(Repost) 2/26/21 O&A NYC DANCE EXTRA: A Conversation with George Faison- The Creative Process

By Walter Rutledge

“George Faison is one of my favorite people. Choreographer, director, performer, teacher, activist and cultural icon Faison’s story is larger than life. Throughout his five decades of artistic exploration he has maintained a keen eye, a childlike curiosity and a frolicsome sense of humor; which is reflected through his art and life. This interview was originally posted on May 6, 2016 and was filmed at the Faison Firehouse.”- W. Rutledge

IMG_0190 2

Tony and Emmy Award winning choreographer George Faison will present a new work entitled Kingdom Come at the McDonald’s Gospelfest – Live at Prudential Center (25 Lafayette Street, Newark, NJ) on Saturday May 7th. The ensemble work is an inspiring, and uplifting ballet set to a haunting score of ‎Jerome Olds. Throughout Faison’s career the humanistic quality of his work, and his ability to reach beyond the footlights and touch an audience has become his signature.    Continue reading

12/3/15 O&A NYC DANCE: Linda Celeste Sims- Pure Light

By Walter Rutledge

Ailey_Headshots_LCSims

Outstanding performers have always been the hallmark of the Alvin Ailey American Dance Theater. Dancers that consistently test the technical and artistic boundaries of modern dance remain a fundamental part of founder Alvin Ailey’s continuing legacy. Artists Carmen DeLavalallade, Dudley Williams, Judith Jamison, Miguel Godreau, Linda Kent, Sara Yarborough, Sarita Allen, Gary deLoatch, Desmond Richardson, and Renee Robinson all possessed an innate ability beyond technique, a God given gift that unfortunately cannot be taught. When the stage lights hit these special individuals it is refracted into dazing, flawless, pure light that pulls you in… moth to flame. Celeste Linda Sims is pure light. Continue reading

12/31/21 O&A NYC Shall We Dance Friday (Repost): Banda (excerpt)- Geoffrey Holder and Carmen de Lavallade

Shall We Dance

safe_image.php

Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading

5/12/15 O&A DANCE BY WALTER RUTLEDGE: Jamel Gaines – Unsung Hero

By Walter Rutledge

Jamel.Gaines-0483

When you check the resumes of performing artists, so many did not begin their training in large renowned institutions. They usually begin at a smaller local school in their hometown or neighborhood. In these nurturing environments teachers taught more than dance.

Often these unsung heroes wore many pairs of dance shoes. They were chauffeurs, loan officers, guidance counselors, math tutors, disciplinarians, landlords and surrogate parents. They provided free classes, that they called scholarship, without the luxury of corporate sponsorships to offset the expense. But for the most part they provided a safe haven, and a solid foundation; not just in dance but in life.  

Whether it was a converted storefront, a church basement, school gymnasium, or after school program, you couldn’t wait to get there because even after a hundred failed attempts eventually you knew you would the words “Yes that’s it” usually followed “Now do it again”. It was that teacher, that hero, who first saw that spark in your eyes, and helped you turn it into the raging fire in your soul. Every dancer has an Aunt Joan, a Madame Cugjet or Nikita Talin whose dedication, conviction and love helped mold their artistry. And even now their voices and wisdom still resounds from deep within. Jamel Gaines is one of these heroes.

Jamel Gaines and Members of Creative Outlet

For twenty years Gaines has given his time, talent and personal resources to develop young people into performing artists and contributing members of society. His tireless energy and ability to show young people how “To be the best you can be” has not diminished. On any given Saturday Gaines conducts his school at Junior High School 113, 300 Adelphi Street in Brooklyn.

The school is a model of the phrase “It takes a village to raise a child”. Parents volunteers escort children to and from classes. They also operate a lunch concession where children and parent can purchase a hot meal with leaving to building. School alumni teach classes, and the company, Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn, consists of budding talent developed at the school and returning former students who are either between professional gigs or on hiatus.

FLYER-20th-anniversary-Honororing-GENERAL-PUBLIC-622x1024

On May 15 Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn will celebrate the 20th anniversary with a three-day season at Kumble Theater at LIU Brooklyn, One University Plaza, Brooklyn. The performance May 15, 16 and 17 will showcase works from the company’s repertoire including the world premiere of Bitter Sweet, set to the music of Roberta Flack, commissioned by 651 ARTS. For more information and tickets call or visit the Kumble box office at (718) 488 – 1624 or online at creativeoutlet.org.

10/3/14 O&A Shall We Dance Friday: Banda (excerpt)- Geoffrey Holder and Carmen de Lavallade

Shall We Dance

safe_image.php

Geoffrey Holder’s Banda dance debuted in the 1954 Truman Capote/Harold Arlen musical House Of Flowers. Holder the Baron of The Cemetery (based on the Haitian Loa of Death Baron Samedi) and received both a performer and choreographer credit in the program. The Broadway musical takes place somewhere in the West Indies during Mardi Gras weekend. Continue reading