7/3/26 O&A NYC SHALL WE DANCE FRIDAY: Bob Fosse Dances From Sweet Charity – The Rich Man’s Frug 

A perfect example of a Frug is found in the movie Sweet Charity, which contains a number called “The Rich Man’s Frug”, a wildly energetic dance number comprising three “movements” (“The Aloof”, “The Heavyweight” and “The Big Finish”) that showcases director Bob Fosse’s distinctive choreography style, particularly his creative use of unusual poses, gestures, and arm movement.

The Frug (pronounced “froog”) was a dance craze from the 1960s that evolved from another dance of the era, the Chicken. The Chicken, which featured lateral body movements, was used primarily as a change of pace step while doing the Twist. As young dancers grew more tired they would do less work, moving only their hips while standing in place. They then started making up arm movements for the dance, which prompted the birth of the Swim, the Monkey, the Dog, the Watusi, the Mashed Potato, and the Jerk. The Frug is sometimes referred to as the Surf, Big Bea, and the Thunderbird.

Bob Fosse dance numbers – The Rich Man’s Frug 

7/2/26 O&A NYC SHALL WE DANCE FRIDAY: Janet Jackson – Alright

Alright is by R&B artist from her fourth studio album, Janet Jackson’s Rhythm Nation 1814. Written by Janet  Jackson and Jimmy Jam also Terry Lewis, he song was released on March 4, 1990, by A&M Records as the fourth single from Janet Jackson’s Rhythm Nation 1814. Continue reading

7/1/26 O&A NYC WALESTYLEZ DANCE PARTY: Zilla Madness 6 – Chase vs Sound Cloud

Zilla Madness is back! With High Level Street Dancers entering the danger zone, going head to head putting there careers on the line to maintain bragging rights.Witness Chase and Sound Cloud battle in Zilla Madness 6!Sound Cloud showed no fear towards Chase, lets us know in the comments who won the battle. Stay tune for Zilla Madness upcoming videos. Continue reading

6/26/26 O&A NYC DANCE BY WALTER RUTLEDGE: Amina – A Day In The Life Of A Dancer

By Walter Rutledge

One of the more rewarding aspects of being a cultural commentator is the opportunity to observe so much young talent. People from all walks of life converge on New York City with their dreams wrapped in the invincibility of youth. It’s amazing! It’s like seeing Geese flying south, Salmon swimming upstream and sometimes Lemming to the sea. Regardless, many have sacrificed with the hope of fulfilling their destiny, of living their dream. Amina Konaté is living her dream. Continue reading

6/25/26 O&A NYC THROWBACK THURSDAY PRIDE: Sylvester

Redo-Slyvester

Sylvester James, Jr., better known as disco and soul singer-songwriter Sylvester, was often described by the mainstream media as a drag queen, but he repeatedly rejected such a description. His flamboyant and androgynous appearance exemplified  the late 1970s. Sylvester became known in the United States under the moniker of the “Queen of Disco.“ Continue reading

6/24/26 O&A NYC WALESTYLEZ DANCE PARTY: Storyboard P Dancing at Sadler’s Wells in London 

In May of 2012, Flexn/Mutant performer and New York Dance and Performance Awards (The Bessies) winner Storyboard P was invited to perform at the Breakin Convention at the world renowned Sadler’s Well in London, England. It was this very performance that helped Storyboard P win this prestigious dance award. Continue reading

6/10/26 O&A NYC SHALL WE DANCE FRIDAY: Agon Pas de Deux – Diana Adams and Arthur Mitchell

The Agon pas de deux, choreographed by George Balanchine in 1957 to a score by Igor Stravinsky, is a revolutionary milestone in 20th-century ballet. Its original cast paired Arthur Mitchell, the first Black principal dancer at the New York City Ballet, with Diana Adams, a caucasian ballerina.

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6/17/26 O&A NYC WALESTYLEZ DANCE PARTY: Dancehall International Russia 2024 – Teachers Judge Demo

The Dancehall International Russia 2024 camp featured exceptional judge and teacher demonstrations, which were officially captured and shared by the event organizers, Big Up Production. Continue reading

6/17/26 O&A NYC BY WALTER RUTLEDGE: Hymn Conversation

By Walter Rutledge

On June 4 at a group of former Ailey dancers sat down to discuss the recent reconstruction of Judith Jamison’s Hymn for the Ailey company’s four-day spring series at the Brooklyn Academy of Music. The dancers were part of the original cast of Hymn and had participated in the new remounting of the work, while also coaching the dancers in the present Ailey company. What was apparent from the beginning of the discussion was their willingness, enthusiasm and what can only be described the sheer joy in sharing their experiences with the dancers and now the public. Continue reading

6/12/26 O&A NYC SHALL WE DANCE FRIDAY SPECIAL: Wayne Brady And The Cast of ‘La Cage Aux Folles’ Perform We Are What We Are

Shall We Dance Friday

Life is a celebration with the first glimpse into rehearsals for New York City Center Encores! La Cage aux Folles. Playbill has a special look the show’s opening number We Are What We Are.The upcoming production will play at New York City Center June 17-28, with direction by Robert O’Hara and musical direction by Joseph Joubert, and choreography by Edgar Godineaux.  Continue reading