11/11/25 O&A NYC DANCE BY WALTER RUTLEDGE: Paul Taylor Dance Company Gala Recap

Taylor Time is in full swing. The Paul Taylor Dance Company held their Gala performance tonight at New York State Theater in Lincoln Center. The evening presented two world premieres by Resident Choreographers Lauren Lovette and Robert Battle and the Taylor classic Sunset. This is a quick recap of the evening. A review(s) will follow, but we wanted to keep you in the know. Continue reading

11/7/25 O&A NYC SHALL WE DANCE FRIDAY SPECIAL: Honoring Fela Kuti Through Music, Movement & Style – Lagos Fashion Week 2025

Tribute to Fela is a celebration of the legendary Fela Anikulapo Kuti, the pioneer of Afrobeat whose music, activism and sense of identity reshaped African sound and culture forever.
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11/5/25 O&A NYC WALESTYLEZ DANCE PARTY: Zilla Madness 6 – Krow vs Gee

Zilla Madness is back! With High Level Street Dancers entering the danger zone, going head to head putting there careers on the line to maintain bragging rights. Krow showed his opponent (Gee) that Bonebreaking is not just dance its also a form of Art. Continue reading

11/4/25 O&A NYC DANCE BY WALTER RUTLEDGE: Paul Taylor Dance Company Sneak Preview

The Paul Taylor Dance Company opened its New York City season tonight in State Theater at Lincoln Center. I very really can just watch a performance without a critical eye. This evening the Taylor Company indulged me with a ticket to tonight’s performance. Review(s) will follow, but it would be remiss of me not to give you a sneak preview of the Taylor season. Continue reading

10/31/25 O&A NYC SHALL WE DANCE FRIDAY: New York City Breakers Celebrate Katherine Dunham At The Kennedy Center Honors (1983)

Shall We Dance Friday

 

The New York City Breakers were the first Hip Hop group and to perform in Washington D.C for a sitting President, specifically Ronald Reagan, during the 1983, Kennedy Center Honors. Continue reading

10/24/25 O&A NYC SHALL WE DANCE FRIDAY: A. Piazzolla- Libertango


Libertango is a composition by tango composer Astor Piazzolla, recorded and published in 1974 in Milan. The title is a portmanteau merging “Libertad” (Spanish for liberty) and “Tango”, symbolizing Piazzolla’s break from Classical Tango to Tango Nuevo.  Continue reading

10/22/25 O&A NYC WALESTYLEZ DANCE PARTY: Strobe vs Ruin – WDA Presents The Dual Of Styles

WDA Presents The Dual Of Styles of Turf and Krump. Strobe battles Ruin from the Krump world. Continue reading

10/21/25 O&A NYC SONG OF THE DAY: Michael Jackson – Thriller

Thriller, Michael Jackson’s 1984 music video directed by John Landis and written by Landis and Jackson.   Continue reading

10/21/25 O&A NYC DANCE BY WALTER RUTLEDGE: We Are Back – Dance of the Village Elders

The Dance of the Village Elders returned to their Harlem home at St. Philips Church, 204 west 134th street, after a five-year CONVID 19 induced hiatus. The return was really a reunion of a very special dance family. You may ask how did you all maintain this relationship for so long? The answer is we have a long and rich history.

The Dance of the Village Elders was the brainchild of Monique Headman who produced the concept of a health and wellness program designed for seniors in 2013 for Harlem Hospital. I was one of three teaching artists hired from a world-renowned dance organization to teach for 12 weeks (one third of the 36-week program). This first year I was the last instructor to teach, and the classes attracted more than forty participants far surpassing the other two instructors.

The next year (2014) I went first and attracted a larger following. For the 2015 dance season I asked Monique could we write the grant together with me teaching the entire 36 weeks. She agreed and 2015 I became the primary instructor.

In 2016 the funding was cut, and Harlem Hospital wanted the dance organization to add some funds to offset the loss. The organization was unable (or unwilling), so we proposed to raise the money, approximately $5,000 ourselves. In the spirit of a Judy Garland/Micky Rooney musical we used a performance as our fundraiser.

At first Harlem Hospital was leery of giving us the 450-seat auditorium because to make it cost effective we would need at least 150 guests. By show time we had sold over 500 tickets. The Village Elders saved their program.

The following fall Harlem Hospital did not want to continue the program unless the dance organization contributed financially. The organization refused – why buy the cow when you can get the milk for free? The program was not renewed.

I pleaded with the organization and in writing offered to teach for free. Our request fell on deaf ears. Then the executive director remined me, “I worked for them, and they would tell me if and when the program would return.” My response in writing was “In the words of Billie Holiday I’ll do nothing till I hear from you.” And we waited and waited.

When the fall granting/funding season was over and we had not heard back we realized what it meant we had become a former program. A program is a funded entity that enhances peoples’ lives and when it becomes financially inconvenient it just disappears. Giving the participants the big corporate middle finger.

This could not happen! We were all invested in the Dance of the Village Elders and had developed a kinship that went beyond the instruction. We had become a dance family and refused to disband. We acquired the permission to use the name from Monique; I designed a logoWe moved the program to St. Philips Church two blocks away at 204 west 134th street and decided to create what we call a dance cooperative. We would raise the money ourselves and control our own dance/wellness cooperative. At St. Philips the Dance of the Village Elders flourished.

We partnered with Dancers of a Variable Population as guest performers for their Riverside Park performances. Dance of the Village Elders created our own opportunities and increased our visibility during Harlem Week, at the Richard Rogers Theater in Marcus Garvey Park and our biannual performances at St. Philips Church. We were on a roll! Then the world closed.  

COVID 19 forced us to suspend in person sessions, so we went online. This was not as successful as we hoped because not all our participants were not computer savvy. The classes were eventually suspended.

Despite our hiatus we stayed in touch on facebook, by phone, text and email. It was truly gratifying the steadfast love and support we maintained for each other as we continued to share our lives apart.  In the words of gospel icon Dottie Peoples “He’s an on time God” we have returned to our Harlem home. And last week we had our first class in five years.

Ww Are Back Dance of the Village Elders

The enthusiasm was palpable, and the love is real. We thank Canon Rector, Reverend Canon Charles Simmons; The Reverend Deacon Fitzroy Edwards, Curate Kevin Booker Kidd and our guardian angel Parish Administrator Gail Silver for making us feel so welcome again.

We are back at our Harlem home. Come join us. We meet every Thursday from 2:30pm to 3:30pm at St. Philips Church 204 west 134th street. For more information contact Walter Rutledge at walterutledge@gmail.com.

10/20/25 O&A NYC HOLLYWOOD MONDAY: The Duke Is Tops (1938) – Lena Horne’s Film Debut

The Duke Is Tops (1938) an all black cast musical film released by Million Dollar Productions and directed by William Nolte. The film was later released in 1943 under the title The Bronze Venus, with Lena Horne given top billing. Continue reading