9/2/23 O&A NYC SATURDAY MORNING CONCERT: Ulysses Dove Vespers

Ulysses Dove proclaiming a thoroughly exhilarating vision of female power and strength in Vespers. Inspired by Dove’s memories of his grandmother’s place of worship, this dramatic work showcases the athleticism and grace of six female dancers who are propelled by Mikel Rouse’s profound electronic score.  Continue reading

12/1/23 O&A NYC WORLD AIDS DAY: Ulysses Dove- Dancing on the Front Porch of Heaven

Dancing on the Front Porch of Heaven: Odes to Love and Loss is a work by Ulysses Dove. Set to Estonian composer Arvo Pärt’s haunting composition Cantus in Memory of Benjamin Britten, the ballet features six dancers; and is a moving tribute described by Dove to the “people I loved. Continue reading

6/11/23 O&A NYC DANCE REVIEW: Ailey At BAM

By Walter Rutledge

The Alvin Ailey American Dance Theater presented a Brooklyn dance series June 6th thru 11th at the Brooklyn Academy of Music (BAM). The six-day seven performance series offered two well curated programs of new works and Ailey classics. The Saturday evening performance consisted of four works by four modern dance luminaries, Kyle Abraham, Robert Battle, Ron Brown and Paul Taylor. Continue reading

2/14/24 O&A NYC ST. VALENTINE’S DAY DANCE: Dudley Williams- Alvin Ailey’s Love Songs

d90704264383da96da61f51bc870f967In 1972, Alvin Ailey created the elegiac solo Love Songs for dancer Dudley Williams. The  sixteen minute solo, composed in three sections includes A Song for You by Donny Hathaway; Poppies by Nina Simone; and He Ain’t Heavy, He’s my Brother by Donny Hathaway. Many  thought of the work as the male equivalent of the female solo Cry (1971). Continue reading

4/30/23 O&A NYC DANCE HISTORY: The Life of Alvin Ailey

Dancer and choreographer  Alvin Ailey revolutionized the world of dance by honoring the African American experience. Unfortunately his personal journey was not without its struggles.
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4/9/23 O&A NYC DANCE REVIEW: A.I.M. By Kyle Abraham

By Walter Rutledge

A.I.M. By Kyle Abraham presented their New York season from April 4th through April 9th at the Joyce Theater. The well curated program presented five works by three choreographers including three world premieres. All the works, which ranged from dance theatre/storytelling to pure dance, fit the A.I.M. By Abraham aesthetic surprisingly well, this successfully produced a visual cohesive, but uneven evening of dance. Continue reading

3/10/23 O&A NYC SHALL WE DANCE FRIDAY: They Called Her Moses

They Called Her Moses is Donald McKayle‘s story of freedom fighter Harriet Tubman. The cast includes Jacqueline Walcott, Robert Powell, Sylvia Waters, Arthur Mitchell, Kathleen Stanford, Donald McKayle and Carmen DeLavallade. Continue reading

2/24/23 O&A NYC SHALL WE DANCE FRIDAY- CELEBRATING BLACK HISTORY MONTH: Rainbow Round My Shoulder- Donald McKayle with Mary Hinkson

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Donald McKayle’s 1959 masterwork, Rainbow Round My Shoulder, is acclaimed as a modern dance classic. A searing dramatic narrative, it is set on a chain gang in the American south where prisoners work, breaking rock from “can see to can’t see.” Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. The songs that accompany their arduous labor are rich in polyphony and tell a bitter, sardonic, and tragic story. It was created for the Donald McKayle Dance Company, and has been in the repertoire of the Alvin Ailey American Dance Theater, Batsheva Dance Company and Dayton Contemporary Dance, among others. The cast in the video excerpt includes Donald McKayle and Mary Hinkson. Continue reading

1/4/23 SATURDAY MORNING CONCERT: John Henry- Dance Theatre of Harlem

John Henry is the tale of the steel drivin’ man who fights against automation. He challenges the steam drill and wins, but dies with his hammer in his hand. Choreographed by DTH Co-founder Arthur Mitchell in 1988, his ballet is a testament to the singular perseverance that allowed the folk hero to triumph over impossible odds. Continue reading

1/18/23 O&A NYC REVIEW: Ronald K. Brown/Evidence

By Walter Rutledge

Ronald K. Brown/Evidence began its New York season at the Joyce Theater on Tuesday January 17 and runs through Sunday, January 22. The six-day, seven performance offering presents three ensemble works spanning twenty-four years of Brown’s artistry. The season provides an insight into the thirty-eight-year journey of Brown and Evidence. Continue reading