Camille A. Brown, choreographer, who has received critic acclaim for her social commentary dance works, has been named a TED2015 fellow. Brown is among 21 other fellows who were selected and range from biologists, journalists, photographers, social entrepreneurs, technology innovators, a chef, policy analyst, opera singer, astrophysicist, and paleontologist. Her most recent work Black Girl: Linguistic Play explores the social interact of black girls and women. Continue reading
By Walter Rutledge
Ailey II began their annual New York City 2016 season Wednesday March 30th at the Ailey Citygroup Theater, in the Joan Weill Center For Dance (405 W 55th Street). The two-week season, which runs through April 10, 2016, will offer two programs, All New and Returning Favorites. The season opened with the All New program, featuring four works by Kyle “JustSole” Clark, Jean Emile, Ray Mercer, and Jamar Roberts. Continue reading
The Legion of Extraordinary Dancers, commonly called The LXD, depicts two groups of rival dancers: The Alliance of the Dark who are the villains and The Legion of Extraordinary Dancers, the heroes. Both groups discover they have superpowers referred to as “the Ra” through their dance abilities. The entire story takes place over hundreds of years, beginning in the 1920s up to the year 3000.
THE LXD SEASON 2: Mark Of The Ox- Episode 4
Jon M. Chu, created, directed and produced the series inspired by Michael Jackson’s Thriller and Smooth Criminal music videos and by the dancers he met while filming the movie Step Up 2: The Streets. He has described the show as “balletic”, “operatic”, “high quality” and a “Justice League of Dance.“
For the LXD, one moment changes everything: the promise of eternal love, the legacy of family bonds, and the destiny of two brothers. Continue reading
The Dark Doctor forges an alliance with Karey to destroy the LXD, once and for all. Continue reading
By Walter Rutledge
The Dayton Contemporary Dance Company (DCDC) will perform Donald McKayle’s Rainbow Round My Shoulder tonight with Paul Taylor’s American Modern Dance at the Koch Theater, Lincoln Center. This is the second season of the new initiative by the Taylor Company to showcase works by emerging choreographer and modern dance masters during their New York City season. O&A NYC Magazine talked with DCDC Artistic Director Debbie Blunden- Diggs about the work and the New York City performances. Continue reading
On Tuesday March 22 the Dayton Contemporary Dance Company performed Donald McKayle’s 1959 modern dance classic Rainbow Round My Shoulder during Paul Taylor’s American Modern Dance New York City season. The presentation is part of the Taylor Company’s initiative to present new works by emerging choreographers and modern dance masters. This is the second season of the initiative; season one featured an impressive performance of Doris Humphrey’s Passacaglia and Fugue by the Jose Limon Dance Company.
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Following the performance a reception honoring McKayle was held at the Koch Theater, Lincoln Center. McKayle (84) was greeted by well wishers, and a surprising number of dancers who had performed the work over the past 56 years including former Alvin Ailey American Dance Theater performers Donna Wood, Elizabeth Roxas, Ailey 2 Artistic Director Emerita Sylvia Waters and Tony Award Winner George Faison. You have two more opportunities to see Rainbow Round My Shoulder on Thursday, March 24 and Saturday March 26. DON’T MISS IT! (Review of Rainbow Round My Shoulder and related interviews to follow shortly.) For tickets visit www.boxoffice.dance.
Rainbow Round My Shoulder photo by Sara D. Davis/ ADF 2011
To honor the Martha Graham Dance Company’s 90th Anniversary Celebration Paul Taylor’s American Modern Dance will perform Graham’s Diversion of Angels during the New York City season at the Koch Theater, Lincoln Center. Former Graham principal dancers Blakeley White-McGuire and Tadej Brdnik restaged the work on the Taylor Company; which has been maintained by Linda Hodes. Hodes, a former member of both the Graham and Taylor Companies, performed the work with Taylor and in 1993 became the Founding Director of Taylor 2. Continue reading
Promethean Fire (2002) danced to the music of three of Leopold Stokowski’s famous Bach transcriptions (Opus 116). The ensemble work is one of Paul Taylor’s six ballets set to the music of the baroque master. This excerpt is the first movement choreographed to the celebrated Toccata and Fugue in D minor. Continue reading
Jennifer Gelfand performs the Vortex section of Alvin Ailey’s The River. Originally set on American Ballet Theatre in 1970 the work was performed by Gelfand during a tour entitled Vortex section of Alvin Ailey’s The River. Fernando Bujones and Stars of the Boston Ballet in 1993. The work was set to music by Duke Ellington. Continue reading
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
Uganda: Umoja/Mirembe/Obulungi (Unity/Peace/Beauty)!The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
A dance and wellness classes design for Older Adults taught by Walter Rutledge
204 W 134th St, New York, NY 10030
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueA dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue