Category: Video
(REPOST) 6/11/15 O&A THROWBACK THURSDAY: Missing You- Diana Ross (For Chadwick Boseman)


Missing You, written, composed, and produced by Lionel Richie as a tribute to Marvin Gaye, who had died earlier that year. The video includes, as well as still photographs and tribute clips of Gaye himself, tribute clips of former Supremes singer Florence Ballard and of Paul Williams of The Temptations, both Motown artists who had died in the 1970s. Continue reading
9/27/17 O&A NYC SONG OF THE DAY: Lisa Fischer- How Can I Ease the Pain

How Can I Ease the Pain is a song by Lisa Fischer, from her album So Intense. In 1992 the single won a Soul Train Music Award for Best R&B/Soul Single, Female and it also won a 1992 Grammy Award for Best Female R&B Vocal Performance. The hit song spent two weeks at number-one on the U.S. Billboard Hot R&B/Hip-Hop Songs chart and is Fischer’s biggest and most well-known hit. Continue reading
5/12/15 O&A DANCE BY WALTER RUTLEDGE: Jamel Gaines – Unsung Hero
By Walter Rutledge


When you check the resumes of performing artists, so many did not begin their training in large renowned institutions. They usually begin at a smaller local school in their hometown or neighborhood. In these nurturing environments teachers taught more than dance.
Often these unsung heroes wore many pairs of dance shoes. They were chauffeurs, loan officers, guidance counselors, math tutors, disciplinarians, landlords and surrogate parents. They provided free classes, that they called scholarship, without the luxury of corporate sponsorships to offset the expense. But for the most part they provided a safe haven, and a solid foundation; not just in dance but in life.
Whether it was a converted storefront, a church basement, school gymnasium, or after school program, you couldn’t wait to get there because even after a hundred failed attempts eventually you knew you would the words “Yes that’s it” usually followed “Now do it again”. It was that teacher, that hero, who first saw that spark in your eyes, and helped you turn it into the raging fire in your soul. Every dancer has an Aunt Joan, a Madame Cugjet or Nikita Talin whose dedication, conviction and love helped mold their artistry. And even now their voices and wisdom still resounds from deep within. Jamel Gaines is one of these heroes.
Jamel Gaines and Members of Creative Outlet
For twenty years Gaines has given his time, talent and personal resources to develop young people into performing artists and contributing members of society. His tireless energy and ability to show young people how “To be the best you can be” has not diminished. On any given Saturday Gaines conducts his school at Junior High School 113, 300 Adelphi Street in Brooklyn.
The school is a model of the phrase “It takes a village to raise a child”. Parents volunteers escort children to and from classes. They also operate a lunch concession where children and parent can purchase a hot meal with leaving to building. School alumni teach classes, and the company, Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn, consists of budding talent developed at the school and returning former students who are either between professional gigs or on hiatus.

On May 15 Jamel Gaines’ Creative Outlet Dance Theatre of Brooklyn will celebrate the 20th anniversary with a three-day season at Kumble Theater at LIU Brooklyn, One University Plaza, Brooklyn. The performance May 15, 16 and 17 will showcase works from the company’s repertoire including the world premiere of Bitter Sweet, set to the music of Roberta Flack, commissioned by 651 ARTS. For more information and tickets call or visit the Kumble box office at (718) 488 – 1624 or online at creativeoutlet.org.
4/26/15 O&A Comedy Special: President Obama at White House Correspondents’ Dinner

President Obama hit all the right notes during his routine Saturday at the White House correspondents’ dinner, hitting on political critics, current events, the media, and his own administration.
Continue reading
3/6/15 O&A Shall We Dance Friday: Promethean Fire- Paul Taylor Dance Company


Promethean Fire (2002) is danced to the music of three of Leopold Stokowski’s famous Bach transcriptions (Opus 116). The ensemble work is one of Paul Taylor’s six ballets set to the music of the baroque master. This excerpt is the first movement choreographed to the celebrated Toccata and Fugue in D minor. Continue reading
(Repost) 11/16/20 O&A HOLLYWOOD MONDAY: Cotton Comes To Harlem- Iris, Officer Jerema and the Paper Bag


Cotton Comes to Harlem was the beginning of short period in American film that featured black actors in leading roles and the themes dealt with issues from the African-American microcosm. With a screenplay by Arnold Perl and Ossie Davis, and directed by Davis this action drama represents the black prospective. Much of the film’s humor is urban black comedy, which was groundbreaking in 1970.
10/21/17 O&A NYC THE MORNING FUNNIES/FOOD: Chef’s Chocolate Salty Balls

Chef’s Chocolate Salty Balls performed by Issac Hayes is the ninth episode of the second season of the animated television series South Park, and the 22nd episode of the series overall. Chef’s Chocolate Salty Balls originally aired in the United States on August 19, 1998 on South Park. Continue reading
10/11/24 O&A SHALL WE DANCE FRIDAY: The Fountain of Bakhchisarai Starring Galina Ulanova and Maya Plisetskaya


The Fountain of Bakhchisarai (Russian: Бахчисарайский фонтан) is a Russian ballet inspired by the 1823 poem by Alexander Pushkin of the same title. With music by Boris Asafyev and choreography by Rostislav Zakharov, the ballet premiered in Saint Petersburg, (then Leningrad) in 1934 at the Kirov Academic Theatre of Opera and Ballet (now the Mariinsky Theatre). Continue reading
1/23/15 O&A Shall We Dance Friday: Maya Plisetskaya Dances Bolero (Choreography by Maurice Béjart) And The Dying Swan


Maya Plisetskaya, Prima Ballerina Assoluta of the Bolshoi Ballet, danced Maurice Bejart’s Bolero set to the famous Ravel score in 1975. Plisetskaya created a stunning theatrical experience. What makes the piece so compelling is that although Plisetskaya may be accompanied by dozens of other dancers mirroring her movement, the first and only focus is on the prima ballerina herself. Continue reading










