6/14/20 O&A NYC DANCE: Meet James “Banks” Davis- Jamel Gaines Creative Outlet Dance Company of Brooklyn

By Walter Rutledge

James “Banks” Davis is a real New York success story. Banks grow up in the urban environment of Queens and Brooklyn and as a teenager found acceptance and recognition as an urban street dancer. A natural athlete Banks quickly excelled in dance and gymnastics. He loved entertaining people often turning a street corner into a stage.

Then on Halloween night 2009, gun fire erupted on a crowded Brooklyn street and Banks was shot in the knee- another innocent victim of a random shooting. His injuries would have been a death knell for anyone pursuing a career in dance. Instead, Banks treated this not as a detour, but the course appointed.

The original diagnosis was amputation; but miraculously sensation returned to his leg and Banks immediately turned his attention toward recovery. Through mediation, prayer, dedication and hard work Banks was able to return to dance. Banks broaden his aesthetic horizons through his association with Jamel Gaines and his dance company

For over 26 years Gaines has used dance to inspire inner city youth to achieve; and often his prodigy has aspired beyond their own expectations. Gaines has the unique gift of working with dancer from many diverse disciplines. And Banks (whose specialty was the L.A. street dance style called Krump) developed his art under Gaines holistic approach to dance.  

Banks combines the refined, codified styles of modern and jazz with the raw edginess of Krump. In 2014 Banks stole the hearts of many on social media as a contestant on So You Think You Can Dance Season 11. Banks played the role of the angel Gabriel in the English National Opera’s The Gospel According To Mary and toured New Zealand with the Park Avenue Armory’s production FLEXN. In 2019 Banks was featured in the groundbreaking Revelation of Proverbs Reggie “Regg Roc” and the D.R.E.A.M. Ring at The Shed.

Jamel Gaines Creative Outlet Behind The Scenes

On June 19 Creative Outlet and Summerstage will present Hanging Tree, an on-line celebration of the 155th anniversary of Juneteenth. The virtual presentation will take place on June 19, 7-8pm on Summerstage YouTube. In addition to Banks the production (choreographed, staged and conceived by Gaines) also features vocalist Marcelle Davies Lashley, poet Carl Hancock Rux, and musician Talu Green. The performance will be followed by a panel discussion entitled The Importance of Juneteenth’s History & How It Affects Our Community’s Lives Today. The panel will feature RestorationArt Executive Director Dr. Indira Etwaroo, Gaines and Rux.

For more information about Creative Outlet’s programs, classes and upcoming event visit jgcodance.org.

6/9/20 O&A NYC INSPIRATIONAL TUESDAY: Revelations From A Lifetime Of Dance- Judith Jamison and the Alvin Ailey American Dance Theater

“Dance can elevate our human experience beyond words,” says Judith Jamison, artistic director emerita of the Alvin Ailey American Dance Theater. In between performances of excerpts from Alvin Ailey’s classic works “Revelations” and “Cry,” Jamison reflects on the enduring power of dance to transform history into art that thrills audiences around the world. (Performances by Solomon Dumas, Samantha Figgins and Constance Stamatiou)
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(Repost) 8/18/21 O&A NYC TRIBUTE: A Song For You (1986) Dudley Williams August 18, 1938- May 31, 2015

By Walter Rutledge

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In 2003 I telephoned Ailey Dancer Emeritus Dudley Williams. At that time he was a 39 year veteran of the Ailey Company, one year from a forty year milestone as an Ailey dancer. The Bearden Foundation and The Nanette Bearden Contemporary Dance Theater were planning a centennial celebration for internationally renowned artist Romare Bearden. The dance company would present a new work On The Block based on the six panel mural by Bearden, which is in the permanent collection at the New York Metropolitan Museum of Art. 

I introduced myself and explained the projected; we wanted him to play an abusive husband opposite Hope Clark. I finished the introduction with “I have called you the Lyric Crown Prince of modern dance but in this work I’m going to need you to be a real son of a bitch”. He paused then quickly responded “I can do that”. This began a working relationship and friendship that would last until his death. I still miss Dudley’s dry wit and even drier Bombay Blue Sapphire Martini. I know that you are still dancing this solo probably with Alvin directing and Donny singing. Happy Birthday Dudley Continue reading

5/28/20 O&A NYC DANCE: Robert Battle’s The Hunt

The Ailey company first premiered The Hunt, one of Robert Battle’s most popular works, in 2010. Fueled by a thundering percussion soundtrack, the piece explores the relationship between modern sports and the rites of the gladiators. Continue reading

1/9/21 O&A NYC SUNDAY AFTERNOON JAZZ CONCERT: Alvin Ailey’s For ‘Bird’ – With Love (1984)- Alvin Ailey American Dance Theater

A tribute to the great jazz musician Charlie “Bird” Parker, For ‘Bird’ – With Love brings the audience back to the relaxed atmosphere of an after-hours jam session at a local jazz club. Continue reading

4/17/20 O&A NYC SHALL WE DANCE FRIDAY: Judith Jamison- Josephslegende (The Legend of Joseph)

Josephslegende (The Legend of Joseph), Op. 63, is a ballet in one act for the Ballets Russes based on the story of Potiphar’s Wife, with a libretto by Hofmannsthal and Kessler and music by Richard Strauss. Composed in 1912–14, it premiered at the Paris Opera on 14 May 1914. Continue reading

11/20/21 O&A NYC SATURDAY MORNING CONCERT: Louis Johnson’s Forces of Rhythm (Excerpts) Dance Theatre Of Harlem


Louis Johnson’s ballet, Forces of Rhythm choreographed in 1971, became a signature piece for the Dance Theatre of Harlem. Company. Johnson blended ballet, jazz, modern and West African dance creating a unique movement collage, which distinguished the company’s versatility. Forces of Rhythm took place alongside the works of George Balanchine, Arthur Mitchell, Geoffrey Holder, and other choreographers for the fledging ballet company. Continue reading

10/30/21 O&A NYC SATURDAY MORNING CONCERT: Appalachian Spring

Graham Letter to World 1

Appalachian Spring premiered on October 30th, 1944, at the Library of Congress, Coolidge Auditorium in Washington DC, with Martha Graham dancing the lead role. Created during the darkest days of War World II Graham wanted to create inspiring art that came out of the American experience.  Graham spoke of the work, “To be great art… it must belong to the country in which it flourishes, not be a pale copy of some art form perfected by another culture and another people”. Continue reading

3/22/20 O&A NYC GOSPEL SUNDAY: Alvin Ailey’s Cry With Yolanda Adams and Jacqueline Green (Black Girls Rock 2018)

Alvin Ailey American Dance Theater dancer and Baltimore School for the Arts alumna Jacqueline Green ’07 performs Ailey’s iconic solo Cry (1972).  Continue reading

11/7/21 O&A NYC MORE GOSPEL SUNDAY: Mourner’s Bench- Talley Beatty Choreographer


mourn2Talley Beatty choreographed and performed Mourner’s Bench in 1947. It represents the anguish and loss for former slaves, now free men, killed during the Reconstruction Era at the beginning of the rise of the Klu Klux Klan. Beatty explained to me, “People were murdered by the Klan and at daybreak their relatives would find their bodies in the fields still covered in the morning dew.”

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