8/21/25 O&A NYC DANCE: O&A NYC Embeds With CBDLP for Chicago Dance Event

By Walter Rutledge

Out and About NYC Magazine (O&A NYC) will embed with the Chicago Black Dance Legacy Project (CBDLP) for the Unbound: Shattered Frames, Endless Visions performance on Saturday, August 23, 6pm at the Harris Theater for Music and Dance. The magazine has begun to document the artists from the ten dance companies performing in this unprecedented evening of Black dance excellence. The event is being documented with written commentary, video interviews and a review of the performance. The historic and cultural importance of this “consortium of the creative” needs to be brought to the attention of the theater going public. Not just in the great city of Chicago but to our international audience. Continue reading

8/19/25 O&A NYC DANCE: The Chicago Black Dance Legacy Project And Dr. King’s Beloved Community

By Walter Rutledge

The Chicago Black Dance Legacy Project (CBDLP) will present Unbound: Shattered Frames, Endless Visions on Saturday August 23, 6pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Co- Directors Kevin Iega Jeff and Mashaune Hardy in coordination with co-curators Gary Abbott and Jeff have assembled a cast of ten of Chicago’s most exciting and progressive dance companies. This production will put meaning/message to movement for a transformative evening celebrating the city’s Black dance excellence. It will also emphasize the historic impact of Black dance on the cultural identity of the city of Chicago. Continue reading

8/16/25 O&A NYC DANCE: The Era Footwork Crew – Chicago’s Urban Terpsichoreans

By Walter Rutledge

Los Angles urban dance warriors perform Krump, Memphis dancers have the Juke, New Yorkers are Flexn and Chicago homies dance Footwork. Footwork music began evolving in Chicago in the early 90s, drawing on Ghetto House and Juke but adding complex layers of odd, almost compulsively frenetic rhythms; it grew hand in hand with the athletic, high-octane dance style that shares its name.

The dance/theatre urban storytelling style is accompanied by original lyrics and music tracks that reflect social justice, inequality and systemic racism. For over ten years Chicago’s Era Footwork Crew has introduce Footwork to the urban “dance battles” and the greater international dance community. Era Footwork Crew continues to make the urban dance style as synonymous to Chicago’s cultural identity as Deep-Dish Pizza. These Urban Terpsichorean will be part of the Chicago Black Dance Legacy Project (CBDLP) in Unbound: Shattered Frames, Endless Visions, which will premiere Aug 23, 2025, 6:00pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Continue reading

7/6/25 O&A NYC DANCE COMMENTARY: The Ramp To Paradise Afterglow

By Walter Rutledge

The Thelma Hill Performing Arts Center (THPAC) presented A Ramp To Paradise at the Ailey Citicorp Theater on June 27th and 28th. The two-day spring performance season showcased the third rendition of the dance theater narrative. The story begins in 1985 at the now celebrated underground nightclub- the Paradise Garage.  The sold-out Saturday evening performance was followed by a classic Paradise Garage style after party that lasted from 9pm to 12am (that’s 12 midnight not the Garage’s notorious Sunday noon closing- for those who remember). Continue reading

5/26/25 O&A NYC DANCE REVIEW: DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation!

By Walter Rutledge

DanceAfrica 2025- Mozambique: Movement! Magic! Manifestation! is the crown jewel of the annual four-day celebration of African and African influenced culture. The festivities coincide with the Memorial Day holiday weekend May 23rd thru May 26th at the Brooklyn Academy of Music’s Howard Gilman Opera House. Now in its 48th season Dance Africa continues its healing message through the voices of the Diaspora. The 2025 season transported us to the east African country of Mozambique. Continue reading

4/22/25 O&A NYC REVIEW: Macbeth in Stride

By Walter Rutledge

For those of us that believe “Hell has no fury like a women scorned”. And for those of us who know firsthand you do not mess with a Black woman who “ain’t feeling it”. Leave your Elizabethan mindset at home and head to the Harvey Theater to experience MacBeth in Stride – Shakespeare from a sistah’s point of view. Written and performed by Obie- Award winner Whitney White the production takes Shakespeare and female empowerment to a new level. This soulful contemporary rendition of Shakespeare’s classic tragedy Macbeth runs for only five remaining performances through April 27 at the Harvey Theater located at 651 Futon Street in downtown Brooklyn. Continue reading

4/14/25 O&A NYC DANCE REVIEW: Dance Theatre of Harlem

By Walter Rutledge

The Dance Theatre of Harlem (DTH) presented their New York City season April 10th through April 14th at New York City Center. The four-day four-performance season featured works by George Balanchine, William Forsythe, Jodi Gates, and DTH Artistic Director Robert Garland. The evening presented four abstract works in the Contemporary Ballet, Neoclassic and Garland’s own Harem Swag styles. There was a lot of admirable dancing presented but little theatre offered. Continue reading

4/4/25 O&A NYC SHALL WE DANCE FRIDAY: A Conversation With Micah Bullard

By Walter Rutledge

Shall We Dance Friday

Houston, Texas native Micah Bullard is living his dream. The twenty-six-year-old dancer will perform with the Dance Theatre of Harlem April 10 through April 14 at New York City Center. This New York City season begins his fourth year with the company.  Recently O&A NYC Editor-in-Chief Walter Rutledge and Bullock sat down to discuss the upcoming season, his early training and being an African American male who dances ballet. Continue reading

2/23/25 O&A NYC DANCE REVIEW: Camille A. Brown and Dancers

By Walter Rutledge

Camille A. Brown and Dancers presented an all too short New York season Wednesday February 5th thru Sunday February 9th at the Joyce Theater. The sold-out five-day seven performance run presented I AM the third installment in her Black Joy trilogy. As the curtain rose, and as the evening proceeded it became clear Brown has saved the best for last. Continue reading

2/18/24 O&A NYC DANCE REVIEW: Jamel Gaines Creative Outlet – Remembering

By Walter Rutledge

Jamel Gaines Creative Outlet (JGCO) presented their New York City season February 13 thru 15 at Brooklyn Academy of Music’s Bam Fisher Fishman Space. The seventy minute audience friendly one act was more than a celebration of Black History Month; it is also a fitting tribute to the dance theatre genre. The season offered a blend of spoken word, live drumming, recorded music and voiceovers, theater, ritual, art, photography, video projections and of course the primary medium dance. Continue reading