By Walter Rutledge
The 19th Annual NYC Black Pride 2016 began with IGNITE: An opening reception at ALOFT Harlem. The bar and main floor became an informal yet intimate setting for the four-hour soiree, which eventually spilled out in to the courtyard. The opening event sponsored by FACES-NY, brought together members from all areas of the LBGTQ community. Continue reading
By Walter Rutledge
The 19th Annual NYC Black Pride 2016 begins today with IGNITE: The opening reception at ALOFT Harlem, 2296 Frederick Douglas Blvd. The five-day celebration, which runs through Sunday, August 21, will feature events celebrating the contributions of LGBTQ people of color. NYC Black Pride, the oldest LGBTQ celebration, has morphed throughout the United States into celebrations of awareness, camaraderie, and tolerance. Continue reading
By Walter Rutledge
The Fire Island Dance Festival held their 22nd annual fundraiser July 15 through 17, 2016. The three-day four-performance festival presented emerging and established choreographers and companies in a stunning outdoor setting framed by the Great South Bay. In the last few of years the festival has felt more like a traditional summer outdoor choreographers showcase. This year the well-curated and focused concert series returned to its roots offering 8 provocative, sensitive and thought-provoking works.
Many of the works revolved around the theme of love and relationship. Glenn Sims and Linda Celeste Sims opened the program with MATCH- The First Installment by Abdul Latif. The set, which resembled of an oversized two-tiered revolving “Lazy Susan”, provided a panoramic perspective of the top-tier duet. It also highlighted the artistic intensity of the two Ailey veterans and real life husband and wife. During the three sections the dance evolved from seated floor work to energetic, but cool jazz that framed the set. Dancers Eury German, Nik Owens, Jillian Roberts and Valentina Strokopytova assisted the couple on stage.
Lasting Embrace choreographed by Ballet Contemporaneo De Camaguey’s Associate Artistic Director Pedro Ruiz had a profound affect on the audience. The adagio demonstrated a good use of theme and development that created a movement based love letter. Armando Gomez Brydson and Jesus Arias Pagues danced the thoughtful and well-crafted duet with strong emotional and technical prowess. Masculine, yet tender the supported partnering switched between the two dancers establishing a feeling of equality and camaraderie.
Wendy Whelan performed the third duet First Fall with choreographer Brian Brooks. The work used momentum and shared body weight to develop a conversation with a distinct voice. Brooks’ designed a sophisticated work with visual innuendoes that clearly expressed his intent through subtlety and repetition than overt movement passages
Larry Keigwin’s fun romp Episodes was set to a lively version of Leonard Bernstein’s On The Town. Members of Keigwin + Company performed the sextet with a good sense of athleticism and solid theatricality. Dancers Kacie Boblitt, Brandon Cournay, Benjamin Freedman, Kile Hotchkiss, Emily Schoen and Jaclyn Walsh danced the upbeat work with the proper amount of verve and playfulness.
Madboots Dance
For Us by Madboots Dance, choreographed and performed by Jonathan Campbell and Austin Diaz became an immediate audience favorite. Choreographed in response to the Orlando Tragedy the work began with an eerily rendition of Judy Garland’s Somewhere Over The Rainbow and segued into a dialogue on love. Here the choreographer’s intent was so clear that the overall composition became more important than any isolated movement passages. The message of love and acceptance culminated with a protracted lip lock, titillating the audience and creating a theatrical crescendo.
Choreographer Andrea Miller, in collaboration with Gallim Dance, presented a personal elegy entitled Mike and Harvey. A loving tribute to Miller’s close friends and long time Fire Island residents Harvey Alter and Mike Young. Set to Samuel Barber’s Adagio for Strings the trio reflected loss and separation. Shroud in a black cloche Gwyn Mackenzie seemed to mourn and reminisce Austin Tyson and Paul Vickers, who moved with a special tenderness. At the end the men simply sat on the upstage edge of the stage, legs dandling over, and looking out on the bay as if at home enjoying the sunset.
