25 O&A NYC REVIEW: Macbeth in Stride

By Walter Rutledge

For those of us that believe “Hell has no fury like a women scorned”. And for those of us who know firsthand you do not mess with a Black woman who “ain’t feeling it”. Leave your Elizabethan mindset at home and head to the Harvey Theater to experience MacBeth in Stride – Shakespeare from a sistah’s point of view. Written and performed by Obie- Award winner Whitney White the production takes Shakespeare and female empowerment to a new level. This soulful contemporary rendition of Shakespeare’s classic tragedy Macbeth runs for only five remaining performances through April 27 at the Harvey Theater located at 651 Futon Street in downtown Brooklyn. Continue reading

3/20/25 O&A NYC DANCE: THPAC Search For Choreographers

The Thelma Hill Performing Arts Center (THPAC) is conducting a search for three choreographers for the upcoming 2025 season June 27th and 28th at the Ailey Citicorp Theater. THPAC will present A Ramp to Paradise an original work based on a short story by THPAC Executive Chairman Alex Smith Jr. The story is set in the Paradise Garage, the New York Black gay mega club from the late 70’s and 80’s. Choreographers should have expertise in Modern, Jazz and period social/club dance styles. Continue reading

2/7/25 O&A NYC SHALL WE DANCE FRIDAY: Jamel Gaines Frontline Mentor

By Walter Rutledge

The applause has subsided, curtain fallen and the house lights are at half during a brief pause between dances. Instinctively we peruse the program to find the bio of that one standout performer. In many cases that dancer’s initial training and nurturing did not happen in one of metropolis’ elite dance academies. Instead, that first fire was probably kindled in a storefront, church basement, or school gymnasium. Continue reading

1/31/25 O&A NYC SHALL WE DANCE FRIDAY: Jamel Gaines Creative Outlet Educates Through Dance

By Walter Rutledge

Jamel Gaines Creative Outlet will commemorate the company’s 30th anniversary with a three-day New York City season Friday, February 13 through Sunday, February 15 at BAM Fisher Fishman Space. The season will offer Remembering, a program that reflects Gaines continued commitment to educate and enlighten the next generation through the dance theatre genre. Continue reading

1/17/25 O&A NYC SHALL WE DANCE FRIDAY: Happy Birthday Debbie Allen!!!

By Walter Rutledge


Happy Birthday to one of the dance world’s icons Debbie Allen. We had the opportunity to talk to Ms. Allen about a wide range of her life experiences from segregated dance classes in her native Texas, to heartless rejection and finally coming into her own in New York City. We pay tribute to a living dance legend and activist born on January 16th.- Walter Rutledge

In 2015 O&A NYC Editor-in-Chief Walter Rutledge interviewed Debbie Allen at the Faison Firehouse Theater for Dance Noir Magazine (DNM). The print article would discuss her relationship with Katherine Dunham. The video was produced as visual notes for the upcoming Dunham article. When the magazine suspended publication, out of respect for DNM Founder/Editor-in-Chief Carol Lloyd, we held the material with hopes of eventually printing the article for DNM. After eight years Ms. Allen’s words remain relevant, inspiring and informative and should be shared. We call this first installment Empathy. Continue reading

12/22/24 O&A NYC DANCE REVIEW: Ailey Premieres by Boykin, Lobovitch, and Roberts

By Walter Rutledge

The Alvin Ailey American Dance Theater is now halfway through their 66th New York season at New York City Center. In the 18 remaining performances this season, which runs until January 5, the company will present 19 works by 12 choreographers. The fall/winter Ailey season has become one of New York City’s annual holiday traditions. Continue reading