4/14/25 O&A NYC DANCE REVIEW: Dance Theatre of Harlem

By Walter Rutledge

The Dance Theatre of Harlem (DTH) presented their New York City season April 10th through April 14th at New York City Center. The four-day four-performance season featured works by George Balanchine, William Forsythe, Jodi Gates, and DTH Artistic Director Robert Garland. The evening presented four abstract works in the Contemporary Ballet, Neoclassic and Garland’s own Harem Swag styles. There was a lot of admirable dancing presented but little theatre offered. Continue reading

4/4/25 O&A NYC SHALL WE DANCE FRIDAY: A Conversation With Micah Bullard

By Walter Rutledge

Shall We Dance Friday

Houston, Texas native Micah Bullard is living his dream. The twenty-six-year-old dancer will perform with the Dance Theatre of Harlem April 10 through April 14 at New York City Center. This New York City season begins his fourth year with the company.  Recently O&A NYC Editor-in-Chief Walter Rutledge and Bullock sat down to discuss the upcoming season, his early training and being an African American male who dances ballet. Continue reading

3/21/25 O&A NYC SHALL WE DANCE FRIDAY: They Called Her Moses

Shall We Dance Friday

They Called Her Moses is Donald McKayle‘s story of freedom fighter Harriet Tubman. The cast includes Jacqueline Walcott, Robert Powell, Sylvia Waters, Arthur Mitchell, Kathleen Stanford, Donald McKayle and Carmen DeLavallade. Continue reading

3/20/25 O&A NYC DANCE: THPAC Search For Choreographers

The Thelma Hill Performing Arts Center (THPAC) is conducting a search for three choreographers for the upcoming 2025 season June 27th and 28th at the Ailey Citicorp Theater. THPAC will present A Ramp to Paradise an original work based on a short story by THPAC Executive Chairman Alex Smith Jr. The story is set in the Paradise Garage, the New York Black gay mega club from the late 70’s and 80’s. Choreographers should have expertise in Modern, Jazz and period social/club dance styles. Continue reading

3/15/25 O&A NYC ITS SATURDAY- ANYTHING GOES: Carmen DeLavallade- The Creation (TEDxEast 2012)

Dancer, actor and choreographer Carmen DeLavallade performs The Creation featuring choreography by her husband Geoffrey Holder. Holder also designed the costume and music. 
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3/7/25 O&A NYC SHALL WE DANCE FRIDAY: Stormy Weather- Lena Horne, Bill “Bojangles” Robinson, Cab Calloway, Nicholas Brothers, Katherine Dunham and dancers

Shall We Dance Friday

Stormy Weather is a 1943 film musical produced and released by 20th Century Fox. The movie is considered one of the best Hollywood musicals with an all African-American cast and serve to  showcase of some of the top African-American performers of the time. Continue reading

3/5/25 O&A NYC WALESTYLEZ DANCE PARTY: Wizkid – Kese (Dance)

Wizkid keeps the Morayo album party going with the video for Kese (Dance).Boasting choreography aplenty and vibes in earnest, the clip adds an electrifying new chapter to Wizkid’s impressive videography.Boasting choreography aplenty and vibes in earnest, the clip adds an electrifying new chapter to Wizkid’s impressive videography. Continue reading

2/26/25 O&A NYC WALESTYLEZ DANCE PARTY: So You Think You Can Dance Season 10 – Dorian Bluprint Hector

Dorian BluPrint Hector was a contestant on season 10 of So You Think You Can Dance. His genre is Animation. Continue reading

2/23/25 O&A NYC DANCE REVIEW: Camille A. Brown and Dancers

By Walter Rutledge

Camille A. Brown and Dancers presented an all too short New York season Wednesday February 5th thru Sunday February 9th at the Joyce Theater. The sold-out five-day seven performance run presented I AM the third installment in her Black Joy trilogy. As the curtain rose, and as the evening proceeded it became clear Brown has saved the best for last. Continue reading

2/18/24 O&A NYC DANCE REVIEW: Jamel Gaines Creative Outlet – Remembering

By Walter Rutledge

Jamel Gaines Creative Outlet (JGCO) presented their New York City season February 13 thru 15 at Brooklyn Academy of Music’s Bam Fisher Fishman Space. The seventy minute audience friendly one act was more than a celebration of Black History Month; it is also a fitting tribute to the dance theatre genre. The season offered a blend of spoken word, live drumming, recorded music and voiceovers, theater, ritual, art, photography, video projections and of course the primary medium dance. Continue reading