11/8/25 O&A NYC BY WALTER RUTLEDGE: A Video Of The Herb Ritts Supermodel Photography Exhibition

By Walter Rutledge

Stephanie_Cindy_Christy_Tatjana_Naomi_Hollywood_19890

In the spring of 2014 The Edwynn Houk Gallery,745 Fifth Avenue, presented an exhibition of rare, vintage photographs by celebrated American photographer Herb Ritts. The exhibition focused exclusively on the five models in his iconic work, Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989. O&A NYC shares images from the exhibition that capture the supermodel era of the 80’s and early 90’s. Continue reading

10/21/25 O&A NYC DANCE BY WALTER RUTLEDGE: We Are Back – Dance of the Village Elders

The Dance of the Village Elders returned to their Harlem home at St. Philips Church, 204 west 134th street, after a five-year CONVID 19 induced hiatus. The return was really a reunion of a very special dance family. You may ask how did you all maintain this relationship for so long? The answer is we have a long and rich history.

The Dance of the Village Elders was the brainchild of Monique Headman who produced the concept of a health and wellness program designed for seniors in 2013 for Harlem Hospital. I was one of three teaching artists hired from a world-renowned dance organization to teach for 12 weeks (one third of the 36-week program). This first year I was the last instructor to teach, and the classes attracted more than forty participants far surpassing the other two instructors.

The next year (2014) I went first and attracted a larger following. For the 2015 dance season I asked Monique could we write the grant together with me teaching the entire 36 weeks. She agreed and 2015 I became the primary instructor.

In 2016 the funding was cut, and Harlem Hospital wanted the dance organization to add some funds to offset the loss. The organization was unable (or unwilling), so we proposed to raise the money, approximately $5,000 ourselves. In the spirit of a Judy Garland/Micky Rooney musical we used a performance as our fundraiser.

At first Harlem Hospital was leery of giving us the 450-seat auditorium because to make it cost effective we would need at least 150 guests. By show time we had sold over 500 tickets. The Village Elders saved their program.

The following fall Harlem Hospital did not want to continue the program unless the dance organization contributed financially. The organization refused – why buy the cow when you can get the milk for free? The program was not renewed.

I pleaded with the organization and in writing offered to teach for free. Our request fell on deaf ears. Then the executive director remined me, “I worked for them, and they would tell me if and when the program would return.” My response in writing was “In the words of Billie Holiday I’ll do nothing till I hear from you.” And we waited and waited.

When the fall granting/funding season was over and we had not heard back we realized what it meant we had become a former program. A program is a funded entity that enhances peoples’ lives and when it becomes financially inconvenient it just disappears. Giving the participants the big corporate middle finger.

This could not happen! We were all invested in the Dance of the Village Elders and had developed a kinship that went beyond the instruction. We had become a dance family and refused to disband. We acquired the permission to use the name from Monique; I designed a logoWe moved the program to St. Philips Church two blocks away at 204 west 134th street and decided to create what we call a dance cooperative. We would raise the money ourselves and control our own dance/wellness cooperative. At St. Philips the Dance of the Village Elders flourished.

We partnered with Dancers of a Variable Population as guest performers for their Riverside Park performances. Dance of the Village Elders created our own opportunities and increased our visibility during Harlem Week, at the Richard Rogers Theater in Marcus Garvey Park and our biannual performances at St. Philips Church. We were on a roll! Then the world closed.  

COVID 19 forced us to suspend in person sessions, so we went online. This was not as successful as we hoped because not all our participants were not computer savvy. The classes were eventually suspended.

Despite our hiatus we stayed in touch on facebook, by phone, text and email. It was truly gratifying the steadfast love and support we maintained for each other as we continued to share our lives apart.  In the words of gospel icon Dottie Peoples “He’s an on time God” we have returned to our Harlem home. And last week we had our first class in five years.

Ww Are Back Dance of the Village Elders

The enthusiasm was palpable, and the love is real. We thank Canon Rector, Reverend Canon Charles Simmons; The Reverend Deacon Fitzroy Edwards, Curate Kevin Booker Kidd and our guardian angel Parish Administrator Gail Silver for making us feel so welcome again.

We are back at our Harlem home. Come join us. We meet every Thursday from 2:30pm to 3:30pm at St. Philips Church 204 west 134th street. For more information contact Walter Rutledge at walterutledge@gmail.com.

10/14/25 O&A NYC DANCE REVIEW BY WALTER RUTLEDGE: Ballet X

BalletX presented their New York City season Wednesday September 24 through Friday September 28 at the Joyce Theater. The five-day, six performance series presented four effectual works that demonstrated the company’s range and proficiency. This Philadelphia based contemporary ballet company’s New York season can best described as sensual, sultry, and visceral. Continue reading

10/7/25 O&A NYC DANCE: The Dance Of The Village Elders Is Back!

