

Grammy-winning R&B singer Ledisi delivered a powerful rendition of Lift Every Voice and Sing at Super Bowl LIX on February 9, 2025, at the Caesar’s Superdome in her hometown of New Orleans. Continue reading


Grammy-winning R&B singer Ledisi delivered a powerful rendition of Lift Every Voice and Sing at Super Bowl LIX on February 9, 2025, at the Caesar’s Superdome in her hometown of New Orleans. Continue reading


In 1977, comedian Richard Pryor portrayed the first Black president of the United States in a pioneering sketch on his short-lived NBC program, The Richard Pryor Show. The sketch, which aired on November 5, 1977, is remembered as a highlight of the series, showcasing sharp, ahead-of-its-time social commentary. Continue reading
By Walter Rutledge


Journalist and author Cheryl Wills joins the cast as both actor and playwright for the Jamel Gaines Creative Outlet Dance Company in tonight’s production of Remembering at the BAM Fisher Fishman Space, 321 Ashland Place, in downtown Brooklyn. Wills shared the story of her great, great, great grandfather Private Sandy Wills with young audiences on Wednesday and Thursday. On Friday evening’s performance playwright Wills will be performed by Thera Ward. Continue reading


Meet Deven Crawford a 19-year-old Las Vegas Nevada native who is living his dream. The former dance major at the Las Vegas Academy of the Arts happened to meet Jamel Gaines at the 2024 IABD (International Association of Black in Dance) conference. Today Crawford is a sophomore studying dance at Marymount College in Manhattan and one of the newest members of the Jamel Gaines Creative Outlet Dance Company (JGCO). Continue reading


Le’Andria Johnson joins gospel superstar Yolanda Adams for a powerful performance of The Battle Is The Lord’s at the 2020 Super Bowl Gospel Celebration. Continue reading


Janet Jackson set off a 2004 Super Bowl firestorm when her right breast was bared during her nationally televised halftime show. The incident became known as Nipplegate and had a severe effect on Jackson while her partner Justin Timberlake tried to distance himself from the “wardrobe malfunction” . Continue reading


Lady Sings The Blues is the story of jazz singer Billie Holiday and is loosely based on her 1956 autobiography. The name of the film was taken from one of Holiday’s most popular songs.


Dottie Peoples has been a star in the gospel music industry for more than 30 years, since she was nine years old. Called The Songbird Of The South by Atlanta WAOK radio announcer Brother Esmond Patterson, Peoples won the top four honors at the 1995 Stellar Awards with her album, On Time God. Continue reading
By Walter Rutledge


Dance Theatre of. Harlem founder Arthur Mitchell told me, “It’s easy to choreograph on professionals try choreographing on regular people”. He was implying that the dance maker must rely more on creativity than on established steps and patterns. Jamel Gaines has accepted this challenge. Instead of using members of the Jamel Gaines Creative Outlet Dance Theater, he has constructed a large intergenerational cast of church constituents.
On Sunday February 1st the Creative Outlet founder/artistic director will present his staging and choreography in MAAFA: The Capture. The Brainchild of Bishop, Dr. Johnny Ray Youngblood, the 9am free performance at Mt. Piscah Baptist Church, located at 167-10 137th Ave in Jamaica, Queens, will herald in Black History Month. MAAFA: The Capture is a twenty-minute dance theatre vignette depicting the African American experience.

O&A NYC Magazine Editor-in-Chief Walter Rutledge attended recent rehearsals and watched Gaines put his neophyte cast through the paces. These rehearsals were equal parts inspiration and perspiration. A true old school director Gaines rehearsals are both exacting and exhausting. And Gaines high energy and cajoling demeanor effortlessly brings out the movement shapes and dramatic artistry. Don’t take my word here’s a sneak peek into the rehearsal process.
MAAFA: The Capture rehearsal
The black church has always been the source of not only inspiration but the hallmark for information and education. MAAFA: The Capture captures African American history in an entertaining and enlightening dance theater group endeavor. Unity through community.
The Roots perform Ain’t Gonna Let Nobody Turn Me Around from the 2014 soundtrack of the film For A Revolution. In this clip, which juxtaposes black and white footage of 20th-century Civil Rights protests with color footage of the band performing in a recording studio. Continue reading