Dance Theatre of Harlem
Darrell Grand Moultrie’s Equillibrium (BROTHERHOOD) setto a contemporary jazz score by Kenji Bunch displayed a good use of counterpoint. The choreographer’s musicality could be seen through his use of cannon, and sculptural geometric and asymmetric groupings. Dance Theatre of Harlem dancers Dylan Santos, Anthony Javier Savoy and Jorge Andres Villarini danced with a technical ease, effortlessly jumping, turning and kicking throughout the abstract work.
Gay Paree (inspired by Freddie Falls in Love) ended the evening with an uproarious vacation for two male travelers to Paris. Choreographed by Al Blackstone with Billy Griffin the ensemble dance narrative moved with the fast paced unexpectedness of a vacation gone awry. This jazzy theatrical excursion into movement mischief added a different take on Americans in Paris.
The Fire Island Dance Festival is the most prestigious cultural and charitable event on the Fire Island Pines. For the last six consecutive years the festival has surpassed the previous year’s fundraising efforts; this year the festival raised a record-breaking $560,133. The funds assist the efforts of Dancers Responding to AIDS (DRA), a program of Broadway Cares/Equity Fights AIDS. As a program of Broadway Cares/Equity Fights AIDS, DRA supports more than 450 AIDS and family service organizations in all 50 states as well as the essential programs of The Actors Fund, including the HIV/AIDS Initiative and The Dancers’ Resource.
Fire Island Dance Festival 2016 Highlights
Over its 22 year history the Fire Island Dance Festival has raised more than 4.8 million dollars to help those in need living with HIV/AIDS. In addition, individuals with other debilitating illnesses in New York and across the country have access to lifesaving medications, counseling, healthy meals and emergency financial assistance. For more information, or to make a donation please visit Dancers Responding to AIDS at dradance.org, on Facebook at facebook.com/DRAdance, on Twitter at twitter.com/DRAdance, on YouTube at youtube.com/DRAdance and on Instagram at instagram.com/DRAdance.
By Walter Rutledge
On Wednesday June 14, 2016 Donald McKayle’s Rainbow Round My Shoulder received a New York Dance and Performance Award (The Bessies) for Outstanding Revival. The 32 Annual Bessies Awards will take place on Tuesday, October 18, 7:30pm at the Brooklyn Academy of Music, Howard Gilman Opera House. This review was originally posted by O&A NYC Magazine on April 11th, 2016.
Paul Taylor’s American Modern Dance presented Donald Mckayle’s masterwork Rainbow Round My Shoulder during their 2016 New York City season. Dayton Contemporary Dance Company performed the work as guest of the Taylor Company. This marks the second year of Taylor’s new dance initiative, which presents modern dance classics often performed by guest companies. Continue reading
By Walter Rutledge
The New York Dance and Performance Awards, The Bessies, announced the nominees for the 2015-16 season at a press conference on Wednesday July 14 at Gibney Dance: Agnes Varis Performing Arts Center at 280 Broadway. Continue reading
By Walter Rutledge
A Walk In Our Heels began as a dare by one of Abdiel Jacobsen’s private ballroom students. Jacobsen acquired a pair of high heels took up the challenge starting a blog called A Walk In My Heels (awalkinmyheels.com). The blog documented his travels throughout New York City as a man wearing high heels for over a year. This experiment became the catalyst of his choreography A Walk In Our Heels, one of the works performed during the 40th anniversary of the Thelma Hill Performing Arts Center on June 22, 2016. Continue reading
By Walter Rutledge
Bones The Machine has become one of the most visible members of Flex dance community. Bones style of contortion, illusion, and an urban theatrics has caught the eye of the public, and the notoriety has propelled him and his crew, The Next Level Squad, to worldwide acclaim. Bones and Next Level Squad have introduced their special brand of Flex to international audiences with performances in London, Japan, and Germany and recently starred in an ad campaign with Diesel for Joog Jeans. Continue reading
By Walter Rutledge
The 40th Anniversary season of the Thelma Hill Performing Arts Center will conclude on Tuesday June 28 with a special by Philadanco and Marshall Swiney. Continue reading
By Walter Rutledge
The Thelma Hill Performing Arts Center’s 40th Anniversary season at the Actor Fund Center, 160 Schermerhorn Street, is in high gear. The third evening presented new, emerging and mid-level choreographers with works ranging from ballet to hip-hop. The performance expressed the founding credo of the organization by presenting the diverse and innovative choreography of artists of color.
