11/10/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Hope Boykin – How Love Sounds – Paul Taylor Dance Company

The Paul Taylor Dance Company‘s New York City season opened on Tuesday November 4 at the New York State Theater in Lincoln Center for 20 performances through November 23.  The opening night performance presented Paul Taylor’s Concertiana and Cascade, and the New York premiere of Hope Boykin’s How Love Sounds. That evening Boykin’s work programmatically felt like a culinary intermezzo, a refreshing palette cleanser between two Taylor classics; but on Thursday’s program How Love Sounds proved to also be a versatile audience pleasing closer. Continue reading

11/4/25 O&A NYC DANCE BY WALTER RUTLEDGE: Paul Taylor Dance Company Sneak Preview

The Paul Taylor Dance Company opened its New York City season tonight in State Theater at Lincoln Center. I very really can just watch a performance without a critical eye. This evening the Taylor Company indulged me with a ticket to tonight’s performance. Review(s) will follow, but it would be remiss of me not to give you a sneak preview of the Taylor season. Continue reading

10/31/25 O&A NYC DANCE BY WALTER RUTLEDGE: A Conversation with Robert Battle

Its Taylor Time! The Paul Taylor Dance Company returns to Lincoln Center’s State Theater November 4 through 23. The company will present a total of eighteen works including the New York premiere of choreographer Hope Boykin and world premieres by resident choreographers Lauren Lovett and Robert Battle. Out and About NYC Magazine Editor- in Chief Walter Rutledge and Battle sat down for a long overdue conversation about his new work Under the Rhythm, his second work for the Taylor Company. Continue reading

12/22/24 O&A NYC DANCE REVIEW: Ailey Premieres by Boykin, Lobovitch, and Roberts

By Walter Rutledge

The Alvin Ailey American Dance Theater is now halfway through their 66th New York season at New York City Center. In the 18 remaining performances this season, which runs until January 5, the company will present 19 works by 12 choreographers. The fall/winter Ailey season has become one of New York City’s annual holiday traditions. Continue reading

6/18/20 O&A NYC EVENTS: Sneak Preview of Hanging Tree- Juneteenth is African American Independence Day

By Walter Rutledge

Juneteenth is the oldest nationally celebrated commemoration of the ending of slavery in the United States. This observance should hold the status of an African- American Independence Day. Juneteenth 2020 will take place on Friday; and to commemorate the 155 anniversary of independence Jamel Gaines Creative Outlet Dance Company of Brooklyn and NYC Summerstage with present a virtual celebration entitled Hanging Tree. This virtual event will take place on Friday June 19, 7pm on Summerstage YouTube.

The production brought together the talents of dancer James “Banks” Davis, musician Talu Green, vocalist Marcelle Davies Lashley, poet Carl Hancock Rux, choreographer/director Jamel Gaines and members of the Creative Outlet family. Mothers and fathers performed with sons and daughters, brothers and sister, nieces and nephews, and present and former company members brought love, creative, reverence and community to the steps, plaza and base of the Doric styled Prison Ship Martyrs’ Monument in Brooklyn’s Fort Green Park. Immediately following the performance there will be a panel discussion lead by Alvin Ailey American Dance Theater dancer/choreographer Hope Boykin. 

 O&A NYC attended the filming of the presentation and brings you a sneak preview of Jamel Gaines Creative Outlet’s Hanging Tree.

Preview Hanging Tree: A Juneteenth Celebration

On June 19th, 1865 a regiment of Union soldiers led by Major General Gordon Granger arrived in Galveston, Texas. One of Granger’s first order of business was to read to the people of the city a document entitled General Order Number 3. The proclamation began:

“The people of Texas are informed that in accordance with a Proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired laborer.”

Juneteenth honors the memory of all people who have broken the chains of  oppression and dehumanizing servitude. It is celebration of those who have the obtained  freedom, either through the joys of emancipation or the unfortunate inevitability of death. On Friday June 19 we wish you all a joyous Juneteenth and a happy African- American Independence Day.

9/16/17 O&A NYC DANCE: Dance Documentary- The Alvin Ailey Company: Beyond The Dance (Paris 2005)

Dance Documentary- The Alvin Ailey Company: Beyond The Dance (Paris 2005) featuring Judith Jamison, Masazumi Chaya, Matthew Rushing, Glenn Allen Sims, Amos Mechanic Jr., Calvin Hunt, Dwana Smallwood, Hope Boykin, Renee Robinson and excepts from the extensive and diverse repertory.  Continue reading

12/10/15 O&A NYC REVIEW: Alvin Ailey American Dance Theater- Rennie Harris Exodus

By Walter Rutledge

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The real significance of Rennie Harris’ body of work has been his ability to transform hip-hop, a vernacular dance style created during the height of inner city urban blight of the 80’s, into the foundation for his abstract narrative art form. In early works such as Rome and Jewels (2000) Harris transforms the visceral hip-hop esthetic into 21st classicism. His latest work for the Alvin Ailey American Dance Theatre Exodus infuses the hip-hop genre and modern dance with theatrical elements and strong choreographic structure. Continue reading

12/17/14 O&A Dance: REVIEW ODETTA- Alvin Ailey American Dance Theater

By Walter Rutledge
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On Wednesday December 10, 2014 the Alvin Ailey American Dance Theatre presented the world premiered of ODETTA, a new work by company resident guest artist/rehearsal director Matthew Rushing. The work is a third of an evening dance theatre work set on an ensemble of eleven dancers. Rushing has created a work that harkens back to the company’s founding principles of conveying the human condition through the soul and spirit of the African-American experience. Continue reading