4/30/26 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Firebird – Dance Theatre of Harlem

By Walter Rutledge

The Dance Theatre of Harlem (DTH) presented their New York City season April 16th thru 19th at New York City Center. The company offered new DTH favorites by William Forsythe, and Jodie Gates, and Artistic Director Robert Garland, and the much-anticipated revival of the iconic story ballet Firebird. The overwhelming response recalls the nostalgic revival of Dougla. It seems the public is clamoring for more from the Arthur Mitchell era. Continue reading

4/5/26 O&A NYC DANCE BY WALTER RUTLEDGE: Hubbard Street Dance Chicago (Week Two)

By Walter Rutledge

The second week of Hubbard Street Dance Chicago began Tuesday March 31 and runs thru Easter Sunday, April 5th at the Joyce Theater. The two-week run offered two programs each running for six consecutive days and seven performances.  Week two features choreography by Aszure Barton, Bob Fosse, James Gregg and Matthew Rushing.  Continue reading

11/28/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Robert Battle’s Under the Rhythm – Paul Taylor Dance Company

By Walter Rutledge

When Robert Battle discussed Under the Rhythm prior to the Paul Taylor Dance Company New York season the poignant story of his upbringing was inspiring. Dessie Williams, his mother by choice, introduced him to the arts and encouraged his terpsichorean journey. The nonagenarian still plays the piano at the same church little Robert attended. Continue reading

11/10/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Hope Boykin – How Love Sounds – Paul Taylor Dance Company

The Paul Taylor Dance Company‘s New York City season opened on Tuesday November 4 at the New York State Theater in Lincoln Center for 20 performances through November 23.  The opening night performance presented Paul Taylor’s Concertiana and Cascade, and the New York premiere of Hope Boykin’s How Love Sounds. That evening Boykin’s work programmatically felt like a culinary intermezzo, a refreshing palette cleanser between two Taylor classics; but on Thursday’s program How Love Sounds proved to also be a versatile audience pleasing closer. Continue reading

10/14/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Ballet X

BalletX presented their New York City season Wednesday September 24 through Friday September 28 at the Joyce Theater. The five-day, six performance series presented four effectual works that demonstrated the company’s range and proficiency. This Philadelphia based contemporary ballet company’s New York season can best described as sensual, sultry, and visceral. Continue reading

9/1/25 O&A NYC DANCE REVIEW: Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions.

By Walter Rutledge

It seems our narratives, our cultural and historic legacy, is being erased or altered to fit a new national fiction. It is becoming extremely important to tell our own stories and to share and protect our narratives. This was the mission of the Chicago Black Dance Legacy Project production Unbound: Shattered Frames, Endless Visions. The impressive and stylish sold-out presentation took place on Saturday, August 23 at the Harris Theater for Music and Dance.

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5/26/25 O&A NYC DANCE REVIEW: DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation!

By Walter Rutledge

DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation! is the crown jewel of the annual four-day celebration of African and African influenced culture. The festivities coincide with the Memorial Day holiday weekend May 23rd thru May 26th at the Brooklyn Academy of Music’s Howard Gilman Opera House. Now in its 48th season Dance Africa continues its healing message through the voices of the Diaspora. The 2025 season transported us to the east African country of Mozambique. Continue reading

4/14/25 O&A NYC DANCE REVIEW: Dance Theatre of Harlem

By Walter Rutledge

The Dance Theatre of Harlem (DTH) presented their New York City season April 10th through April 14th at New York City Center. The four-day four-performance season featured works by George Balanchine, William Forsythe, Jodi Gates, and DTH Artistic Director Robert Garland. The evening presented four abstract works in the Contemporary Ballet, Neoclassic and Garland’s own Harem Swag styles. There was a lot of admirable dancing presented but little theatre offered. Continue reading

2/23/25 O&A NYC DANCE REVIEW: Camille A. Brown and Dancers

By Walter Rutledge

Camille A. Brown and Dancers presented an all too short New York season Wednesday February 5th thru Sunday February 9th at the Joyce Theater. The sold-out five-day seven performance run presented I AM the third installment in her Black Joy trilogy. As the curtain rose, and as the evening proceeded it became clear Brown has saved the best for last. Continue reading

1/1/25 O&A NYC DANCE REVIEW: Matthew Rushing- Sacred Songs

By Walter Rutledge

The 2024 Alvin Ailey American Dance Theater’s (AAADT’s) New York City Center fall season presented four premieres by two former company members Hope Boykin and Jamal Roberts, master choreographer Lar Lubovitch, and AAADT Associate Artistic Director Matthew Rushing. Rushing’s Sacred Songs, an ensemble work with an interesting twist, is set to the music edited from the original version of Alvin Ailey’s and AAADT’s signature work Revelations. Sacred Songs it made its debut on December 20th, was the last of the four new works to premiere, and it was worth the wait.    Continue reading