4/30/23 O&A NYC DANCE HISTORY: The Life of Alvin Ailey

Dancer and choreographer  Alvin Ailey revolutionized the world of dance by honoring the African American experience. Unfortunately his personal journey was not without its struggles.
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4/21/23 O&A NYC ITS SATURDAY- ANYTHING GOES: The Kiss by Margo Sappington


Dancers Valentina Kozlova and Sven Toorvald performs choreographer Margo Sappington‘s Rodin inspired duet The Kiss Continue reading

4/22/23 O&A NYC FILM REVIEW: An American Ballet Story- The Harkness Ballet

By Walter Rutledge

An American Ballet Story is the long-awaited documentary about the rise and fall of the Harkness Ballet. The company and school had an almost mythical two-decade impact on dance and helped changed the artform forever. The 94-minute documentary, which was seven years in the making, tells the unvarnished story of the now defunct and largely forgotten Harkness Ballet of New York. Continue reading

4/18/23 O&A NYC MORE HARKNESS STORIES: Margo Sappington

By Margo Sappington

Vicente Nebrada called me in 1973 because he had seen my ballet “Weewis” which I choreographed for the Joffrey Ballet. It was a ballet for 3 couples set to a commissioned score for rock band and chamber orchestra. He said the Harkness Ballet needed something like that for their repertoire and I said, “Well, I do have something else in mind.” He stated that would be up to Mrs. Harkness and I would need to discuss it with her.

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4/10/23 O&A NYC MORE HARKNESS STORIES: Lawrence Leritz- I’ve Been Around

I’ve Been Around (Excerpt from upcoming book of the same name)
By Lawrence Leritz

I arrived in NYC on a Sunday afternoon during the intense summer heat of early July, 1974David Howard, co-director of Harkness House, recommended that I stay at The East End Hotel, a rundown boarding hotel on the East River near Harkness House, which was located on East 75th off Fifth AvenueMost of the dancers were there for the six-week intensive summer session.  

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3/27/23 O&A NYC MORE HARKNESS STORIES: Luc Louis de Lairesse- I Cherish Those Days      

Cherish Those Days      

By Luc Louis de Lairesse                                             

Now 44 years ago, Nikita Talin (director) and Rebekah Harkness invited me teach and choreograph for what grew into the Harkness Dance Theatre. The next spring of 1980, Mrs. Harkness, in a private meeting, arranged for my working permit as her administrator, Mr. Bartwink, called the White House. I was impressed to say the least! Continue reading

2/20/23 O&A NYC DANCE REVIEW: Jamel Gaines Creative Outlet Dance Theater of Brooklyn

By Walter Rutledge

Jamel Gaines Creative Outlet Dance Theater of Brooklyn (JGCO) presented Remembering… on February 17th and 18th at BAM Fisher, Fishman Space. The 70-minute one act was an extremely enlightening audience friendly black history celebration. This multi-media event is a perfect example of art as education.   Continue reading

2/13/23 O&A NYC DIVA ALERT!!!: Rihanna’s Super Bowl LVII Halftime Show


Rihanna opened the show with a rousing rendition of her hit song, “Bitch Better Have My Money” and then pumped up the crowd with her dance hits “Where Have You Been” and “Only Girl (In The World).” She kept the energy up with new arrangements of “We Found Love” and “Rude Boy.”
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2/7/23 O&A NYC MORE HARKNESS STORIES: Keith Lee- First Black Soloist at ABT (American Ballet Theater)

Keith Lee describes his early Harkness experiences as a story book tale. While a student at the High School for the Performing Arts (aka Fame High) this dance phenom received a full scholarship to the Harkness House for Ballet Arts. This experience had a lasting impact and helped shape his own unique artistry as a dance, director, teacher and choreographer. In 1970 Lee made history when he became the first American of African descent to earn soloist status at American Ballet Theater. 

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1/4/23 SATURDAY MORNING CONCERT: John Henry- Dance Theatre of Harlem

John Henry is the tale of the steel drivin’ man who fights against automation. He challenges the steam drill and wins, but dies with his hammer in his hand. Choreographed by DTH Co-founder Arthur Mitchell in 1988, his ballet is a testament to the singular perseverance that allowed the folk hero to triumph over impossible odds. Continue reading