The evening opened with a series of solo works. Francesca Harper’s Deconstructing Flack consisted of two solo works echoing the theme of love and loss. Both works, set to the music of Roberta Flack, took the audience from prologue to epilogue.
Erika Lisaku danced the opening solo with a poignant despair. Harper captured the haunting quality of Flack’s First Time Ever I Saw Your Face. In the second solo dancer Amanda Sachs conveyed the acceptance of her situation. More reflective and introspective Ballad of the Sad Young Men had a feeling of resolve.
Toro (pool in a river) by Takeshi Ohashi moved with an elegant quiet control. Danced by Ohashi, with live trumpet accompaniment by Justin Osouna Chance, the impressive movement quality combined tight, isolated movement with sweeping floor work. The works fluidity and grounded quality evoked both the purposeful nature Tai Chi and the explosive excitement of break dance.
The last solo, William Isaac’s charming No Banana Skirt, offered an upbeat and fun variation. Amanda Smith danced the lively and energetic pointe piece with technical proficiency and an effervescent deportment. Both the performance and choreography encapsulated the fun spirit of the Josephine Baker’s rendition of Bye Bye Blackbird.
Purelements: An Evolution in Dance closed the first act with The Call by Men Ca. Danced by the junior company the work effectively blended West African and modern dance. The level of professionalism and commitment endeared this group of young performers to the audience, and became one of the most satisfying aspects of the performance.
The Hip-Hop dance crew Special Ops five-man dance crew consisting of Ptah, Floats, Twist, Press, Rachett and Ej wowed the audience. The crew exemplified the evolution of the urban art form synonymous with 80’s street culture to 21st century inner city storytelling through a codified movement style. Using Flexing (isolated movement and contortions, Gliding (floating across the floor) and Shotta Dance (derived from Reggae dancehall) Special Ops shared a gritty reality ripped from today’s headlines.
Nijawwon Matthew’s XY Dance Project transported us from rap to Bach with his ensemble dance Work Forty. The work blended modern, ballet, gymnastics and “Matthews” to create a visual and kinesthetic excitement. Costumed in white bras, and briefs the dancers donned olive-green ski mask type headgear by Project Runaway’s Mondo Guerra, which reminiscence Robert Rauschenberg work in Paul Taylor’s Three Epitaphs. Matthew continues to find his own voice, and we commend and encourage him to keep exploring.
Earl Mosley’s Diversity of Dance closed with Wild and Free! (Draft 5). The jazz infused modern dance ensemble work featured a cast of 23 dancers, and quickly evolved into a witty high-energy pure dance crescendo. Mosley’s ability to bring out the best in every member of the ensemble has become one of his true strengths.
Alexander Diaz distinguished himself with abandoned risk taking and a focused attack, which made it hard not to watch him. The duet between Christine Caimares and Riccardo Bataglia had a strong yet sensual combativeness attack that (thankfully) avoided violence.
The 40th Anniversary Season continues tonight with a new line up diverse choreographers. The roster includes Jamal Story, Jean Emile, HSA Dance Ensemble, Charles Moore Dance Theater, Ronald K. Alexander, Abdiel Jacobsen and Bones The Machine. The evening will open with a special tribute to Loretta Abbott presented by Tony and Emmy Award winner George Faison.
For more information and tickets visit www.thelmahill.com tickets can also be purchased at the box office 30 minutes prior to the performance.