By Walter Rutledge

The Dance of the Village Elders is returning to St. Philips Church, 204 W 134th Street beginning Thursday October 16th, at 2:30pm. The senior wellness classes, which uses dance as the primary medium was a mainstay in the Harlem community. The participates learned choreography, in addition to the wellness/fitness training, and presented biannual concerts in St. Philips’ sanctuary. Continue reading

9/1/25 O&A NYC DANCE REVIEW: Chicago Black Dance Legacy Project – Unbound: Shattered Frames, Endless Visions.

By Walter Rutledge

It seems our narratives, our cultural and historic legacy, is being erased or altered to fit a new national fiction. It is becoming extremely important to tell our own stories and to share and protect our narratives. This was the mission of the Chicago Black Dance Legacy Project production Unbound: Shattered Frames, Endless Visions. The impressive and stylish sold-out presentation took place on Saturday, August 23 at the Harris Theater for Music and Dance.

Continue reading

8/23/25 O&A NYC MEET THE ARTIST: Sekou Tepaka Lunda Conde – Muntu Dance Theater

By Walter Rutledge

Lights! Camera! Action! The Chicago Black Dance Legacy Project’s Unbound: Shattered Frames, Endless Visions is finally here. This Black dance extravaganza will that place tonight, August 23, 6pm at the Harris Theater for Music and Dance. Continue reading

8/21/25 O&A NYC DANCE: O&A NYC Embeds With CBDLP for Chicago Dance Event

By Walter Rutledge

Out and About NYC Magazine (O&A NYC) will embed with the Chicago Black Dance Legacy Project (CBDLP) for the Unbound: Shattered Frames, Endless Visions performance on Saturday, August 23, 6pm at the Harris Theater for Music and Dance. The magazine has begun to document the artists from the ten dance companies performing in this unprecedented evening of Black dance excellence. The event is being documented with written commentary, video interviews and a review of the performance. The historic and cultural importance of this “consortium of the creative” needs to be brought to the attention of the theater going public. Not just in the great city of Chicago but to our international audience. Continue reading

8/19/25 O&A NYC DANCE: The Chicago Black Dance Legacy Project And Dr. King’s Beloved Community

By Walter Rutledge

The Chicago Black Dance Legacy Project (CBDLP) will present Unbound: Shattered Frames, Endless Visions on Saturday August 23, 6pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Co- Directors Kevin Iega Jeff and Mashaune Hardy in coordination with co-curators Gary Abbott and Jeff have assembled a cast of ten of Chicago’s most exciting and progressive dance companies. This production will put meaning/message to movement for a transformative evening celebrating the city’s Black dance excellence. It will also emphasize the historic impact of Black dance on the cultural identity of the city of Chicago. Continue reading

8/16/25 O&A NYC DANCE: The Era Footwork Crew – Chicago’s Urban Terpsichoreans

By Walter Rutledge

Los Angles urban dance warriors perform Krump, Memphis dancers have the Juke, New Yorkers are Flexn and Chicago homies dance Footwork. Footwork music began evolving in Chicago in the early 90s, drawing on Ghetto House and Juke but adding complex layers of odd, almost compulsively frenetic rhythms; it grew hand in hand with the athletic, high-octane dance style that shares its name.

The dance/theatre urban storytelling style is accompanied by original lyrics and music tracks that reflect social justice, inequality and systemic racism. For over ten years Chicago’s Era Footwork Crew has introduce Footwork to the urban “dance battles” and the greater international dance community. Era Footwork Crew continues to make the urban dance style as synonymous to Chicago’s cultural identity as Deep-Dish Pizza. These Urban Terpsichorean will be part of the Chicago Black Dance Legacy Project (CBDLP) in Unbound: Shattered Frames, Endless Visions, which will premiere Aug 23, 2025, 6:00pm at the Harris Theater for Music and Dance (205 E. Randolph Street). Continue reading

7/6/25 O&A NYC DANCE COMMENTARY: The Ramp To Paradise Afterglow

By Walter Rutledge

The Thelma Hill Performing Arts Center (THPAC) presented A Ramp To Paradise at the Ailey Citicorp Theater on June 27th and 28th. The two-day spring performance season showcased the third rendition of the dance theater narrative. The story begins in 1985 at the now celebrated underground nightclub- the Paradise Garage.  The sold-out Saturday evening performance was followed by a classic Paradise Garage style after party that lasted from 9pm to 12am (that’s 12 midnight not the Garage’s notorious Sunday noon closing- for those who remember). Continue reading