11/28/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Robert Battle’s Under the Rhythm – Paul Taylor Dance Company

By Walter Rutledge

When Robert Battle discussed Under the Rhythm prior to the Paul Taylor Dance Company New York season the poignant story of his upbringing was inspiring. Dessie Williams, his mother by choice, introduced him to the arts and encouraged his terpsichorean journey. The nonagenarian still plays the piano at the same church little Robert attended. Continue reading

11/10/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Hope Boykin – How Love Sounds – Paul Taylor Dance Company

The Paul Taylor Dance Company‘s New York City season opened on Tuesday November 4 at the New York State Theater in Lincoln Center for 20 performances through November 23.  The opening night performance presented Paul Taylor’s Concertiana and Cascade, and the New York premiere of Hope Boykin’s How Love Sounds. That evening Boykin’s work programmatically felt like a culinary intermezzo, a refreshing palette cleanser between two Taylor classics; but on Thursday’s program How Love Sounds proved to also be a versatile audience pleasing closer. Continue reading

9/1/25 O&A NYC DANCE REVIEW: Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions.

By Walter Rutledge

It seems our narratives, our cultural and historic legacy, is being erased or altered to fit a new national fiction. It is becoming extremely important to tell our own stories and to share and protect our narratives. This was the mission of the Chicago Black Dance Legacy Project production Unbound: Shattered Frames, Endless Visions. The impressive and stylish sold-out presentation took place on Saturday, August 23 at the Harris Theater for Music and Dance.

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7/6/25 O&A NYC DANCE COMMENTARY: The Ramp To Paradise Afterglow

By Walter Rutledge

The Thelma Hill Performing Arts Center (THPAC) presented A Ramp To Paradise at the Ailey Citicorp Theater on June 27th and 28th. The two-day spring performance season showcased the third rendition of the dance theater narrative. The story begins in 1985 at the now celebrated underground nightclub- the Paradise Garage.  The sold-out Saturday evening performance was followed by a classic Paradise Garage style after party that lasted from 9pm to 12am (that’s 12 midnight not the Garage’s notorious Sunday noon closing- for those who remember). Continue reading

5/26/25 O&A NYC DANCE REVIEW: DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation!

By Walter Rutledge

DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation! is the crown jewel of the annual four-day celebration of African and African influenced culture. The festivities coincide with the Memorial Day holiday weekend May 23rd thru May 26th at the Brooklyn Academy of Music’s Howard Gilman Opera House. Now in its 48th season Dance Africa continues its healing message through the voices of the Diaspora. The 2025 season transported us to the east African country of Mozambique. Continue reading

4/14/25 O&A NYC DANCE REVIEW: Dance Theatre of Harlem

By Walter Rutledge

The Dance Theatre of Harlem (DTH) presented their New York City season April 10th through April 14th at New York City Center. The four-day four-performance season featured works by George Balanchine, William Forsythe, Jodi Gates, and DTH Artistic Director Robert Garland. The evening presented four abstract works in the Contemporary Ballet, Neoclassic and Garland’s own Harem Swag styles. There was a lot of admirable dancing presented but little theatre offered. Continue reading

2/23/25 O&A NYC DANCE REVIEW: Camille A. Brown and Dancers

By Walter Rutledge

Camille A. Brown and Dancers presented an all too short New York season Wednesday February 5th thru Sunday February 9th at the Joyce Theater. The sold-out five-day seven performance run presented I AM the third installment in her Black Joy trilogy. As the curtain rose, and as the evening proceeded it became clear Brown has saved the best for last. Continue reading

2/18/24 O&A NYC DANCE REVIEW: Jamel Gaines Creative Outlet – Remembering

By Walter Rutledge

Jamel Gaines Creative Outlet (JGCO) presented their New York City season February 13 thru 15 at Brooklyn Academy of Music’s Bam Fisher Fishman Space. The seventy minute audience friendly one act was more than a celebration of Black History Month; it is also a fitting tribute to the dance theatre genre. The season offered a blend of spoken word, live drumming, recorded music and voiceovers, theater, ritual, art, photography, video projections and of course the primary medium dance. Continue reading

1/1/25 O&A NYC DANCE REVIEW: Matthew Rushing- Sacred Songs

By Walter Rutledge

The 2024 Alvin Ailey American Dance Theater’s (AAADT’s) New York City Center fall season presented four premieres by two former company members Hope Boykin and Jamal Roberts, master choreographer Lar Lubovitch, and AAADT Associate Artistic Director Matthew Rushing. Rushing’s Sacred Songs, an ensemble work with an interesting twist, is set to the music edited from the original version of Alvin Ailey’s and AAADT’s signature work Revelations. Sacred Songs it made its debut on December 20th, was the last of the four new works to premiere, and it was worth the wait.    Continue reading

12/22/24 O&A NYC DANCE REVIEW: Ailey Premieres by Boykin, Lobovitch, and Roberts

By Walter Rutledge

The Alvin Ailey American Dance Theater is now halfway through their 66th New York season at New York City Center. In the 18 remaining performances this season, which runs until January 5, the company will present 19 works by 12 choreographers. The fall/winter Ailey season has become one of New York City’s annual holiday traditions. Continue reading