Loretta Abbott, dancer, actress, singer and choreographer passed away on Sunday June 5, 2016. A natural performer Abbott had two passions: her love for dance that spanned over 70 years, and her allegiance to the Harlem community where she lived her entire life. Continue reading
Boston Red Sox vs New York Yankees at Yankee Stadium
Yankee Stadium
The show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
Join us on Sunday, June 7, 2026, at 1:00 PM for the unveiling of the 5th iteration of the Harlem Renaissance 2.0 Banner Project, presented by The Gatekeepers Collective (TGC). This year’s powerful public art installation, "Where Art Meets Activism on 125," honors the lives, legacies, and cultural contributions of Same-Gender-Loving/LGBTQ+ African American trailblazers whose vision, courage, and creativity helped shape Harlem and American culture
The Forum at Columbia University
The Oxtail Off - NYC: This event will feature THE BEST Caribbean food trucks in all of New York City, along with top chefs competing for the Oxtail Off Championship crown! Based on your ticket level, you will be able to receive samplings of Oxtail from competing chefs, or enjoy full plates from our amazing onsite vendors. Vegan, pescatarian, and vegetarian options will be available.
99 Scott Studio
Ballet Tech Kids Dance lighting up The Joyce stage! Celebrating five years as Artistic Director, Dionne Figgins premieres a full-length ballet, "Echoes of the Studio," featuring students dancing alongside BT alumni. This new work highlights the journey of Ballet Tech students from studio to stage, showcasing the inspiration, technique, determination, and heart it takes to bring a trainee’s dancing to life.
THE JOYCE THEATER
American Liberty Ballet presents Sylvia, a myth-inspired tale brought to life with vivid characters and dynamic choreography.
Theater at St. Jean’s150 E. 76th St.New York, NY 10021
Under the leadership of Artistic Director Alicia Graf Mack and Associate Artistic Director Matthew Rushing, the company’s fourth consecutive BAM season promises to be a celebration of joy, beauty, and the transformative power of dance.
Program
Hymn (1993, new production 2026) by Judith Jamison
New York hottest place to be for a fun Sunday evening house music party. JD Frankie Paradise will get you moving whether you dip, twist or just strike a pose.
District - 246 west 35th street
The show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth Avenue
A dance and wellness classes design for Older Adults taught by Walter Rutledge
204 W 134th St, New York, NY 10030
The show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueA dance and wellness classes design for Older Adults taught by Walter Rutledge
720 Nereid Ave, Bronx, NY 10466
The show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueThe show will present iconic works from the museum’s collection by more than 20 artists, including John Chamberlain, Chryssa, Jim Dine, Roy Lichtenstein, Lucas Samaras, and Andy Warhol. Highlights will include Maurizio Cattelan’s Comedian (2019) and Claes Oldenburg and Coosje van Bruggen’s Soft Shuttlecock (1995), on view in New York for the first time in 25 years. These works will be shown alongside Yayoi Kusama’s INFINITY MIRRORED ROOM – DANCING LIGHTS THAT FLEW UP TO THE UNIVERSE (2019), a major loan to the exhibition, and recent acquisitions by contemporary artists such as Farah Al Qasimi, Alex Da Corte, Lucia Hierro, Martine Gutierrez, Lauren Halsey, Mohammed Ahmed Ibrahim, Yee I-Lann, Cara Romero, and Liu Shiyuan, whose practices expand the legacies of Pop.
1071 Fifth Avenue New York, NY 10128 (at 88th Street)
The new permanent installation foregrounds the creativity of artists across the subcontinent and enduring, dynamic historical traditions. The Met’s Arts of Africa galleries returned in May 2025, in a reimagined Michael C. Rockefeller Wing. Following a multiyear renovation, the reenvisioned installation reintroduces visitors to the Museum’s collection of sub-Saharan African art through a selection of some 500 works organized to survey major artistic movements and living traditions from across the subcontinent. The new galleries present original creations from the Middle Ages to the present, and one-fourth of the works are on display at the Museum for the first time.
The Met Fifth AvenueNew York hottest place to be for a fun Sunday evening house music party. JD Frankie Paradise will get you moving whether you dip, twist or just strike a pose.
District - 246 west 35th street
