By Walter Rutledge
When Robert Battle discussed Under the Rhythm prior to the Paul Taylor Dance Company New York season the poignant story of his upbringing was inspiring. Dessie Williams, his mother by choice, introduced him to the arts and encouraged his terpsichorean journey. The nonagenarian still plays the piano at the same church little Robert attended. Continue reading
The Paul Taylor Dance Company‘s New York City season opened on Tuesday November 4 at the New York State Theater in Lincoln Center for 20 performances through November 23. The opening night performance presented Paul Taylor’s Concertiana and Cascade, and the New York premiere of Hope Boykin’s How Love Sounds. That evening Boykin’s work programmatically felt like a culinary intermezzo, a refreshing palette cleanser between two Taylor classics; but on Thursday’s program How Love Sounds proved to also be a versatile audience pleasing closer. Continue reading
BalletX presented their New York City season Wednesday September 24 through Friday September 28 at the Joyce Theater. The five-day, six performance series presented four effectual works that demonstrated the company’s range and proficiency. This Philadelphia based contemporary ballet company’s New York season can best described as sensual, sultry, and visceral. Continue reading
By Walter Rutledge
By Walter Rutledge
DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation! is the crown jewel of the annual four-day celebration of African and African influenced culture. The festivities coincide with the Memorial Day holiday weekend May 23rd thru May 26th at the Brooklyn Academy of Music’s Howard Gilman Opera House. Now in its 48th season Dance Africa continues its healing message through the voices of the Diaspora. The 2025 season transported us to the east African country of Mozambique. Continue reading
By Walter Rutledge
The Dance Theatre of Harlem (DTH) presented their New York City season April 10th through April 14th at New York City Center. The four-day four-performance season featured works by George Balanchine, William Forsythe, Jodi Gates, and DTH Artistic Director Robert Garland. The evening presented four abstract works in the Contemporary Ballet, Neoclassic and Garland’s own Harem Swag styles. There was a lot of admirable dancing presented but little theatre offered. Continue reading
By Walter Rutledge
Camille A. Brown and Dancers presented an all too short New York season Wednesday February 5th thru Sunday February 9th at the Joyce Theater. The sold-out five-day seven performance run presented I AM the third installment in her Black Joy trilogy. As the curtain rose, and as the evening proceeded it became clear Brown has saved the best for last. Continue reading
By Walter Rutledge
The 2024 Alvin Ailey American Dance Theater’s (AAADT’s) New York City Center fall season presented four premieres by two former company members Hope Boykin and Jamal Roberts, master choreographer Lar Lubovitch, and AAADT Associate Artistic Director Matthew Rushing. Rushing’s Sacred Songs, an ensemble work with an interesting twist, is set to the music edited from the original version of Alvin Ailey’s and AAADT’s signature work Revelations. Sacred Songs it made its debut on December 20th, was the last of the four new works to premiere, and it was worth the wait. Continue reading
By Walter Rutledge
The Alvin Ailey American Dance Theater is now halfway through their 66th New York season at New York City Center. In the 18 remaining performances this season, which runs until January 5, the company will present 19 works by 12 choreographers. The fall/winter Ailey season has become one of New York City’s annual holiday traditions. Continue reading
By Walter Rutledge
There is no greater pleasure than attending a performance as just an audience member. No notes, no critique. I am one of many enveloped in a communal cocoon of darkness enthusiastically sharing the wonderment and power of the creative collective. Tuesday November 19th was one such occasion at the Paul Taylor Dance Company. But after seeing the performance it would be remiss of me not to briefly mention the ethereal Clair de Lune.
The well curated program opened with Taylor’s masterwork Arden Court and closed with his Bach signature piece Esplanade. Two additional works by female choreographers Jody Sperling and resident choreographer Lauren Lovette completed the program. It was Sperling’s visually mesmerizing homage to modern dance pioneer Loie Fuller’s 1891 Serpentine Dance that wowed the audience.
Pianist Margaret Kampmeier’s rendition of Debussy’s impressionist chestnut Claire De Lune summoned dancer Emmy Wildermuth to open her gossamer like wings. Billowing swirls of fabric provided a lulling comfort to the eye; then a burst of cyclonic energy created a centripetal cylinder of fabric seemingly ten feet high that left us in awe. The works beguiling elegance and courageous simplicity make this tribute timeless. The spirit of Loie Fuller’s groundbreaking modern dance work dances once again in Clair de Lune.
The last opportunity to see Clair De Lune is the Saturday November 23 matinee. Unfortunately, some of you will see this commentary after the mid-day performance. So, O&A NYC would like to share a 2013 performance of the work by choreographer/performer Jody Sperling.
Claire de Lune- Jody Sperling
The Taylor Company ends its 2024 New York season with a special dance reunion where former company members perform with the present company in Esplanade. For more information and or ticket information visit https://paultaylordance.org/performances/newyorkseason/.
In Photo: Emmy Wildermuth in Jody Spering’s “Clair de Lune”
Photo by Whitney Browne
Wollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern Parkway
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn Museum
A dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumA dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York Historical