In 1971, Alvin Ailey created Cry, one of his signature dance works, as a birthday present for his mother Lula Elizabeth Ailey. Ailey dedicated the ballet to “all black women everywhere — especially our mothers.” The three-part ballet, set to contemporary music by Alice Coltrane, Laura Nyro and Chuck Griffin, depicts a woman’s journey through toil to an ecstatic state of grace. Cry premiered at New York City Center on May 4, 1971. Continue reading
By Walter Rutledge
Nineteen seventy began the golden age of the Alvin Ailey American Dance Theater. Ailey in his creative apex choreographed Streams (1970) (his first plotless work), Cry (1971) (iconic female solo and Judith Jamison’s breakout role), The Lark Ascending (1972) his historic collaborations with Duke Ellington (Ailey Does Ellington -1974 season in Lincoln Center) and Memoria (1979). In 1972 Dudley Williams premiered Love Songs, a solo choreographed in three sections by Ailey.
The choreography received lukewarm reviews and was categorized as the male counter part of Cry, which had premiered a year earlier. New York Times dance critic Anna Kisslegoff called the work a “technical and dramatic tour-de-force for Mr. Williams”. The literati may not have been initially enthusiastic, but the audience had a different reaction. They showered Williams’ performance with thunderous applause, establishing him as Ailey’s lyric crown prince and Love Songs as his signature role.
Dudley Williams -A Song for You (1986)
Dudley shared with me in a 2010 interview that Judith Jamison introduced him to the Donny Hathaway music and he then shared it with Ailey. One day Ailey called him into the studio and said, “This is for you Chicken”, (Ailey’s pet name for Williams) and began to choreographer the opening movement A Song For You. The work provided Williams, at the peak of his artistic prowess, a vehicle to showcase his impeccable musical phrasing and stage presence.
The opening section, A Song For You, is often presented as a stand-alone solo. Its lyricism, musicality, and soul stirring dramatic commitment continues to inspire audiences. On December 7th Renaldo Maurice performed A Song For You with great sensitivity and a masterful yet quiet command. The program note read: “This performance is dedicated in loving memory to long-time Ailey Company member Dudley Williams (1938–2015)”. It’s hard to believe Dudley has been dancing with the ancestors for over ten years.
Tonight’s performance is a tribute to choreographer and company founder Alvin Ailey and his muse Judith Jamison. Jamison’s A Case of You will be presented along with two of Ailey’s golden age gems, Memoria and Cry along with his signature masterwork Revelations.
For more information and to purchase tickets visit: https://ailey.org/performances
In Photo: 1. Ailey and Company (1978 twentieth anniversary season) 2. Alvin Ailey and Judith Jamison
Jack Mitchell Photographer
Every Time I Close My Eyes is a song written and produced by R&B artist Babyface. It was released as the second single from his fourth album, The Day. Continue reading
In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many thought of the work as the male equivalent of the female solo Cry (1971). Continue reading
By Walter Rutledge
In 2003 I telephoned Ailey Dancer Emeritus Dudley Williams. At that time he was a 39 year veteran of the Ailey Company, one year from a forty year milestone as an Ailey dancer. The Bearden Foundation and The Nanette Bearden Contemporary Dance Theater were planning a centennial celebration for internationally renowned artist Romare Bearden. The dance company would present a new work On The Block based on the six panel mural by Bearden, which is in the permanent collection at the New York Metropolitan Museum of Art.
I introduced myself and explained the projected; we wanted him to play an abusive husband opposite Hope Clark. I finished the introduction with “I have called you the Lyric Crown Prince of modern dance but in this work I’m going to need you to be a real son of a bitch”. He paused then quickly responded “I can do that”. This began a working relationship and friendship that would last until his death. I still miss Dudley’s dry wit and even drier Bombay Blue Sapphire Martini. I know that you are still dancing this solo probably with Alvin directing and Donny singing. Happy Birthday Dudley Continue reading
In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many thought of the work as the male equivalent of the female solo Cry (1971). Continue reading
In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many thought of the work as the male equivalent of the female solo Cry (1971). Continue reading
In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many thought of the work as the male equivalent of the female solo Cry (1971). Continue reading
In 1971, Alvin Ailey created Cry, one of his signature dance works, as a birthday present for his mother Lula Elizabeth Ailey. Ailey dedicated the ballet to “all black women everywhere — especially our mothers.” The three-part ballet, set to popular and gospel music by Alice Coltrane, Laura Nyro and Chuck Griffin, depicts a woman’s journey through the agonies of slavery to an ecstatic state of grace. Cry premiered at New York City Center on May 4, 1971. Continue reading
Jennifer Dunning’s December 14, 1986 New York Times review of the Alvin Ailey American Dance Theater began with an acknowledgement to dancer Dudley Williams. The title and opening paragraphs says it all. Continue reading
Wollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern Parkway
Encounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn Museum
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York Historical
Lo Life (Love & loyalty) Documenting Lo Life Culture Since 1988
Lo Goose On The Deuce refers to an annual NYC cultural event celebrating "Lo Life" style and fashion, where enthusiasts gather on 42nd Street (The Deuce) to showcase their distinctive looks, especially their Polo Ralph Lauren gear, often featuring puffer jackets, with events held around Martin Luther King Jr. weekend. Curated by Rack-Lo.
42ND Street @ Red Stairs MapWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn Museum
A dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
To mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York HistoricalWollman Rink is a public ice rink in the southern part of Central Park, Manhattan, New York City. It is named after the Wollman family who donated the funds for its original construction. The rink is open for ice skating from late October to early April.
830 5th Ave, New York, NY 10065
Claude Monet once claimed that Venice was “too beautiful to be painted,” a challenge he embraced by creating an extraordinary sequence of works depicting the Italian city. Monet and Venice is the first exhibition to focus on Monet’s luminous Venetian paintings—a radiant yet underexplored chapter in the artist’s late career—since their debut in 1912.
200 Eastern ParkwayEncounter an artist who changed the face of portrait photography. Seydou Keïta: A Tactile Lens is the most expansive North American exhibition of the legendary Malian photographer’s work to date. More than 280 works include iconic prints, never-before-seen portraits, textiles, and Keïta’s personal artifacts, all brought to life with unique insights from his family.
Brooklyn MuseumTo mark the centennial of The New Negro—the groundbreaking 1925 anthology of poetry, essays, and art edited by Alain Locke—The Gay Harlem Renaissance invites visitors to immerse themselves in the richness of Black LGBTQ+ life in the 1920s and 1930s.
The New York Historical